Browsed by
Month: January 2024

Wearable Arts In Auckland

Wearable Arts In Auckland

Despite the media hype around it, this dress didn’t even make my favourite top ten from this exhibition. Don’t get me wrong, the Imperial Yellow dress was beautiful and very intricately embroidered but the standard of all the dresses / gowns in this exhibition was genuinely mind-blowing, it was like being able to walk amongst a World of Wearable Arts show. A week later and my head is still buzzing with inspiration….

This photo doesn’t do the colour justice, it was a much brighter golden yellow with gold embroidery

Guo Pei’s story is as fascinating as the engineering behind her dresses. Growing up in communist China, fashion did not exist, so when she announced that she wanted to be a fashion designer everyone thought she wanted to be a seamstress, the concept that the shape and silhouette of clothing could be altered was not commonplace in China in the 1970’s and 80’s.

Added to that, China in the 70’s and 80’s was a very patriarchal society, women were not expected to be entrepreneurs, if they worked outside the home / domestic setting it was as an employee not an employer, making Guo Pei’s journey to owning her own fashion house all the more remarkable.

Sadly, it appears the hundreds of artisans who worked on bringing her designs to life, were not well paid, especially in the early days. Hopefully, the notoriety Guo Pei is receiving now will be reflected in the wages paid to her extremely talented embroiderers and seamstresses.

The attention to detail in each ensemble was impressive. Each gown had its own accessories and shoes which were works of art in their own right. However, I imagine some of the shoes would be like walking on stilts 🙂

I wouldn’t normally advocate taking photos up someone’s skirt but at this exhibition it is a must. I think the organisers missed a trick not putting mirrors on the floor under some of the dresses as the workmanship inside the skirts is amazing. The detailed beading and embroidery we see on the outside doesn’t stop at the hem.

View from the ground looking up a model’s leg

This dress was intriguing, viewed from the side the model appears to be very pregnant but from the front you are presented with a hollow but inflated skirt….

That is filled on the inside with hundreds of golden flowers…

I’m not sure if Guo Pei was trying to make a statement (I see soft, opulent petals in a voided pregnancy) with this dress but this idea of presenting two very different faces on the same garment fascinates me.

Some of the gowns were definitely more Art than Wearable…

The V at the front and silhouette created by the wide skirts of this dress kept luring me back to look at it. I feel the need to use this as inspiration for something but I’m not quite sure what yet….

I was equally fascinated by the engineering behind some of the dresses as I was by the beautiful designs and forms created. This voluminous skirt appears to be constructed from threading a flexible rod through a channel sewn into the fabric, creating a continuous coil that was attached at the waist.

Sadly we were not allowed to touch the dresses (there were attendants in every room making sure we did not get too close) but oh how I wanted to feel the fabrics and look more closely at how each dress was constructed!

If you get the opportunity, this really is a MUST SEE exhibition, I know a few people who have been to see it several times already!

 

2024 Photo shoot!! New Tools, Ann and Jan get new toys!

2024 Photo shoot!! New Tools, Ann and Jan get new toys!

Just before Christmas, Ann and I were chatting about photo shoots for things we had made from felting.

I had been using my, by now quite old, camera (Lumix DMC-FZ70 by Panasonic) and an older Flannelette half sheet as my backdrop.  The sheet is attached to bulldog clips, which are hooked on S-hooks. This has worked but I can only set it up directly in front of my computer, so conveniently located but not portable. It also is limited in colour, white. I guess I could get another sheet colour…

flanelet sheet held up by bulldog clips attached to S hooks. Ring light sitting in front1) sheet clips and ring light

Close up of bulldog clip2) Close-up of bulldog clip hooked over a large S hook.

moose bag #3 posisioned in front of Flanelet sheet set up3) using this set-up for a photo of Moose bag #3

The sheet is working OK, but I think I can do better.

Ann and I had looked at full-size photo backdrop set-ups, but they require a lot of floor space, which neither of us has extra of. (if you have floor space why are you not adding more wool?) We had looked at the smaller photo boxes but they work for small things, so would not work well with a felt hat or Mer-person.

Then we spotted a tabletop version of the large photo backdrop, which looked like it may work. It has a tripod base with an extendable upright, which supports a crossbar. It came in a few size variations, and after looking both, at those available through Amazon.ca and Aliexpress I selected this one. I ordered it from Amazon and let Ann know when it arrived.

This slideshow requires JavaScript.

4.1-4.3) 2.2ft Wide 2.6ft High (adjustable height from 1.5ft to 2.6ft)

https://www.amazon.ca/Linco-Lincostore-Photography-Backdrop-Background/dp/B072FJR8QW/ref=pd_vtp_h_pd_vtp_h_d_sccl_2/146-5765676-4725532?pd_rd_w=oP80i&content-id=amzn1.sym.54a077ab-41be-4d2b-b691-c4848b60dd3b&pf_rd_p=54a077ab-41be-4d2b-b691-c4848b60dd3b&pf_rd_r=Q1ZVP4V01FF62GNX9MSZ&pd_rd_wg=7N0fP&pd_rd_r=4c28de17-cf4b-4d95-bd52-6a3f2cec3b85&pd_rd_i=B072FJR8QW&psc=1

This is one of the smaller tabletop versions.  It has a sturdy wide base and comes apart to fit in a small bag. There are other models, which are both higher and with a longer cross arm. After considering what projects Ann or I would likely want to photograph, the smaller tabletop version should work for most of the projects.

the stand comes in parts, base, cross pices and clips.5) Un-assembled stand and clips. In the background, you can see the white styrofoam that the backdrops were warped around for shipping.

the bag the stand fits in6) all the parts fit in a bag for easy storage and transport.

I could use the flannelette sheet attached to the crossbar with the clips provided, but I would like more options as a background. The size that seemed to be the best option for backgrounds was 57cm by 87cm. As I investigated the options I found that there are 2-sided options (with different images or colours) as well as lots with the same colour on both sides.

I found some I liked at Aliexpress and ordered two options which arrived much quicker than expected. One was black and white.  The other was two mottled tones of rose and grey, which I suspected would be a more versatile option.

two sided black and white PVC photo back drop 2 sided PVC back drop in mottled grey and rose 7.1-7.2) The first two PVC sheets I ordered cost C$7.24 each.

I had taken Photography as one of the practical art options at university, but it was more focused on experimental composition and darkroom work. I am now working with digital photography, the darkroom work has changed to mostly adjusting the colour balance and a bit of cropping. While I didn’t study studio photography, I have a rough understanding of the concepts.  It will be fun to explore this further.

The local guild Ann and I belong to was having a last social/spin-in of the year on Dec. 30th, from 1-4 pm. We decided to come in early, so she could see the stand and the backgrounds that had arrived.  I brought the two Moose bags and Ann brought the samples for her Valentine’s Day workshop (No peeking, she will be showing you shortly).

The 2 background options had been rolled tightly around a Styrofoam core. then wrapped in packing foam and plastic which did protect them during their travels. It feels like a stiff plasticized paper and is described as “PVC Double sides printing Waterproof Photo Studio Photography”.  Whatever it is, it left them not inclined to stop curling immediately after unwrapping. I think they will stop curling if I can store them flat rather than rolled.  With a bit of sneaky persuasion (some mettle book ends, a clip and a magnet), we were able to proceed with the photo shoot.

mettle bookend and extending handle with magnet8) mettle book end with extendable handled magnet, usually used to pick up fallen needles.

Ann and her phone using the stand and the backdrop 9) Ann and her phone taking pictures she will show you later.

Ann tried both sides with her bags but I only used the mottled grey. I had a bit of trouble with deciding how to display the handles of the moose bag while shooting Moose bag #1, Glenn’s Moose.

This slideshow requires JavaScript.

10.1-10.4) Moose #1, Glenn’s Moose

Moose back #2 black moose with tan legs and blue yarn wrapped in antlers11) Moose #2 Jetta’s Moose

With moose 2, Jetta’s moose, I figured out I could have the handles looped over the top bar wing-nut to keep them out of the way.

As you can see the hole set up is not large, easily fitting on a 6×2 foot fold-up table, but it is large enough to photograph a large project bag. Since the backdrop is only clipped on, if you needed more width, you can position it horizontally rather than vertically. When set up vertically you can use the curve of the PVC to not get a distinct edge as you would find looking at a backsplash and kitchen counter. If you want to have that hard edge change, You can use a second background as a ground to position your subject on.

diagram of hard edge from photo backgrounds12) 2 backgrounds, one is used as the background and one as the surface the item sits on.

The third way to use the PVC photo backdrop paper is as a surface to place your item and shoot directly down. When Ann shows you her photos you will see her doing this.

Since we had fun with this photo shoot, when I got home I continued looking at PVC backdrops and ordered a few more options. I hope you will get to see them for some upcoming blog posts.

This slideshow requires JavaScript.

13.1-13.5) This second group was from a different seller and should arrived Jan 18.  The cost was $6.65each

If you are photographing your felting and fibre arts, having a stand and a few backgrounds would be fun. Consider what size most of your work is, to decide what will work best for you.  I would suggest considering the double-sided PVC sheets since they give you more options than the single-colour options.  If you decide on the  PVC versions, they can be used with wet felting, while it is still wet!  (this would not work out the same with cloth or paper).

That said, You don’t have to invest a lot of money to photograph your work. you can still do a lot with a couple of bulldog clips, a couple of S-hooks, an old sheet and a couple of ring lights or even a couple of flashlights or a window. My last frugal idea was some heavy-weight Christmas wrapping paper. Although it is not as sturdy as the PVC sheets, it will work for a single or a few photo shoots. The wrapping paper comes in lots of interesting patterns. Some are double-sided, so don’t forget to consider the back too. Even better it’s on sale just after Xmas!

christmass wrapping paper rolls in two patterns14) Christmas wrapping paper Moose with hat and copper snowflake

If you are looking for something in between the PVC and wrapping paper for backdrops, I can think of 2 other frugal options. First, as I originally started my fibre journey as a weaver, I have a few rolls of cheap wallpaper stored with the table looms. I went for the ugliest, cheapest, rolls of wallpaper from a second-hand store. You could keep an eye out for the slightly less hideous patterns than I have, as possible backgrounds. And lastly, I have various weights of canvas left over from painting which can be dyed or have washes of paint added to it to make a backdrop. lightweight canvas drop cloths are large and could be cut up into many pieces. Oddly, I still look at something and see that it could be used in some other way. I am not sure I will ever outgrow the frugal “starving art student brain” setting.

I know we haven’t chatted yet about lighting options.  You can see one of my 2 mid-size ring lights in photo #1 (ring light from Dollerama and the stand is an articulating desk stand from amazon.ca). Your lighting choices will depend on what you are photographing, where you are set up and whether you want a diffuses or more raking light source. The topic of lighting options can wander off into a big blog on its own, maybe a chat for another day.

Do you have favourite photo shoot equipment you use or cool tips for photographing your work?

 

 

 

 

 

 

 

1st quarter Challenge-done

1st quarter Challenge-done

Well, I must say this is the fastest I have ever done the challenge. In fact, I finished it before it was issued. It was a Christmas present for my hubby. My husband loves cast iron cookware. It does cook well and hold heat. He looks after them so I don’t have to worry about wrecking the seasoning by doing it wrong. The handles on the frying pans are hard to get a grip on when they are hot. Oven mitts always seem too big. we have some silicone ones but I always feel like the pan is trying to twist inside them. So this is where the felting comes in . I thought I would make some felt handle covers. wool is fire-resistant and a good insulator, so should work well

I measured the handles and then headed for the studio. I found a scrap of floor underlay for the resist and measured out 2 so I could do 2 at once.

Just about a perfect fit for my rolling mat.

I decided on a nice bright blue and added 4 layers of wool. I am not sure how much wool as it’s not a very large amount I just made sure both sides would have the same amount. Nothing beats guessing if it’s right. LOL

After both sides were wrapped around and wet I decided they were boring but being in a hurry ( leaving it too close to Christmas) I just added a strip of orange down the middle of both sides. I didn’t want there to be a right side up.

After wetting down it was on to felting: rub rub rub, roll, roll, roll.

I cut the handles in half so I had two the same size. Then a little more rolling and onto fulling. these are small and were coming together quickly so I fulled them in my hands by rolling them in a tube shape and in a ball.

One down and one to go

And they are now being used on the stove. they are nicly heat prove but not so thick you can’t get a good grip.

So how’s that for reading Lyn and Annie’s minds and being ready with my first post of the year? How about you? did you make someone something practical for Christmas or a birthday?

 

Mark Making on Felt – Online Class Registration Opens

Mark Making on Felt – Online Class Registration Opens

Would you like to learn new methods of “mark making” on your felt? Are you looking for ways to create work that is uniquely your own? Are you wondering about surface design on felt? If you are looking for a new learning experience, please join me. Registration opens today for my online classes! The classes are listed below with a link to each class page.  You don’t need to be present at any certain time to participate in a class and you will receive PDF’s to keep with all the relevant information learned in the class.

Screen Printed Felt Journals by Ruth Lane

All four modules of my class, EMBELLISHING FELT WITH SURFACE DESIGN TECHNIQUES – A MIXED MEDIA APPROACH, will begin on January 12th  and end on February 23rd. Registration opens today for these online classes. Click on the class link below to register for that particular class.

Nuno Felting with Paper Fabric Lamination

Experimental Screen Printing on Felt

Free Motion Machine Stitching on Felt

Printing, Stenciling, and Playing with Thickened Dye on Felt

Click on any of the links above to find out more about the class and to register and join in the fun.

Our Wet Felting for Beginners class is always available. You can start any time and follow along at your own pace. Register here.

 

2024 First Quarter Challenge

2024 First Quarter Challenge

Christmas Wreath

Annie’s Christmas door wreath made with foliage, fruit and berries from her garden

We wish you all a happy, creative 2024 – and what better way to start the new year than with a challenge!

The first quarter challenge is to make a cover using textile multi-media.

Damaged plant pots/vases need covers to keep them serviceable, sewing machines need covers to keep the dust from the workings, digital devices need covers to prevent scratches to screens, tables need covers to prevent damage and to look decorative  … this list could go on for a while!

Please post photos of your textile multi-media challenge makes in the Felting and Fiber Studio Challenges  or in the Gallery by submitting your photo here

In 2006, we visited Abbotsbury where the villagers and wider community got together to make a cover for the grand piano in the church.  Here are a couple of photos of parts of the cover.

Textile cover for grand piano

The studio challenges are open to everyone so please do join in!