Happy New Year!
I have my fingers, legs and toes crossed that, at some point later this year, we might actually be in the position of being able to safely congregate once more in large groups. Zoom has been, and continues to be, a great way of keeping in touch with family and friends but it’s also proving invaluable for many creative groups allowing us to carry on meeting, have our regular show and tell, exchange ideas and generally stay together.
Another creative positive from last year was online shows and exhibitions. Ok it’s certainly not the same as actually being there but it has allowed artists an outlet for their creativity and, in turn, provided inspiration for those of us who have visited, albeit virtually. In some cases it may be that, having seen a body of work online, we might be all the more likely to make the effort to travel to see it in the flesh once things return to normal. For me, the most inspiring work I saw online last year was the Hinterland collection created in 2017 by Gladys Paulus and featured in the 2020 video Hinterland by Gladys Paulus – a film by Chris Chapman. Gladys’s work is incredibly skilful in its design and execution and I’ve been in awe of this body of work since it was first made public but not had the chance to see it on display. With this film we are privileged to not only see but also hear the story behind this collection, as narrated by the artist. This takes the viewers experience to another level. Its a very personal and very moving story, if you haven’t already seen this film please take a look.
Another “positive” that some of us were able to take from last year was a “reconnect” with nature. Prior to lockdown my morning routine with Maddie was a short walk to the local park where I would throw her ball for half an hour while chatting to other dog walkers. On days when I was working this would sometimes feel rushed and I would be constantly clock watching to ensure I wasn’t making myself late.
Lockdown meant my days had no time constraints, it was also no longer socially acceptable to stand around in groups in the park chatting, and the government were encouraging us all to get fit……Maddie was about to discover doggy heaven! The lengthy weekend walks, anything from one to two hours across the fields and through the woods, now became our daily routine. When we return to work I’m going to have to set my alarm a lot earlier as this is one routine I’m not prepared to give up!
Country walks are always a great source of creative inspiration and, if you’re like me, you’ve got hundreds of photos saved “just incase”! Someday you might get around to starting that felted/textile project on weeds, lichen, frozen puddles, frozen leaves, dried leaves, tree bark, tree skeletons, fungi, seaweed, stones, bracken, insects……..the list goes on!
One thing I hadn’t particularly noticed, and hadn’t deliberately photographed, prior to last April was shadows. I’d not given them a thought in the past but with time on my hands, and what seemed like never ending sunshine, I found myself noticing them. The most interesting were on a tree lined stretch of the Viking Way. I’d walked this path hundreds of times before but only now was I seeing these wonderful lacy patterns and thinking they could be the starting point for an abstract wet felted Wallhanging.
I didn’t sketch or design my layout or colour scheme, it simply started out as a white Merino background with clouds of pale Viscose. Several layers of “shadows” were built up randomly on top, the first was green Viscose, the others Merino. After felting I added detail with free motion stitch and lots of Colonial Knots – my favourite hand stitch! The addition of texture started to move the piece away from “shadows” more towards bark/fungi but I was happy with that as it was keeping the tree connection. The finished piece is approx 42cm x 58cm.
Due to ongoing restrictions the International Feltmakers are holding a virtual AGM on 27th March and to coincide with that they will be launching their second online exhibition of members work. This years exhibition title is ReConnect and any work submitted has to be less than a year old. I’ve chosen this piece as my submission as its creation back in June was sparked at a time when a lot of us were reconnecting with the natural world, taking the time to notice things that have always been there but which we may have previously overlooked. It’s world’s away from the imagination and expertise of Gladys but we all need someone or something to aspire to…..fingers crossed it gets selected!
I wonder which feltmaker/textile artist you find particularly inspiring?