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Fibre and Friends

Fibre and Friends

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It’s been a while since I published anything, as I have been going through quite a difficult time.  But I was determined to finish the year with a blog, so this one is a bit of an amalgamation!  Way back in April, I was lucky enough to be invited on a day trip to Wonderwool 2022 by my friend Debbie.  I hadn’t even heard of Wonderwool when she invited me, but when she told me all about it, I couldn’t wait to go!!

For those of you (like me) who have not heard of Wonderwool, it is an annual wool and natural fibre festival that is held in The Royal Welsh Showground, Llanelwedd, Builth Wells, Powys, Wales.  It was first held in 2006, ‘to promote the market for Welsh wool and add value to product for small wool & fibre producers in Wales’.  The festival has grown over the years, and ‘covers everything from the start to the end of the creative process’.  There are exhibits of sheep, raw and hand dyed fibres, yarn, embellishments, equipment, dyes, books and also finished textile art, craft, clothing and home furnishings.   Basically, it’s a felt and fibre artist’s dream come true, where like-minded people can find almost anything they need, and it instills a feeling of excitement, much like a child in a toy shop (at least that’s how I felt!) Because of the covid pandemic, it hadn’t run for a year or two, but this year was to be the first event since the pandemic, so there was great anticipation of the resuming of this popular event.

 

Around the same time, I had been looking for a carding machine, as I wanted to start making my own wool batts to spin.  Just before my friend invited me to Wonderwool, I had found a lovely Pat Green Carder for sale on Facebook Marketplace, and I had decided to purchase it.  However, the lady selling it (Mary Rogers) lived in Birmingham, England, so I was trying to work out when I could make the drive up to Birmingham to collect it.  As it happened, Mary told me that she was planning to go to Wonderwool, and could bring the carder with her!  Fantastic, I thought… this is definitely meant to be!!  Don’t you just love it when things just fall into place?!

 

Having made all the arrangements, Debbie and I took the drive up to Builth Wells for the day, and boy, was I totally inspired!  When we walked into Wonderwool, I can honestly say my eyes must have lit up!  I really did feel like a child in a sweet shop!!  There was stall after stall of beautiful fibre, yarn, and all things sheep (not to mention other types of fibre, including alpaca, angora to name a few)!!  What struck me first, was the wonderful array of colour.  There were exhibitions of different fibre craft, demonstrations of spinning and weaving, with exhibitors from all over the UK.  We also had the chance to talk to a range of like-minded people, who were happy to share their tips and techniques with us.  Wow, what a wonderful time we had!

 

One of the exhibitors we spent time talking to, was a lady by the name of Edna Gibson, who explained that she had spent time living in Japan being taught the wonderful art of Kumihimo, an umbrella term for several kinds of Japanese braidmaking that were unknown outside Japan until about 30 years ago.  Edna told us that she was instrumental in introducing Kumihimo to the UK.   The term Kumihimo is a composite of two words, ‘kumi’ meaning coming together or group, and ‘himo’ meaning string, cord, rope or braid.  Whilst most of us will have  heard of Samurai,  I didn’t realise that the Samurai armour plates are laced together with cords, traditionally Kumihimo braids, which are also tied around ‘obis’, the sashes used on kimonos.  Edna explained that she was taught Kumihimo by a very skilled Japanese person, and brought her knowledge back to the UK.  The looms used for Kumihimo are known as ‘dai’ or ‘stands’, and are usually made from either wood or bamboo.  All the dai are set up with carefully measured threads (as many as 80 strands of fine silk are wound on each bobbin or ‘tama’).  The weighted bobbins are lifted and moved in specific repeated sequences  to produce each type of braid. Traditionally, silk was used to make braids but today, braiders also use artificial silk or rayon.

  This is my friend Debbie, with the lovely and very knowledgeable Edna.

This shows the two types of dai used.  Apologies for the poor quality of this photo, but it was taken from one of the information boards Edna had put up…

  The top photo shows braiding on a ‘Marudai’ and the bottom photo shows braiding on a ‘Takadai’.

Edna’s braiding…

 

As you can imagine, it was hard not to go on a full-out spending spree at Wonderwool!! There were so many beautiful fibres on offer, not to mention everything else!! I haven’t crocheted for many years, but was inspired by a beautiful pattern, by Janie Crow called ‘Mystical Lanterns’.  I ended up purchasing both the pattern and the yarn!  It’s a work in progress, but I’m enjoying the process!

These show some of the exhibits on show at Wonderwool.  Hopefully, my scarf will turn out as lovely.

 

There were so many exhibits and stalls, too many to include here, but this will give you a flavour of a few of the exhibits on show…

  To be honest, I was so busy choosing fibre to purchase, I didn’t take any photographs of the actual stalls!!

 

At the end of the day, I met up with Mary and her friend, to collect my drum carder.  It was lovely to share a coffee and a chat with her, and she was able to share the history of the carder with me.  We parted the day friends who share a passion for fibre, and agreed we would definitely meet up again at next year’s Wonderwool!  We shared a ‘selfie’ before we left…

 

As I mentioned, I haven’t posted for a while, due to going through a very difficult period in my life, which resulted in me not having the energy or inclination to do any fibre craft whatsoever, so I had not actually even tried out my new carder until quite recently.  But when I felt able to resume my spinning, I found it really helped me in a very mindful way.  I particularly found that spinning brought me a sense of calm and peacefulness, with positivity and joy.

 

My first project was back in October, hence the autumnal colours!  I put together a collection of merino fibre of different colours, with one part of bamboo in a dark shade.  I weighed the fibre first, as I wanted to make two batts of fibre that I could spin ready to weave with.

 

Having never used a drum carder before, this was all experimental but in the end, I was really pleased with how it turned out…

I didn’t want to blend the fibre too much, as I wanted to have the different colours come through when I spun it.  Also, I’d heard about people ending up with ‘mud’, so that was something else I wanted to avoid.  Having blended my fibre to reflect my need, I then proceeded to spin it….

This shows the difference when using a flash (on the left) verses no flash (right).

Once I had filled my bobbin completely, I proceeded to wind it into a ball, so I could ply it from both ends of the yarn.

This is the finished yarn, once it was soaked to set the twist, thwacked and dried…

  I’m quite pleased with the results.  I also feel that my spinning has improved a bit since I posted on her last time!  I’m looking forward to weaving with this yarn over the Christmas holiday period.  Hopefully I will be able to show you the end product in my next blog!

Wishing you all a very merry Christmas and a happy, healthy 2023, from Lisa and Alex 🙂

 

Update needed on my Name tag Part 2 (a 3-part process).

Update needed on my Name tag Part 2 (a 3-part process).

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Part 2 the Lanyard

For this falls’ guild sale and exhibition hands-on area, one of my suggestions was a cardstock marudai. Since then I have been sampling colours, and varying thicknesses of cotton yarn.

9-2.jpgPrototype marudai with garden Rabbit holder.

I started with the “embroidery” cotton from the local Dollerama. Since you can’t pull it apart it’s not really embroidery thread but it is cotton! The cotton comes in packs of dark solid colours, pastels and variegated colours. I have a fondness for blue so I pulled those colours for my lanyard. I had a mid-tone and light blue as well as variegated.

10“100% Cotton, each skein is 7.3m/23.9ft.”

The marudai should be printed out on a heavy cardstock. I made a template in publisher then saved it in PDF and Jpeg.

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the 4 version of the English edition

You will also require;

  • 8 slots,
  • a hole in the center and
  • 7 strands of yarn.

Good options are

  • tiny elastics and a
  • mid-side Bulldog clip

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Tiny hair elastics and Bull dog clips were available at the Dollar Tree and Dollarama

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With help from the guild I made a French side. Originally it was to be on opposite sides from the English one but my printer would not pull the paper in consistently so I was getting miss-registration I couldn’t correct, So it looks like there will be French and English versions separately. (Sorry!!)

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Set up:

Depending on how you set up the colours and position them you will get different patterns. (I have not yet tried all the variables) gather all the 7 strands together and Tie a knot (leave extra length after the knot if you want to have a fringe). Ether push the knot through the hole in the centre to the back side or from the back side, thread the yarn through leaving the knot. I add the bulldog clip to the knot so it won’t slide through the centre hole. Skipping one slot, space your strands into the 7 other slots. Wind your strands up so they’re about 4 inches loose; the rest wound up in a butterfly. Use the knot for marudai bobbins or elastic to keep if from slipping when you don’t want it to. (See the picture above)

How to weave:

This is really important. I’m sure you have heard how complicated weaving can be! without trepidation keep reading!

Step 1) From the empty slot count clockwise to the third strand.

Step 2) Pull it out of its’ slot and move it to the empty spot.

Step 3) rotate the marudai so that the empty slot is towards you again.

Repeat from step 1 until you run out of yarn to weave.

When the cordage you are making gets too long curl it up and clip it with the bulldog clip.

Keep the marudai surface flat and the strands will not tangle as much. Also keeping them not too long will help keep them in order.

So that wasn’t too bad for instructions. Even if you have the type of dyslexia that gets left and right confused and thinking clock wise and anticlockwise dose not help, it will still work as long as you keep going the same direction for the length of the band. I look forward to seeing what you do with your cordage. Trim for hats or ties to keep the hats on, lanyards for scissor cases?

Some of the patterns I have tried so far;

I tried 1 colour /6 of another colour

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I tried 2 of one colour / 5 of a second colour

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I tried 3 of one colour / 4 of a second colour

I tried 1 colour / 2 of one colour / 4 of a second colour

I also tried a pattern called Fenestrations (it’s a fancy way to say windows) but I did it backwards (it’s probably the dyslexia) Fenestration requires multiple threads or using a thread of a larger diameter for most of the yarn and the last one being significantly smaller (3 or 4 threads to 1 worked well for me with the embroidery cotton) It is supposed to look like windows if it’s done right. Mine was inverted so the window stuck out instead of in!

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You can see how the dark blue is multi strand (3 or 4 strands) while the light blue is only one strand.

One of the weavers (Janet Whittam) brought in a bag of scraps and thrums (the leftovers from a woven warp which are lengths or bits or yarn) thrums can be cut up and carded into fiber to make interesting pops of colour. Or you can do as I did and take a long time untangling the mess it had become and use them for further experimentation with the cardstock moridis. (I’m sorry I didn’t take a before sorting picture it really was a mess)

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I have 5 colour samples on the go plus a few others I have been puttering on in various baskets around the house. I have found they are easy to keep in an extra-large Sandwich Ziploc bag so you can easily bring them with you. I don’t find I get as many people asking what I am doing they may be miss identifying what I’m up to as corking instead of Japanese braiding.

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This is a fast portable way to make cordage. This particular pattern, 7 strands in an 8 slot marudai, makes a number of variations depending on colour and strand placement. It is easy to pick up and put down and not lose your place. So interruptions won’t destroy your progress! i have defiantly found the equivalent to a drop spindle for weaving!

Cordage can be used as pull tabs for zippers, fobs for key rings, trim on garments or accessories, and ties and laces. It is highly portable. ( I keep mine in individual extra-large sandwich Ziploc bags. I used it last night chatting with Glenn at Al’s Diner before dinner arrived. ) they are also extremely cheap to make so you can have more than one! (OK i do have a lot more than one spinning wheel or one loom and a lot more than one felting project on the go!)

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Check back, Part 3 will be the needle felting of the picture and the name. Now what will I do? I suppose I should stick with Jan since I can mostly spell that correctly!

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