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Karakul

Karakul

I was hoping to get some time for felting yesterday, but I had vertigo and felt rotten so I’m posting some pieces I made a few weeks ago. I got two different Karakul batts from wollknoll, one is just Karakul and the other is a Karakul and Merino blend. Just be warned if you google Karakul, you’ll probably get some pretty awful photos of dead lambs because their skin is used to make hats and coats because their wool is black and silky soft when they are born, and they don’t often make it that far so there’s quite a few photos of dead sheep too. This wool is sheared the usual way though. It is double coated and very wiry, it reminds me a lot of a Cairn Terrier my friend had when we were kids:

OLYMPUS DIGITAL CAMERAI used some dyed silvery flax with the Karakul, spreading it thinly across the top and bottom, and laid it  vertically in the centre:

OLYMPUS DIGITAL CAMERAIt looked like it was just sitting on the surface:

OLYMPUS DIGITAL CAMERAThe contrast of the ‘dry’ looking Karakul and shiny flax, made the flax look like it was still wet:

OLYMPUS DIGITAL CAMERAThe Karakul and Merino looked and felted  similarly, though less ‘openly’ or loosely and was a lighter shade:

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Both of the batts had bits of VM in which looked like porridge oats or tiny cornflakes. A few of the batts I got had similar VM:

OLYMPUS DIGITAL CAMERAI used some crimped Viscose fibre with this:

OLYMPUS DIGITAL CAMERAThis is some Viscose which wasn’t teased apart much:

OLYMPUS DIGITAL CAMERAThis is a patch where the Viscose was teased apart a lot and laid on quite thickly:

OLYMPUS DIGITAL CAMERAAnd this is where the teased out Viscose was laid quite sparsely:

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Ingeo, Corriedale and Texture

Ingeo, Corriedale and Texture

I’m doing a craft fair next Sunday, 6th July at Victoria Baths, in Manchester, so I haven’t had chance to do any felting this week yet, so these two pieces are from a couple of weeks ago. This first one is dark brown Corriedale wool tops and Ingeo Fibre. Ingeo is a bit different to other fibres I use, it isn’t shiny as such, but it does have a sheen, and there’s also a soft almost ‘fluffy’ feel to it, without it actually looking fluffy. Lyn found this link for how it is made.

OLYMPUS DIGITAL CAMERAHere’s a closer view:

OLYMPUS DIGITAL CAMERAHere’s a Supermacro close up:

OLYMPUS DIGITAL CAMERAAnd here’s a supermacro of an area where the fibre were laid more thickly:

OLYMPUS DIGITAL CAMERAA while ago Marilyn sent me some fibres, one of them being some Domestic 56s wool tops, I tried them out on a texturey piece I made, mostly for the base, but also to add some texture between the base and top layer of 18.5 mic Merino. I liked the way they felted, similar to our English 56s.

OLYMPUS DIGITAL CAMERAI also used some Bluefaced Leicester Noil between the 2 layers. This is lower across the surface:

OLYMPUS DIGITAL CAMERASome of the embellishment fibres I used were soy staple fibre, viscose and flax

OLYMPUS DIGITAL CAMERAI also used milk and bamboo fibres.

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Natural Wools and Embellishment Fibre Panels

Natural Wools and Embellishment Fibre Panels

I was thinking recently that I might have to change my plans a little bit, and make some different sized templates for my felt panels. Quite a few of the wools I’ve got have a very long staple length, much bigger than my current template. And the varying shrinkage rates makes a lot of the panels similar but not quite the same; so I think a variety of squares and rectangles might work out better to piece together in the end. I haven’t really thought too much about how I would actually ‘construct’ the hanging, one idea was the sew the edges of the panels together, kind of like seams on clothes, but visible so they formed little ridges, but I don’t want to lose the cool wavy edges some of the wool breeds like Lincoln create.
This is Brown Finnish wool with a covering of flax:

OLYMPUS DIGITAL CAMERAThis is a close up:

OLYMPUS DIGITAL CAMERAThis is another Finn piece, with a diagonal band of hemp, which is quite similar to flax.

OLYMPUS DIGITAL CAMERAClose up:

OLYMPUS DIGITAL CAMERAThis is a felt panel made with  ‘Humbug’ (stripes of black and white) Jacob, I used black and white viscose tops for this:

OLYMPUS DIGITAL CAMERAThis is more of a straight on shot:

OLYMPUS DIGITAL CAMERAClose up:

OLYMPUS DIGITAL CAMERAThis last panel is Black Jacob wool tops and Soy bean staple fibre.

OLYMPUS DIGITAL CAMERAI love the effects you can get with the staple fibres.

OLYMPUS DIGITAL CAMERADo you like to try different breeds of wool for felting? Do you have a favourite or ones you think are better suited to particular projects? How about embellishment fibres, do you have any favourites?

New Notebook Cover

New Notebook Cover

I thought I’d make myself a felt cover for a ring binder notebook I’ve started using for notes about batts, fibre packs and etsy listings. I made a piece of felt a few weeks ago from merino and embellishment fibre blends. I used lots of different fibres: Milk Protein fibre, Hemp, Flax, Ramie, Banana, Bamboo top and fibre; Viscose top and fibre, Trilobal nylon, Acrylic laps, Plastic fibre and Egyptian cotton. This is the whole piece after felting:

OLYMPUS DIGITAL CAMERAI recently made another notebook and made the straps to go through the Delrin clips from felt, and it looked really nice, so I thought I’d do the same for this one. This is the front:

OLYMPUS DIGITAL CAMERAIt took hours to sew (at least 9 episodes of Hawaii Five – 0!) because I machine stitched the straps into place on the back (with my hand operated Singer), and then hand sewed everything else and finished off the edges with blanket stitch.

OLYMPUS DIGITAL CAMERAI left the natural felt edge for the front inside flap.

OLYMPUS DIGITAL CAMERAI cut the back flap to size and used the offcuts for the straps.

OLYMPUS DIGITAL CAMERAI don’t often spend so much time on something for myself, but I’m glad I did, I really like it 🙂

Giveaway-Bits and Pieces

Giveaway-Bits and Pieces

I thought it was time I did another Giveaway 🙂  I’ve gone through my stash of embellishment fabrics, fibres and scraps and put together a package that should give you plenty of choices for adding extras to your felt creations. These are some gorgeous metallic novelty yarns/fancy fibres. There are 5 different ones each about 3 metres long.

There are also some shorter lengths of novelty yarns in all different colours and types.

These gorgeous crinkly fibres are from another novelty yarn that I unravelled. I used a lot of them in this piece here.


There are some pieces and scraps of silk:

Organza

Gratuitous supermacro of organza 🙂

and synthetic fabrics

There is also some Cotton Noil

And some natural fibres and top, Top L-R Egyptian Cotton fibre, Crimped Viscose fibre, Bamboo Fibre. Bottom L-R: Flax, Ramie, Banana top.


If you’d like to win this fabric and fibre giveaway, simply comment on this post. I’ll announce the winner Next Sunday, 21st October. Please can the winner comment on the announcement post within 2 days so I can contact you for your postal address, thanks a lot 🙂

FORUM
Most of our readers know about our Forum, but if you don’t, it’s a community of felting and fibre artists from around the world who get together to chat and ask each other questions about anything felt, fabric or fibre related…or chat about the usual things like the weather 🙂  We love reading the comments here on the blog and visiting the blogs of anyone who posts and has a link to theirs, and it’d be nice to be able to keep in touch more and build more community links. We’re all interested in the fibre arts, so if your interests are felting, mixed media, spinning, weaving, freeform crochet or something else we need to know about, come and join us, share photos of what you’re working on, ask for advice, give help to fellow fibre artists, meet friends and have fun!

Even more Natural Wools and Fibres

Even more Natural Wools and Fibres

Earlier this year, I made a piece of felt intending to make a notebook cover out of it. The base is natural grey Merino and on the top there is: crimped viscose; black viscose top; banana fibre; hemp; soybean fibre and top; milk protein fibre; black and white bamboo top; ramie; ingeo; flax; silk top; egyptian cotton and cotton gauze.

I’d really like to use a yarn or thread spun from natural grey wool to sew it up, preferably not too expensive. If anyone knows anywhere selling natural yarns, I’d be really grateful to know 🙂

Every now and again, I like to try felting with things found in the garden. A while ago I tried bamboo leaves between layers of felt which turned out really well. I also tried some pampas grass flowers (Cortaderia) at the same time, and was surprised how well that felted with very little anchorage. The pampas is felted to the surface and on this piece is just artistic/decorative, it wouldn’t stand up to handling etc.

I don’t know what plant I used in the third piece, it is some little branches from a tumbleweed my girlfriend saw while out walking her dog and brought home for me. I love the way it looks held up to the light, it almost looks stitched.

 

*** Sorry for the lay out and the use of the carousel yet again. I did originally format the post so that the photos appeared between the text in the relevant places, but, like Ann last week (and me every time I try to include photos) what was published was nothing like how it was originally layed out. After 3 attempts to get it to stay how I write it, I’m giving up. To see larger photos, click ‘permalink’ under the photos in the carousel.

Lots of ‘other’ fibres

Lots of ‘other’ fibres

Although a lot of the speciality fibre tops seem to look very similar at first, especially the white ones, they all have their own unique qualities. It’s interesting to try the different fibres on different types of wool to find out how they work together. Sometimes, they really compliment each other. Other times, like Banana fibre on grey Suffolk, they give interesting textural results. One thing I like to try is lots of different fibres on one type of wool. This shows the differences in how the fibres work with the same wool and also which would work well together with the same wool. I recently got some nice brown Finnish wool tops and tried 7 different speciality fibres with it. I alternated between the white/silvery fibres and the creamy/golden fibres. In order from Top to Bottom, I used: Banana fibre tops; Soybean tops; Ingeo tops; Flax; Milk Protein fibre tops; Hemp and Ramie tops.

Earlier this year I made a Merino and Hemp pouch which was ‘lined’ with cotton gauze. The texture was gorgeous. I’ve used the gauze a few times along with other fibres, and it always looks great, so I thought I’d try it on its own with some dark brown Corriedale. I’d planned to use it just as a test piece, but I really liked how it turned out, so I tried it in a frame I’d recently bought and loved the way it looked.

What have you been working on lately? Do you have a favourite combination of other/speciality fibres that work well together? Or a fibre or fabric like the gauze which makes a great feature by itself?

*** If you want to see decent sized pictures, click on ‘Permalink’ under the photo. For some reason that carousel thing makes them ridiculously small

Natural Wools and Natural Fibres

Natural Wools and Natural Fibres

One of the projects I’ve been working on in the last few months is using natural coloured wools with natural ‘other’ felting fibres. It’s not always easy working out which fibre will match with which colour wool because they often look very different when felted, and some fibres which seem to felt well on most wools, suddenly don’t with another. A couple of natural fibres I really like are soybean fibre and flax (linen).

Flax looks like dried grass, it doesn’t look like it’d felt very well, but it does.  I used it here with natural brown Merino tops.

Flax Fibre
 

Merino and Flax before felting

After felting it is a lot softer and shinier than before. 

Merino and Flax after felting

Soybean top is gorgeous. It is soft, golden yellow and much shinier than silk. I used it with some natural black Jacob tops. After felting, I’d left it to dry on a table, and walking past, I saw the soybean top shining like gold in the dim light. I took a few photos hoping it’d show up and was really surprised when it did. It looked gorgeous. It wasn’t as easy to capture the true colour and shine once it had dried, but it really is a gorgeous fibre.

Soybean top
Jacob and Soybean top drying
Jacob and Soybean top

Do you have any favourite natural fibres and wool breeds?