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4th Quarter Challenge Part 2

4th Quarter Challenge Part 2

I felted the Prefelt and Fibre paper Suprematist pieces that I showed you last time. I think the pieces shifted a bit, but this is the first one:

It didn’t have much texture after felting and is quite flat. The colours didn’t blend where they overlapped, but the underneath colour migrated through at the edges:

For some reason the burgundy piece was a lot fuzzier on the edges:

I did alter the second coloured one slightly, I noticed all the triangular shapes were pointing in the same direction on the same angle.

This piece was mostly flat too, the only part which isn’t is at the bottom where I used a piece of the white which is thicker/heavier prefelt:

The white piece was far more interesting before felting:

You can see from an angled photo the different textures, colours and shine better:

A close up:

The different thicknesses are more obvious on the Black and White one:

You can see how shiny the white bamboo is compared to the ‘black’ bamboo from this angle:

Close up:

I know I’m always complaining about how hard it’s been to get decent photos, but I’d forgotten how small the time frame is at this time of year where I live. I know it’s not a huge deal, no one’s expecting ‘professional’ shots on the blog, but when trying to show fibre comparisons for example, or like this week-white on white, you get massively different results depending on the time of day, or whether someone in the flats opposite opens their window just enough to direct the sun right on to your desk! So, here’s a slide show of comparisons for you of trying to photograph the white piece this week: Too late in the afternoon; Too early in the morning; Just right; Just right until neighbours open the window!

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4th Quarter Challenge

4th Quarter Challenge

I thought I’d finally get a chance to do some felting this week, so gave the 4th quarter challenge on Suprematist Art some thought. I know it’s basically just positioning pieces of various shapes and/or sizes, but I thought the description from the Art Story site about how the simple shapes “also encouraged many Suprematists to emphasize the surface texture of the paint on canvas, this texture being another essential quality of the medium of painting”. I know it’s hard to see that texture through old photos of old paintings on a flat screen, but it sounded like an interesting angle to explore. I’d originally planned to do my base/backgrounds with wool tops, but remembered some thick white prefelt, so used that for my base. I started out with a quite simple layout of shapes cut from commercial prefelt and handmade fibre paper:

I used a few more pieces on the next one. I had to concentrate to not have ‘neat’ or regular angles!

Another thing which intrigued me about one of the key ideas of Suprematim was the ‘Zero degree’ of painting which Art Story described as ‘the point beyond which the medium could not go without ceasing to be art.’ I might be wrong, but I thought Kazimir Malevich’s White on White was a good example of the way I understood that. So, I had a go at my interpretation, though not quite so minimalist! I built up a piece using mostly the same white prefelt as the base, and some white fibre paper. It’s a long time since I made it, but I think it is bamboo. And I think the cream square in the bottom left is tussah silk paper:

The last piece is a complilation of white and grey prefelt shapes, and white and ‘black’ bamboo paper shapes:

As I was putting the last piece back onto a piece of cardboard to take downstairs, I noticed the light had changed and was picking up the textures of the prefelt/paper layers, so I took a few photos of theose. Suprematist 1:

Suprematist 2:

I love this one, I think it’s the most interesting of all of them, Suprematist 3:

And lastly, Suprematist 4

I completely underestimated how long actually constructing the pieces would take, so never did get a chance to felt them, so I’ll show the results next time.

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