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Felt Painting – Glorious Devon by Ann B.

Felt Painting – Glorious Devon by Ann B.

This is a guest post by Ann B, one of our fabulous readers and forum members. She is planning on updating us as she makes progress on her project.


Having decided that I needed (and I do mean needed) to make another picture, I hunted through my design source photographs and fell in love (again) with the picture I took of a horse grazing on a hill in Devon. This was typical Devon, lots of hills and trees and (best of all in my mind) no people or buildings in sight. This is the original picture above. What appears to be sky at the top is in fact distant hills. There is no sky at all in the photograph. I was a little disappointed as I love using silk fibres and neps to produce a realistic sky, but the distant hills would be a good challenge in colour blending and matching. I also felt that the photo was a little dull, there having been plenty of clouds about on the day that I took the picture, so I decided to “photoshop” it a bit to brighten it up.

This is the result. There isn’t a whole lot of difference – I still wanted it to look natural – but you can now
see the fields on the hill right at the back, and in fact I think that there is a building on
the hill on the right. Next I decided that I needed to work on the composition a little. The horse isn’t quite in the best position for either a “Golden Ratio” or a Fibonacci spiral composition. So I took the dimensions of the picture – I would do an approximate A4 size – and I worked out the Golden Ratio figures. I had (I can’t find it now) a book on art which showed how to do this and I made myself an
Excel Spreadsheet with the formulae and formatting which would work out the proportions for me once I had input the height and width measurements.

That would be measurements A-B and A-D on the diagram above. This diagram is not to scale, it merely serves to show where the measurements that the spreadsheet throws up will be. Below is the Fibonacci spiral which largely reproduces the Golden Ratio on one side of the page only. A second, flipped, image imposed on it would produce the Golden Ratio. The Golden Ratio calculations make it easier to get
the right proportions for a non standard shaped “canvas”.

The measurements of my picture are approx. A-B 26.5 cm A-D 20cm so not far off a square. The Golden Ratio figures would then be: A-G 9.9cm; G3-G4 6.1cm; G4-B 10.5cm, across the top and A-G1 6.9cm; G1-G2 5.5cm; G2-D 7.6cm down the side (I usually work in “old money” but it is easier for this purpose to use metric).

In fact I sub-divided the left hand and right hand sections again, drew out the lines on a piece of A4 paper and then sketched in how I wanted to lay out the various parts of the picture. I moved the horse further to the right; I placed the stream on one of the vertical lines; I placed the trunks of the trees on the left onto two of the vertical lines and various other changes of level and subject on or near to intersections of the lines. (This is the composition technique used by Constable in his paintings.) Here is the sketch.

Just to see what would happen I put a tracing of a single Fibonacci spiral on top of the sketch and found that it worked too. The horse was right where the centre of interest should be. The sheets moved a bit when I tried to scan them together but I think you can see what I mean from this:

So now I will sort out my backing felt and start to lay out the picture on it. I had tried to lay out the background colours on some white commercial prefelt and wet felt it but I had overlooked the fact that the prefelt would not shrink as much as fibres from tops, so that was a failure because the size was not right for my measurements. I have therefore cut out a correctly sized backing felt, again made from white prefelt, but of a much larger size so that I’ve got some left over for the next picture(s). I have made a tracing of the sketch and will use that as a template to mark out the placement of the main features by stitching through the tracing. Then I will need to blend some colours and start “painting”. (Click on any of the photos to enlarge.)

Finished Felt Inspired By Paintings

Finished Felt Inspired By Paintings

As promised last time, here’s a photo of the finished piece I showed being laid out:

I did make a few small changes to it, just moving one piece of prefelt and a few fibres. This is the painting I was working from:

It’s quite texturey, which you can see better from this angle:

Using just a few colours, gives quite a lot of shades when they overlap or blend:

I thought the migration from the prefelt through to the back was interesting:

After I’d laid that piece out I had a flick through my notebook and found another piece for inspiration. It’s a really simple piece, but I’d used some colours I’d blended:

What was different/nice with this one was the sheen, you can see from this angle:

I wasn’t aiming to replicate this one at all, just use as inspiration. I even found a mastching weird pinky red Merino – ‘Damask’ for the base:

I used Rose and Viscose fibres for the shiny parts, and a small amount of Nylon for the matte:

I really like how it turned out, having some matte areas seemed to make the shiny fibres shinier:

I did add some shiny fibres to match the ‘Damask’ background, but not much:

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