They say great minds think alike. We all seem to have decided on a book resist. I started with 3 stacked circles. I had been going to cut 2 of them in half and attach them with duct tape but after reading Terries tutorial I grabbed a needle and thread and made a few stiches to hold it together.
The first thing I made was long snakes leaving the ends fluffy.
Then I made 6 fiber circles. I used about 2 grams of fiber in each of 3 layers for each circle.
then I added them to the stacked resist. I did remember what everyone said about having a hard time where the resists meet at the top and bottom and paid particular attention to that.
next was the long snakes.
I put those on near the top of the circles. The next part is not very interesting. rub, rub rub, roll, roll, roll. Then cut the hole in the top. I decided the inside wasn’t felted as much as I wanted so I left the resist in and went back to rolling.
after it was all dry I had planed to weave the long snakes around it in an artistic design. Unfortunately weaving really needs to have a odd number of so that didn’t work. I needed to find a solution.
I did these
or maybe turn it on its head?
Last night I took it in to a guild meeting and challenged them to do something with it.
We had artistic twisting, plant hanger, a fancy bun cover, and a bag. We had a great time and lots of laughs, The conclusion was that had I made a great new party game.
This is a guest post by forum member Frances T. whose blog is here. Frances has a wonderful way of combining her passions of flower gardening and felting. She used a book resist for the first time in response to the First Quarter Challenge to make a rose pod and because she cuts the resist open differently, she gets a totally different result. There is a link to a PDF at the end if you would like to download the tutorial in PDF format.
1. Cut two (2) circles of the same size out of a pliable plastic. For this demonstration a 10 1/2-inch dinner plate was used as a guide.
2. Place the circles one on top of the other and sew a seam down the middle. This makes the book.
3. On side 1 place roving overlapping the right edge slightly and very thinly.
4. On side 2, place roving overlapping the left edge slightly and very thinly.
5. Cover the roving on side 1 with mesh to hold it in place and wet with warm soapy water and rub gently.
6. Repeat step 5 on side 2.
7. Place roving on side 3 overlapping slightly and very thinly on the edges.
8. Cover the roving on side 3 with mesh to hold it in place and wet with warm soapy water and rub gently.
9. Turn the piece over – side 4 – and gently pull the roving that was left overhanging onto the resist which will cover the edges of the circle. Then place roving on side 4.
10. Cover the roving on side 4 with mesh to hold it in place and wet with warm soapy water and rub gently.
11. Turn back over to side 3 and pull any stray roving around the edges up over side 3; smoothing towards the center to avoid thicker roving at the edges that will create a “seam” line.
12. Cover with bubble wrap and rub vigorously with a felting tool. Flip and rub the other side and continue flipping and rubbing until felt is holding together well.
13. Place felt on a bamboo mat and roll. Unroll and place felt in the opposite direction and roll. Roll 10 to 15 times in one direction and then change to keep the round shape. Felt shrinks in the direction it is rolled. Do this about 10 to 20 times.
14. Cut a small slit off the edge and remove the resist.
16. The rose bud can now be shaped and hardened the way any other vessel is completed. One method is using a balloon.
Using a Balloon to Shape and Finish a Vessel
1. Place a balloon in your vessel and then inflate it until the vessel fits slightly loose around (about ¼ inch space between the balloon and vessel). Place the vessel with balloon inside of it into a mesh bag and run under hot water and then put in the dryer on heat setting for about 15 minutes or until the vessel has shrunk to the size of the balloon. Use plastic inserted between layers to hold petals
2. Remove from dryer deflate the balloon. Repeat step one until the desired shape and firmness are achieved.
3. Finish by air drying.
A white one was made first and the difference in how the two came out when shaping is obvious. It is difficult to make exact duplicate vessels.
Thanks Frances for showing us your take on using a book resist. Not all of Frances photos are shown in the tutorial above so click on the link of the PDF to see extra photos with the explanation.
This is a guest post by Teri Berry, a forum member, who is a wonder at making three-dimensional felt items including some fantastic hats. After my post about the First Quarter Challenge, we had a discussion on the forum about “book resists” and Teri offered to write a tutorial on how to use a “book” resist to make a more complex shaped felt item. Thanks Teri!
Following on from the Q1 Challenge, there was some discussion on the forum about what a “book resist” is, I’m sure these resists go by a variety of names but I think”book resist” is a pretty apt description as the “pages” of the resist do look a lot like a strangely shaped book. This post is a description of how I like to work with this style of resist but if you have any tips or alternative ways of working please leave a comment below, I’d love to hear from you.
You will need some flexible plastic sheeting, stiff enough that it will stand up on its own if you hold it by the edge but flexible enough that it will fold in half without breaking.
I like the plastic that carpets come wrapped in but this isn’t very easy to come by, an alternative are the plasticised (wipe clean) table cloths. As much as I love foam underlay for resists, I find it a little bit thick for this technique, especially if you want to use more than 2 layers, but it will do if you have nothing else.
Take a sheet of plastic and draw a line down the middle (this is where you will join your layers) then let your imagination go wild and draw out the template on one side of your line. I have added some photos of the resists and corresponding felt structures at the end of the post if you need some ideas to get you started.
Tip – make sure any pointy tips are rounded, if you don’t, they will poke through the felt and create a hole.
Tip – try to avoid putting wide sections on the end of narrow stalks, it’s not impossible, but it will make it harder to get your resist out.
Tip – remember the felt around the middle of your resist will open out to form a space. This can be needle-felted together at the firm prefelt stage if desired.
If you want a radial sculpture where all the arms are the same, fold your plastic in half along the straight line and trace your design onto the other side.
Stack additional sheets of plastic under your design, if you want your sculpture to have 7 or 8 arms you will need 4 sheets of plastic, if you want 9 or 10 arms you will need 5 sheets. Pin them altogether then sew along the line down the middle. You can use a sewing machine if you wish, but set your straight stitch to long so as not to perforate the plastic too much, as this could make it easy to tear when you come to remove the resist.
Tip – if you find it hard to push the needle through the plastic, gripping the needle with a pair of pliers might help.
Tip – if you want an odd number of arms in your sculpture keep two of the felt leaves together while you felt over them. Similarly, if you think you would like to use the same resist shape for making several sculptures but with different numbers of arms, use enough sheets for the largest sculpture and then reuse the same resist but encase 2 or more pages of the resist in wool to reduce the number of arms in your final sculpture.
Cut around your design, through all the layers of plastic.
Getting Wet and Woolly!
Start laying out your wool, at least 2 fine layers will be needed, more if you want don’t want your structure to shrink very much or if you want it to be sturdy / functional. I typically use 2 layers for lampshades and 4 layers for more structural sculptures. I like Blue Faced Leicester wool for this type of work but wrote a post on how several different wool behaves for small sculptural pieces here if you are interested.
Once you have laid out at least 2 layers (in opposite directions) wet it out.
Then lay a piece of painters plastic (or a strip of plastic bin liner) over at least half the wool then flip over one of your pages.
Fold the wool over the edges as you would when working with any resist being careful to smooth out any folds of wool where you are working on the outside of a curve.
If you need to cut the wool to fold it around an indentation in the resist, avoid cutting the last 1 cm/0.5″, to avoid creating a hole in your wool.
Then continue laying out your wool over the next 2 “pages” open in front of you (one page will be partially covered by the wool folded over from the previous page). Cover with some decorator’s plastic but before you flip to the next page, go back a page and fold the wool ends over so it is all nice and neat.
Continue laying out wool and flipping pages as you work your way around the resist.
Note: where you have folded the wool over from the previous page of the resist, if the wool is already quite thick, there is no need to add more on the reverse of the page, this usually happens where you have a narrow projection, as on the top of this resist.
Tip – if you are finding your resist is becoming a little lop-sided with a big pile of wool covered pages on one side, flip the first 2 or 3 pages (on the bottom of the pile) over to the other side from underneath. That should even it up and make it easier to lay wool on the remaining pages.
Tip: laying a few strands of wool across the top and bottom joints (where the pages are stitched together) will help prevent holes like this one from opening up when the resist is removed:
You are now ready to start felting…
Use a piece of painters plastic to gently rub the surface of each page in small circles, paying particular attention to the edges of the resist. I find going over the entire surface of each page 50 times is enough. The plastic should glide easily over the surface, if it doesn’t add some more soapy water.
Tip – If you are working with lots of pages you might find it helpful to remove the painter’s plastic as you complete each page so you know when you have reached where you started.
Tip – don’t forget to felt the pages at the back, the ones lying face down on the table.
Tip – work your circular motions from the edge of the resist towards the centre, this will help prevent wings / ridges of felt forming on the edge of the template (unless of course that is what you are trying to do!).
Do the “pinch test”, your fibres should be holding together well by now but if not, go through another cycle of rubbing (it may help to add some hot water too).
Removing the Resist
Now we have to decide where to make a hole to remove the resist. For most templates, a hole near the line of stitching makes it easiest to remove the template but anything is possible! I make my hole just big enough for 2 fingers, the hole will stretch some more as you pull the resist out so don’t make it too big.
Depending on the shape of your template, ones with long, spidery arms are the most fiddly, you may need to gently gather and work the felt over the resist in order to get it out without stretching or tearing the felt.
Once the resist has been removed hold the felt up to a light and look inside, through the hole where the resist came out, for any thin spots. Any holes should be repaired now , before fulling begins. Now you are ready to knead and throw it, stopping every 30 seconds to check the arms aren’t felting together. This is also the time to start rubbing it in any directions where you want it to shrink and to start shaping it.
Once you are happy with the shape, folds etc. it can be stuffed while it dries.
Try adding wings by laying wool off the edge of the resist.
What would happen if you stitch different shaped resists together or stitched them at different positions (not just down the middle)?
How can you fold / shape / manipulate felt pods made from the same resist so that the final sculptures look very different?