Slip knot book binding with fabric covered cover and watercolor paper pages
Decisions on Fabric Book Construction and Binding

Decisions on Fabric Book Construction and Binding

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As my group works along on our year long project of creating a fabric book, we decided it was a good idea to make decisions about construction, size and binding early on. That way we aren’t winging it at the end when we put the book together. Hopefully, the pages that we create will then be a bit more uniform, sturdy and look good bound together. So, I brought a bunch of samples of fabric books to our last meeting.

One of my favorite bindings for a fabric book is the raised chain band binding. The edge of the page that will be bound is stitched every quarter inch with a knotted blanket/buttonhole stitch. The knot keeps the thread from getting loosened with use. Then the pages are bound together with a raised chain band stitch. The pages open all the way and move easily. And I love the look of it. Here you see four different books with the same binding. Most have felt pages, some with a sheer fabric fused to both sides, others, just felt, and one with two pieces of felt, appliqued fabric and stiff interfacing in the middle. The book on the bottom left is a bit of a hybrid. It is embroidery samples mounted on thick watercolor paper. I added an edge of felt to the paper page so that I could do this binding instead of coptic stitch. I learned the raised chain band binding from Gail Harker.

Stick and yarn book binding with chopsticks and silk paper cover.

This is a book binding that I learned in an online class in 2008 by Sue Bleiweiss. It doesn’t look like she is teaching online anymore but she taught us four or five different fabric book binding techniques. If you would like to see more about this postcard book, you can see my post here.

Applique sample book with stab stitch binding

This is a felt applique sample book that is bound with a stab stitch binding. I learned this binding from Gail Harker.

Accordion book of machine stitched color samples with insertion stitch binding.

This machine stitched color sample book was another I made in class with Gail Harker. It is bound with an insertion stitch. There is a heavy interface in the center of the pages and then fabric collages are fused down. The back is covered by a dyed sheer fabric that is fused as well.

Coptic binding on sample paper Edgar book

This was my sample for the book about my dog that I created in Level 3 Stitch at Gail Harker Center for Creative Arts. It is bound with Coptic stitch. I bound the fabric book the same way. I find Coptic stitch to be really fiddly and difficult. If you would like to see the fabric Book of Edgar, there is a video of the full book at the end of this post.

Slip knot book binding with fabric covered cover and watercolor paper pages

Here is a new method that I found on Youtube that is called slip knot binding. There are several different tutorials on this stitch method. It is significantly easier than Coptic stitch. It looks similar and acts the same way as it allows pages to be opened fully and can hold heavy pages with a sturdy enough thread. So this book is made with the slip knot binding.

Raised chain band binding on book with stiffened felt pages and fabric applique.

We decided that we would go with this type of book construction. It is a very heavy duty page, can hold loads of stitching or heavier fabrics. It has two pieces of felt per page with a piece of heavy interfacing sandwiched between. And we’re going to use the raised chain band binding. If you would like to see more of this book, click here.

Raised Chain Band book binding on beaded book (with beads added to the binding).

And anyone who wants to see more about my beaded book, the post is here.

A Yarn and Fiber Artist’s Dilemma

A Yarn and Fiber Artist’s Dilemma

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I will be stepping away from scheduled blog posting in 2026. This has been a hard decision for me, as I so value the friends I have made through Felting and Fiber Studio. I was happy to hear I am welcome to submit articles, to be used when regular contributors need respite. My mother’s Alzheimer’s is in the final stage. She is on hospice care doing fine at the moment: but we don’t know the future, do we? I’m also helping my aunt, transition into assisted living care. Brian and I, of course aren’t getting any younger, either. We are using the information we’ve learned,  to start thinking of our own future. We are definitely looking at downsizing, our living quarters, so that means it’s time to do a purge: “death purge” is what many call it. I don’t like that particular terminology, but I agree with the gist of the concept. As baby boomers, we grew up saving everything, “in case we need it,” down the line. We held onto baggage, because our parents and grandparents, told stories of what happened during wars, or depressions. We raised our children, in times of plenty, and they don’t want any of it! As the dutiful family “storage unit,” I have some really nice fiber related items to find homes for. Example: I have a dainty antique wooden swift with finely turned spindles (UK early 1900’s) in perfect condition: made for ladies embroidering fine linens…what do I do with it? It’s easy to think about listing such items, on social media outlets, but there are so many things to research before hand. It all takes time, that seems at a premium these days. A never ending dilemma

Of course, Brian’s answer to everything these days: “burn it!”

His cynicism is predictable, given what he’s witnessed, as my Etsy shipping clerk for 8 years. He sees customer “requests” in messages. In an effort to deliver, and receive the coveted 5 stars, I spend a lot of time doing things, to “make the sale.” Often, after endless messaging back and forth; the person rarely makes the purchase…or worse, never responds back at all. I am getting better at setting limits, but as I’m sitting here typing my article, another request bit the dust…and proved his point again. Hide the matches!!

Last weekend, I agreed to participate in a holiday craft show. My friend of 60 years is very active with a Veteran’s organization. My participation allows us to see each other, and supports a good cause. Because, so many are struggling financially, I chose my offerings carefully. I decided each item needed to be; visually pleasing, useful, with a low price point. I geared them to be used as stocking stuffers, small gifts for teachers, friends or relatives…maybe a child’s gift to Mom. Brian watched me search Pinterest for small items that met my criteria, and used some supplies I already had. I chose to make the following:

Fabric Wristlet Key Fobs Little Hill Craft video,

Beadable Pens and Beadable Key Chains (Search on Amazon)

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Microwave (Baked) Potato Bags YouTube Potato Bag Sewing Tutorial

Potato print fabric, sewn as envelope pouch, for microwave baked potatoes.
Large size microwave baked potato bags. In order to avoid potential fire, all materials must be 100% cotton; thread, batting, and fabric.

If you are unfamiliar with these Microwave Baked Potato bags, you are missing out on the best way to bake potatoes. They yield soft fluffy baked potatoes in less than a quarter of the time. I purchased mine 15 years ago, while on vacation. It’s been well used, ever since. In addition to baked potatoes, you can steam corn on the cob, warm tortillas, and bread/rolls.

I also took Woolbuddy ™️ needle felted animal ornaments, I had in my shop. They retail for $15 and are worth every penny, but I reduced them to $12.50 each, or “buy 4 get 1 free” (33% off retail). To make certain my prices were fair, I took samples to Mom’s facility. I’ve made friends with other family members: I sold a few potato bags and wristlet’s right on the spot. They felt my prices were too reasonable, for the quality and craftsmanship. I reassessed my prices and realized my potato bags needed to be $14, despite Etsy prices of $11. The specialty fabric I used on the outside is brand new and fetches $15/yard or more. I chose to line the potato bags with a brown fabric, instead of the white muslin my bag has. You can imagine the staining from years of constant use. $12.50 was my initial price: only a bit above supply costs.

I wasn’t looking to make much, as we’ve participated in the show a few years ago. I agreed to share a table this time, and gear my offerings to those attending. I sold 4 potato bags ($14 each), 1 pen ($5), 1 key fob ($6) and some of the needle felted animal ornaments for a total of $137. Once the 1/2 table fee, a raffle donation, and food came out, we probably covered the cost of potato bag fabrics. The foot traffic was constant, and we had a steady stream of lookers at the table. People loved the items, pricing didn’t seem to be an issue: I sold as much as the crafters near me. I’m often asked why I don’t sell my things at craft shows! I’ve always felt the time involved in the making, is rarely valued by those purchasing. Maybe it’s the area we live in? Whatever the reason, I had a plan for any items remaining. We are gifting them Mom’s caregivers. I was very careful to keep the samples, away from caregivers view, and that was a very good thing!

Brian still has his thought’s, about those matches…when I whine “what am I going to do with all this yarn and fiber?” I know he would never think of doing such a thing, while I am alive…but if anything happens to me, you might want to make a quick call!!

Happy Holidays!

Poppy wreath at the Cenotaph
Remembrance and Looking Forward

Remembrance and Looking Forward

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As I write this winter is closing in and snow is falling.  However I wanted to start by sharing part of my November tradition.  In 2020 I made 2 poppy wreaths, one for my house and another for the local cenotaph.  Each November I put these out.  It is a small contribution to Remembrance.  But I feel it is important, especially with war and unrest bubbling around the world.

On Nov 8th I attended a Punch Needle workshop.  This was part of an event to celebrate the 30th anniversary of the invention of the Oxford Punch Needle. The workshop was at the Calabogie Lodge, about an hours drive from my house. When I walked into the lodge I was surprised to discover this massive stuffed polar bear in the lobby.  I had to take some photos.

The workshop was put on by Christine Johnson, aka Free Form Fibres. The studio space upstairs was beautiful and so cosy.  There were punch needle projects at each station. We were given the opportunity to try punching with both regular and fine punch needles.

The first piece I worked on was this Christmas tree piece. I learned how to do the outlines.  Then to come back and fill in the background.  You apply the punch needle from the back of the canvas and it forms short loops on the front. The tails from where you start and stop each piece of yarn end up on the front of the piece and need to be trimmed off later. This photo shows the front of the piece.

Punch needle project with Christmas tree
Punch needle project with Christmas tree

Christine had some samples of her work on display.  They were so inspiring. It was also interesting to see that some of the pieces were 3D.  They were very cool. Christine has been working on a punch needle series PUNCHING WITH ATTITUDE. I love that she is using her art to express her feelings.

We rotated through a couple of projects during the workshop and I ended up at this frame with a freeform piece on it.  There really wasn’t much on the canvas when I sat down.  Mostly some neon lines wandering around the canvas.  I started by drawing in some hearts.  Then filling them in.  Then adding a blocky border in the middle of the canvas.  Next I filled in the background around the hearts. I played with filling in space using straight lines and with meandering stitches so that I could compare the results. I was hooked and purchased 2 punch needles to take home.

Christine ended up giving me the Freeform piece and some of the neon yarn to take home.  She also gifted me this awesome skein of Briggs and Little Atlantic (hand dyed colourway) and a nice bag with the colour wheel on it.

The next step down the rabbit hole was to buy supplies.  With some help from Christine and Robin (of Hooking Outside the Lines) some basic supplies were ordered.  I picked up a large frame, frame cover, fancy scissors, a kit, and some blank canvas.  The package arrived quickly. And putting the frame together was very straightforward.  The hardest part was holding the pieces steady without pricking myself on the gripper strips which have many very sharp needles.

After getting the frame together it was time to remount the freeform piece. The monks cloth is stretched on the gripper strips until a nice tension is achieved.  Then a cover is added to protect the user from the needles on the gripper strips.  At this point I was ready to restart, but I must admit that I was undecided about how to proceed.  So I took a break.  (It never hurts to consider your design choices.)

By the next day I had an idea.  I could rip out that lower neon line and move it down to make a larger box.  Luckily I had the spare yarn and so was able to do that. One of the neat things about punch needle work is that you can undo it easily. In the images below you can see the faint line where the original neon line was. This will disappear once I have filled in the piece with new yarn.

After making a larger box I could add the word LOVE below the hearts. I traced out the letter size on some paper, cut them out, then tried them on the canvas.  When I was happy with the size and placement, I flipped the letters over (remember working on the back means text must be mirror image) and traced the design onto the canvas with a Sharpie. Finally I was ready to select some yarn and start punching.  After punching the word Love my next choice is to decide what yarn to use for the background, and whether I’ll do one solid background behind all the letters, or blocks of background as was done with the hearts above. I am still undecided which way I will go.

So this is where the work is so far.  It was really fun to learn something new and experiment with a new way to use some of my yarn stash. I have also signed up for a number of classes at my guild in the first half of 2026 (Tapestry, Art Yarn, Short Draw to Long Draw – Drafting Woolen to Worsted, and Warp Painting). I look forward to sharing my punch needle piece and some of my other explorations with you next year.

Since this is my last blog post of 2025, I also wanted to say Happy Holidays!  I hope you have some terrific time visiting with family and friends and recharging your creative batteries for next year.

I also wanted to share that Christine will be teaching as part of In the Studio Online Workshop Week 2026 which runs from February 5-15, 2026.  Here is the blurb about the class:

Christine Johnson @christinejohnson1959 joins Workshop Week for the first time to teach us:
HOW to say WHAT we want to say. (These days, we all have something to say about our shared world.)

She builds on her punch needle series PUNCHING WITH ATTITUDE. This text-heavy class is for both hookers and punchers.

 

2025 OVWSG Sale

2025 OVWSG Sale

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You have probably heard both myself and Ann, chat about the 2025 OVWSG Sale and Exhibition. We continue to have the Guild sale at the Glebe community centre, which started life as a church, changed congregations then became a community centre. It has had some renovations over the years, and this year, there is scaffolding surrounding part of the outside of the building. Other than the challenge of parking, it is a beautiful site.

 

As with every year, it was a busy time leading up to the sale. You may have noticed I posted for myself and covered for Ann to give her a bit of a break.  Ann is not only baking for a local Farmers Market, a Fabulous felter and felting teacher, Guild Librarian, but also the coordinator for the sale, so she is very busy leading up to the sale and then really tired afterwards, but all her hard work was both worth it and appreciated.

You have seen lots of shopping opportunities lately, so this time I would like to show you a bit of the “behind the scenes”, some of the photos from the sale, then in the next post, finish by showing you the Exhibition.

Although Ann and the Guild sales team have been working since shortly after the last sale ended, the largest part of the volunteer teams get to work the week before the sale. On the Monday before the sale, we had gathered all the boxes and display grids in the studio ready to head to the sale on Friday. At 6 pm, we have the set up team at the Glebe, busy marking booth spaces and placing tables in booth spaces.   The Team with Pickup trucks, loaded everything and met us at the sale around 6:30 pm.

a pile of boxes and equipment to go to the sale wating at one end of the studio.1.1) The pile of stuff is ready to go, with the black grids just visible behind the folding tables.

the main hall at the glebe comunity center showing the moving of tables and the large dome ceeling1.2) Busy setting up the team, the room and dome is beautiful, but possibly had a leak

As soon as the tables were up, the vendors started bringing in their wares, with the help of the “assist-the-vendors-bring-stuff-in” team.  The Guild Co-Op booth, Guild info booth, Make and Take table, the Exhibition and the demo teams were also setting up. We didn’t get to start as early on Friday as previous years (since the room was used as an after school daycare until 6 pm), so it was extra busy!

various guild members working to set up event1.3) the various guild teams bringing in the guilds and vendor stuff (the blur of activity is Ann)

booths are being set up in the hall1.4) The booths popping up look like magic! (but it’s actually a lot of work)

I took a few (126) photos Friday night, to both document the guild activity and to create images we could post Friday night to entice shoppers on Saturday morning. (The postings seem to have worked, since Saturday morning was very busy with shoppers!) If you were curious, I took 873 photos in total over the weekend.

one of the images used to entice shoppers saterday. shows felted landscape of birches trees dislayed on birchbark 2.1) Molly Underhill’s Birch Trees

By this point, it had already been a busy week, and I was extremely tired. As I stood looking at Molly’s lovely trees, I wondered what needle she had used to attach the felt to the birch bark….. (Yes, I needed more sleep!)

another image used to intice shopping, wet fekted bag with canada goose2.2) Molly’s Canada goose bag and Glasses cases

another image used to intice shoppers showing handwoven scarves and cowles. the weaving uses complex weave structures and ikat like colour changes2.3) Inge Dam’s Weaving

Besides felt, there were also booths of weaving, handspun yarn and commercially spun and hand died yarns.

The guild booth had the door prizes. When you filled out a questionnaire (it was short), you got a sticker and were entered for the door prize. For those of us whose phones are luddites and don’t recognise QR codes, they had a tablet to fill out the questions.

2 photos both showing 2 wimon working at the guild table the top offering tablet to fill out servay. 3.1) info table with survey and QR Code (QR removed since the draw is over!)

Door prizes for filling out the servay, a green hand spun hand kit shall, hand woven through, red, Felted bird ornaments, a hand spun and knit hat3.2) The Door prizes

anyone who filled out the questionair got a sticker this shows some of the stickers they could pick from.3.3) Even if you don’t win a door prize, you still get to pick a sticker!

Once you have filled out the survey (this gives us info on where our shoppers are coming from, and a bit of what they were looking for) and picked your sticker, we can take a quick peek at the Guild Demo area.

a wide shot of the demo areia. Ann helping a new spinner with her drop spindle. also visiable in the back ground is a large tapestry /meral that is in the rental space.4.1) Ann helping a new spinner in the demo area

2 photos, one demoing on a table loom, one demoing spinning with the batt makeing station in the background 4.2) Weaving and spinning Demos

2 photos. felting into a canves bag, close up of felting into a canvis bag.4.3) Felting Demo (I am looking forward to seeing how this progresses)

The guild also had a “Make and Take” table, which had various small weaving, felting, and sometimes spinning projects to do and take home. This has been fun to see, with lots of younger new people, but also quite a few adults trying their hands too.

2 photos, Make and take table both show people around the table making small projects 3 photos, Make and take table 2 show people of various ages, around the table making small projects the last picure has the signeage from the end of the table explaining the table.4.4-4.5) Make and take table, the team was busy most of the weekend!

Let’s look at the booth, time for some virtual shopping!!

this was posted in the hall showing a map of the booths and a list of the vendors in the booths. the information will be listed in the blog further on5.1) The Vendors list and Map, in case you get lost, we will meet at the end near the exhibition

Booths: 

Booth 1 is the Guild Co-Op booth, which gives members the opportunity to sell their work when they don’t have enough to have a whole booth.

a blanket stand, 2 hand woven blankets, and signs on the end explaining that these are hand woven on the 100" loom by 2 weavers at a time. on is a Queen and the other a large single blanket. unfortunatly there was no price listed 5.2) These are blankets woven on the Guild’s 100-inch loom. The proceeds will help fund the guild.

a groop of photos showing some of the itums for sale in the co op booth, mostly hand weaving i displaced. but yarn fiber felting needles and other tools were also for sale.5.3) A few of the items in the co-op booth

Booth 2 is Wendo Van Essen. She is a Needle Felter and has needle felted brooches, vegan taxidermy, needle felting kits, and pin cushions.

2 photos showing the felting and kits by Wendo5.4) Booth 2, Wendo’s Booth

2 photos showing Hand died fibr in combed top braids and colourful batts as well as died yarn. also of shoppers looking at the displayed fiber5.5) Booth 3, This is October Knits,  a NEW vendor, with hand dyed yarn and fibre.

You may have spotted His colourful braided fibre at a few other events.

3 photos, Mitten patterns, Fiber for sale and weaving tools5.6)  Booth 4, Judy Kavanagh and Don Haines

Spindles, heddles, shuttles, tapestry looms, fibre

3 photos, Handweaving from 3 excelent weavers, close up of some of the shalls 5.7) Booth 5, Studio Three Fibre Arts and Unwoven

Booth 5 is a group of weavers, Studio Three Fibre Arts and Unwoven (Jean Down, Roberta Murrant and Deb Templeton), handwoven clothing, accessories, table linens, and fibre art.

Photos showing spindles, support spindles, and chirstmas ornaments, 5.8) Booth 6, Top of the Whorl

Spindles, spindle bowls, spindle totes and fibre in a variety of formats.

3 photos, 2 of yarn one of kits5.9) Booth 7, Wööl, emporium de laine

Hand dyed yarns, books, and notions.

2 photos of wood working, there was also weaving but i didnt have a good shot of that.6.1) Booth 8, Luna

Wood yarn bowls, crochet sets and art yarn.

3 photos, Hand spun and died yarn woven and knit, hand spun yarn. shot of part of the booth with people shopping6.2) Booth 9, Fab Fibre Two (Jean Sharp and Bernadette Quade)

Handspun yarn, fibre, hand knitted and handwoven items

2 photos, CLose ups of hand weaving and sewn top.6.3) Booth 10, Handweaving by Janet Whittam

Handwoven garments and accessories, baskets, household linens, rugs

Inkle woven straps, key fobs, felted acorns, woven and sewn bags6.4) Booth 11, Strapped for Cash

Handwoven straps and bands, including guitar straps, bag straps, hat bands, key fobs, lanyards, and bracelets.

3 photos, Mohair blends and locks. one photo shows hand feeling a mohair and coriadale blended batt (it was extreemly soft)6.5) Booth 12, WindWeft (NEW this year)

Mohair locks and yarns in natural and hand-dyed colours, mohair/wool blends, handspun and mill-spun yarns, rovings, batts, and handmade wool dolls.

Complex weave patterns, in scarves and couls as well as 3 photos of handwoven jakets.6.6) Booth 13, Inge Dam’s Handwoven Textiles

Handwoven scarves and shawls

3 photos, Hand died useing natural dies Yarn and mitten knit ewith natural died yarn6.7) Booth 14, Wayside Weeds and Wool (Amanda Carrigan)          Handspun yarn, natural-dyed yarn, handknits, kits and patterns

3 photos, wet felted and needle felted play mats and vesels with little figures and fleted camp fire6.8) Booth 15, Farmer Brown’s

Felted and wool based children’s play materials. Adventure Playmats, Woodland Gnomes and Fairy Houses.

6.9) Booth 16, Weave Me Be

Woven landscape tapestries.

7.1) Booth 17 & 20, Mapi Creations

Hand dyed fibre, Natural Fibre, Felted DIY kit, Felted Fabric, Art Yarn, Interactive Art Batt station

7.2) Booth 18, Maple Weaves

Handwoven wall tapestries and finished handwoven scarves

7.3) Booth 19, Felt by Molly

Felted goods

7.4) Booth 21, Carmen Deschênes, Lise Susin-Horth, Elisabeth Davy

Roving, locks, felted objects, handwovens

7.5) Booth 22, Makeloo Studio

Yarn certified 100% Canadian wool and hand dyed, also certified fibres

Oh my, that was a lot of show in not that big a hall! Maybe we should wander up to Bank Street and pop into a restaurant for lunch? We can meet back here afterwards and look at the Exhibition. If you are not parked in the city lot a block away, don’t forget to move your car when you drop off your purchases; it’s 3-hour street parking in most of the Glebe!

PS Sorry!!! i must not have saved properly, some of the photos were missing they loaded but did not attach, i must not have pushed save correctly!!! i hope this works now!!

A lot of yarn, but not really

A lot of yarn, but not really

Comments 14 comments

I like to spindle spin. I am slow at it, and it is just a fun, relaxing thing to do at a social or demonstration. I don’t knit or crochet. I have what seems to me to be a lot of small balls of 2-ply handspun. I know it’s not a lot really, I don’t suppose there is enough for even one sweater. I do use some in my felting. I never used a lot of it,  but since I don’t really sell anymore, I use even less. I thought about trying some pictures using yarn. I could needlefelt it down a bit and then wet felt it. I have several large freezer bags of yarn. I thought it would be best to see what I have and sort it by colour.

I had 4 bags and some part bags of yarn.

There should be more. I went searching. I think they must still be packed. I did find my bin of short-length mini skiens that I used to sell. More about them later.

I sorted them into colour groups: greens, red/pinks, blue/purple, yellow/orange, grey/brown and mixed. I had no idea I had so much pink.

 

I need to rewind some of the balls. Not sure what happened to them.

 

These are the miniskiens. They are 12.5 yards(11.4m) in each mini skien. That’s enough to do a pretty dense design on an 8-foot (2.4 m)by 1-foot (30cm) silk scarf blank. Enough to add a couple of accent rows to a knit hat or use for a bit of colour in punch needle or rug hooking. I can’t find a picture of them nicely displayed in a basket for sale. I bet Jan has one, but I don’t want to bug her to find it. This is what they looked like when I dumped them out of their box with all the tags on them.

 

I took all the tags off. The are all sorts; thick and thin, and some that are both. I will add the gag of them to my class supplies.  I plan to make some more small skeins from the newer handspun to add to it, so there is more colour choice. I know I saw my 1-yard niddy noddy recently.

 

and all safely back into ziplock bags

 

All in all, not a lot of yarn. I have a commercial yarn stash too, it is a real mix of fibres and styles, and a whole other story. I don’t know if I will try a picture completely out of yarn, but maybe I will make more of an effort to use some of it in pictures and other felt.

And lastly, I have to thank Jan for doing some blog posts for me lately. I have been run off my feet baking to get ready for our 2 Farmes Market Christmas sales. The last one was Saturday. There is a small one that my daughter will go to with my husband. I will be teaching.  Anyway, here is a picture just before opening on the 15th.  No snow this year.

Oh ye, the comment button is at the top of the post.

 

 

Orange, yellow and brown painted fabric
Painting Fabric

Painting Fabric

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Our local group meeting in November was all about painting fabric. We are still working on background fabrics that will be included in our fabric books. We used a variety of “fabric” paints that are heat set.

Table with painting supplies, tools and several pieces of painted fabric.

Louise had cut up a bunch of different types of fabric to paint on and had a wide arrary of paints.

The idea was to spray water on to the fabric, then add paint and then you could if you wanted, add another piece of fabric on top to pick up extra paint. The photos above show a piece of sheer fabric that was painted, then a piece of cotton velveteen was added on top. The final photo on the right shows the velveteen after all the paint colors were added. This is Sally’s fabric.

Paula was working in shades of brown. These fabrics are all still wet, so it will be interesting to see what they look like dry.

I was working in fall colors. When you see the black printing, those are fabrics that we screen printed years ago that Louise still had in her stash.

Three pieces of painted and printed fabric.

These are a few of Louise’s painted pieces.

Blue, red and printed fabric

And one more photo of one of Sally’s painted fabrics. We left the fabric at Louise’s house to dry and then everything will need to be ironed. Next month, we have plans to do some fabric weaving for a book page.

An oval table is covered in small amounts of bright Merino wool in different colors
A few smaller projects

A few smaller projects

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Hello all!

I have been trying out a few smaller projects instead of bigger ones lately, also because I have a few work-in-progress things that I would like ideally and probably in another shiny life to bring to conclusion, so you could say that I am saving myself for them and very predictably not getting much done with them anyway, always hoping for the magic time and place, you know, for THE BIG PROJECT..so much so that I may have forgotten what they were all about in the first place, very likely!

Anyway, some of my little projects may be of inspiration for the approaching seasonal marathon..you know, I am referring to Christmas and the various little crafty things that we are always involved in when it comes to this dreaded and waited for period!

I have been experimenting with wetfelting locks onto Merino and with differential shrinkage in a few small pieces, four small decorative vessels and one pouch that I have not finished with a zip yet (because sewing, you know, I hate sewing):

Three small felted vessels in dark blue and bright locks are on a round wooden table with a card in front of each of them. A black laptop is in the background
Three of my small experiments with the same theme of dark blue Merino and bright locks going on. BFL tangerine locks for the left one, Teeswater locks for the other two.
A small bright pink felted vase with ridges close to the bottom and white rose fiber close to the lip, on a blue patterned cushion, with a wooden background
In this one I tried to have ridges close to the bottom by adding layers of wool: you can see them but they were a bit of a disappointment as wow factor, and I liked the vertical or slanted ridges that I managed on the other three vessels a lot better.
A small felted pouch with a blue background and bright pink decorative locks all over it on a wooden surface
This is the small pouch that I need to finish with a zip: I think I will maybe give it to my daughter who was briefly obsessed with my small vessel with the pink locks, so this pouch should be a success with her if I ever get around to finish it.

I was in kind of a low mood and I decided that I wanted to do something quick and bright, just to decorate my house and not worrying about it being ‘perfect’: I made myself a colourful wreath, not to celebrate any particular occasion but just because. Anyway, it can be used to welcome any sort of event, I am totally in favour of using it again and again giving it different meanings each time!

I mentioned that I did not want to bother overmuch about making it, so I basically put some Merino wool in different colours on bubblewrap all over the table, roughly flower shaped  and roughly leaf shaped clumps in no particular order, in four greens and four bright flower colours.

An oval table covered in a white towel and bubble wrap, with clumps of wool on it in yellow, red, pink, violet, and different greens.
A colourful project for sure.

Wetting and rubbing and rolling all together was done very quickly, and then I spent some time kneading and throwing and rubbing individual ‘flowers’ or ‘leaves’ or small groups of them. I then cut and shaped the flower petals a little if needed, but mostly kept them as they were.

An oval table with a white towel and bubble wrap on it, and clumps of colorful wool covered by wet netting
Sprinkling with water all together.

 

Clumps of flat soaped and rubbed wool in different colors on an oval table covered in a white towel and bubble wrap
The soaping and rubbing step done: all clumps of wool are fairly squashed into formless shapes, but luckily I was not looking for accurate.
In the foreground a wooden rolling pin tool by World of Wool is on a few clumps of soaped wool on a table covered in a white towel and bubble wrap.
I got to use this carved rolling pin tool from World of Wool that I rarely use: this time it was the perfect one for the job of getting a bit more rolling in.
A mass of soaped pieces of prefelt in different bright colors is on a white bubble wrap covered surface, and a rolling pin tool mby World of Wool is in the left corner
I also got to kneading and doing some more energetic manipulation, clumping all the wool together to do it quicker. Actually that is a part that I really enjoy, I find it very therapeutic.
A red plastic tube with a bubble wrap full of darker shapes rolled onto it and fixed with elastic bands is on an oval table covered in a white towel
Some proper rolling of all the pieces together, also to cut on rolling time.
A lot of irregular pieces of bright colored felt are on a table covered in bubble wrap and a white towel, and there is also a wooden rolling pin tool by World of Wool
All nice and rinsed: as you can see, the final shapes were very irregular and not particularly flowerlike.
A clump of felted wool in different bright colors and irregular shapes on a bubble wrap over a white towel
They still look very colourful all clumped together when dry, though.

After washing and drying the lot, I prepared the supporting circular wreath using spare wire from cut flowers that I shaped into a circle. I wrapped a type of plaster tape that I had from the years when my daughter was doing Irish dancing (you know, dancers wrap it around their toes to avoid blisters, you buy it in pharmacy), so that the wool would take hold and also to keep the wire together (it was not a single piece, but pieces in the plural).

Then, I wrapped some core wool around it and needle felted it in place all around the wire, careful not to break needles on the wire. When I was happy with the shape and consistency, I covered the core wool with dark green Merino wool and neddle felted it in place.

An irregular circle of wire taped with a white plaster tape. The small blue box of plaster tape is at the center of the wire and both are on jeans clad legs.
That is how I prepared the wire for my wreath
An irregular circular shape in white core wool is resting on a needle felting blue pad and there is a needle stuck on the pad.
It is very clear where the core wool has been needle felted and where it is still only loosely wrapped around the wire and needs working on.
A circular shape of white core wool is held by a hand onto a green felting pad
The shape is more or less ready for being covered by the next layer
A hand is holding a forest green top of Merino wool to add to the white circular shape that is on the green felting pad.
Adding the forest green Merino and covering the core wool
A forest green ring in needle felted Merino wool is held on a green felting pad
Here is the finished ring.

At last, I was ready for the fun bit of needle felting all the flowers and leaves onto the wreath, alternating colours and making it look as full as possible. That last was tricky, because I maybe needed a bit more flowers and leaves, but I also strategically cut a few of the flowers to obtain smaller ones to fill in the wreath a bit better.

On a green felting pad there are some irregular triangles of violet felt put together to form flower shapes and small spare triangles, small scissors and a felting needle
I cut some of the felt to make it seem more like flower shaped and with the resulting bits I made some new smaller flowers by needle felting the irregular triangles together by their pointy ends.
A hand is holding a felting needle to a pink piece of felt and is poking it to attach it to a forest green circular shape, on a light green felting pad.
I needle felted all the flowers and leaves to the wreath, starting by the big flowers , then the leaves, and adding the smaller flowers and leaves to fill the gaps in the composition.

A loop with a spare ribbon and here it is:

A hand on the left is holding up a felted wreath in many bright colors, in front of a white wall.
Here I had not put the ribbon on it, yet, but there you go, it is done and you can see how it looks like.

I am thinking about making a Christmassy one and an Autumn-colours one with the same devil-may-care approach to accuracy, as it worked quite well for me and it is very relaxing not to actually care about details. Just to have some variety through seasons I may go pon with them, but I am keeping this one permanently on at the moment, regardless of seasons, just because.

Since I have finished the slow stitching blue spiral bowl, I had to find something else for my hands to make while stewarding at our last exhibition with my art group, so I started on this little friend, that will be eventually donated to a kid, either one of mines or someone else’s I haven’t decided:

A hand is holding an unfinished little felted monster with a blue body and red mouth and orange eye stalks and crest. The background is dark grey.
I am not very advanced, but I felted the two eye stalks and its crest on its head. It is complaining that it can not eat anyone yet as he has no teeth, apart from the fact that with no nose and no actual eyes on its eye stalks it would be hard to find preys..

Needle felted in Merino wool, because of the bright colours.

Being aware that creativity needs creativity to spark and flourish (and it was also Leonor’s suggestion to keep your creative juices running, if I am not mistaken), I have also tried my hand a bit at other small projects in different mediums: that is what I have painted yesterday, with an eye to having a few interesting and original Christmas cards ready for when my daughter will come asking me for cards for each of her teacher on the day before the beginning of Christmas holidays (totally not something that we experienced last year, eh, on the evening before, after dinner and everything, when I was thinking only of my bed…):

On a red plastic sheet there are a bigger and a smaller paper sheets covered in small painted squares. The tiny squares are abstracts in different colors
Maybe I can cut them out and make cards with them? I used acrylics, pigment ink pens and oil pastels for the left one, and the same but watercolour instead of oil pastels for the right one. You probably can not tell by this photo, but there are tiny details in ink pen in each square.

I am not sure that all are that good, but there is something satisfying in having a bunch of tiny paintings done in the time that one (at least, me) will take to just think about a bigger painting, and now I can pick and choose if I want.

In the meantime, my felt slippers that I had bought about 1 year ago were just getting full of holes, my toes poking out through them, to the point that I was considering throwing them away: it just seemed such a shame, as the sole is still almost new and they are very comfy and they were a bit on the expensive side when I bought them.

Here is a ‘before’ pic:

A pair of red and grey felt slippers with big holes at their points on a wooden floor
Well worn out, with big gaping holes at the toes

So what I did in half an hour on a slow afternoon was just getting me some wool and needle felting it in place over the holes, attaching it to the ragged edges of the gaps, trying to include into it all the bits of old felted cover that I could still use.

I used a piece of packaging foam as felting pad to use right inside the slipper:

A hand in the foreground is pushing a chunky bit of foam into a red slipper. There is a light brown carpet and wooden flooring in the background
A chunky piece of packing foam can be handy if you stall the husband enough that he does not throw it away immediately
A loosely needle felted roughly round piece of red and grey wool is held in one hand close to the hole in a red and grey slipper
I prepared some loosely prefelted bits to felt into the existing felt of the slippers, by mixing red Merino wool top with some grey carded wool of unknown origin that I got gifted.
A red and grey felted slipper with a mostly grey addition of prefelt to the upper, nicely rounded
It is clear that I just did not plan the colours in advance, just trying different things on one slipper and on the other, if mixing colours on the prefelt to add or felting in first one colour and then adding the next.
One hand is holding a red and grey slipper while another hand is poking it with a felting needle. In the background a grey sofa with felting supplies on it.
It was mostly quite easy to needle felt them, apart when poking close to the sole, when I was afraid I would break a needle, but luckily it did not happen.

The effect was quite good for such a quick fix, even though I had not bothered about actually getting to the same exact colour of the original felted bits: my husband was pretty amazed at the result, that I could repair my slippers so perfectly.

Here are the finished repairs:

A person with white socks and pink trousers who is mostly out of frame is wearing red slippers. in the background a wooden floor and a light brown carpet.
Well, they are uneven and all, but I l felt that I could go on with my life. (I used my daughter to model this ‘after’ pic, as she was eager to try the as-new slippers)

Unfortunately, as you can guess, my quick fix did not stand the test of everyday wear and tear for more than a month or so, so at the moment I am almost at square one. BUT not exactly, as I now know that I can easily fix them, and I have understood that I should have wetfelted them after needle felting the bits in place: it just was not actually felted firmly enough, because I did not have the patience to work on it properly, so my needle felting was only a basic prefelt, almost, and obviously not enough to make it sturdy. So, when I will have to do it again (quite soon), I will be slightly more patient and actually wet felt them, and hopefully my felt will still bond to the original felted bits. One of the reasons that I had decided not to go on wet felting them the first time was that I was unsure if the new bits were going to fall apart and just not bond with the unknown wool of the original bits: I will just to have to try and see.

I suppose one option could be completely redoing the upper bit with a new one, so the issue of bonding unknown wool with mine would not come up, but the sole is tough rubber and I am not sure if I am able to sew it on, plus you know how I hate sewing.

How would you suggest tackling the issue of repairing those slippers?

And on this repair dilemma, I wish you all a good felting time and see you in the next post!

Kiki

@kiki.textile.art

http://www.kikistextileart.com

Am I losing my marbles?

Am I losing my marbles?

Comments 13 comments

Do you feel like the days, weeks and months just keep getting away from you? No matter how hard you work, paddling faster and faster, the to-do list never gets any shorter? It has been 6 weeks since Felters Convergence, I was hoping for a quiet spell before the Christmas rush but it feels like it has been another insanely busy period. When I stop and think, “What have I done / achieved?” I’m at a loss…. I can’t remember!

Thank heavens for the camera roll in our mobile phones!

Early October saw my first ever pit firing with the Manurewa Potters, it was a lot of fun, with a shared lunch but, for me, the results were a little disappointing. I love colour and contrast and this style of firing produces more muted, subtle tones. It’s probably not a branch of pottery for me but I’m glad I got to try it.

These were my pots, the red / orange rings around the top were from underglazes I painted on before firing, the browns, greys and blacks were from the materials added to the fire. I have started waxing the one on the right, which has intensified some of the colours and it’s growing on me but the one on the left I think will be re-fired with some more traditional glazes.

In mid October I hosted my first Open Studio event in New Zealand, as part of the Franklin Arts Trail (which gets unflatteringly abbreviated to FAT). It was a huge success, I met so many fascinating people, introduced some of them to felt-making and even sold a few of my finished pieces, so now I have space to make more!

This photo was taken during the reorganising / scurryfunging, I’m sorry to say I forgot to take any photos during the event. Can you spot the ever-helpful cat (Aoife)?

A few felty friends and I had a play date just before Halloween where we made felted eyeballs using a variety of different techniques (felting around glass marbles, polystyrene balls and making solid wool balls).

Halloween weekend was spent with the lovely Waikato Creative Fibre group at a wonderful 3-day fibre retreat. I even managed to get some spinning done in between teaching a couple of short felting classes and taking a mosaic crochet class.

Fingers crossed I now have enough yarn to finish making a sleeveless top with a tulip hem:

Auckland is starting to feel much more summery and the weeds in my veg patch agree, they were definitely winning…

But after 6 days of hard graft and 1 broken garden fork later I was delighted to find half a dozen leeks, some potatoes and a couple of onions ready to harvest and I no longer cringe at the state of this part of the garden:

I contacted Spear and Jackson about the fork because it had a “10 year warranty” sticker not really holding out much hope that they would replace it but amazingly the replacement has just arrived, all the way from the UK, less than 2 weeks after I emailed them! Now that’s good service 🙂

A few months ago Auckland Felters applied to hold a group exhibition at Nathan Homestead, an historic building that has just completed a year-long renovation, and we were successful – YAY!

The exhibition doesn’t open until next March but deadline for the marketing materials was last week so there has been a lot of frantic activity as we formulated a plan for a felting workshop and market day. The date of our workshop falls on 25th April, ANZAC day (the antipodean equivalent of Remembrance day) so we thought a field of felted poppies would be a fitting project.

With only a few hours before the deadline I found myself hastily felting a sample for the brochure. The result is ok but not my best work. If I can find a spare 30 min I would like to fix the central flower with some needle-felting and add some more highlights and shading.

My local craft / gift shop, Clevedon Creatives + Co, have started stocking some of my work so there has been quite of lot of trips back and forth to get it set up. Now my studio looks even more empty than it did after FAT but I am pleased to have a wider audience for my work.

The Christmas season has already started here with my first artisan craft fair last weekend. This market, at the Franklin Arts Centre in Pukekohe, was a very successful start to the season, fingers crossed this is a good omen for the next few weeks after 2025 started with a bit of an economic whimper.

The felted soaps are eternally popular at my local craft markets so I have been furiously making these most evenings for the last few weeks:

There has been quite a lot of dyeing going on too, mostly silk hankies and silk top as I try to keep up with demand. These plaits will be added to my Etsy shop over the next few days.

Finally a bit of felting fun, a new journal cover. When I started laying out the wool for this I was planning to cover it with yarn in a grid pattern but just as I was about to start laying out the yarns it screamed, “WATER!”. So I rummaged in my bag of prefelt scraps and found some space-dyed orange and yellow pieces. Perfect for fish! A couple of white silk hankies to emulate splashing water / surf et voila!

I’m so glad I ditched the yarn, the jumping, playful fish are much more fun! I can’t help but smile when I see them 🙂

Phew! No wonder the last few weeks have felt busy 🙂 Why couldn’t I remember any of that without my phone…?

Finally Mer-Felting! in Toronto Ontario Canada part 2

Finally Mer-Felting! in Toronto Ontario Canada part 2

Comments 9 comments

October 22nd 2025

As we prepare to head out of Oakville, we were sad to leave. We have so many happy memories, of visiting Glenn’s parents, the years we were walking our giant black barking “cat” through the neighborhood, even a couple times past the hotel we were just in. That was a long time ago.  We stopped at his parents Church and visited the memorial garden. It still had flowers even this late in the fall.

Memorial garden with arch, benches, and blooming roses and other flowers. brick church with stain glass beside gardens7.1) Oakville Memorial garden

Now its time to get on the QEW (Queen Elizabeth Way), the highway that turns into the Gardner Express way….. don’t let the name fool you it was not expressing speed….

As we trudged along in heavy traffic… it’s now well after 10am, the young Mer seems happy smiling out the window and looking at whatever is attracting his attention. Eventually the road turns north and becomes the Don Valley Parkway, still not moving fast but the scenery is now trees with tall building looking down into the valley. We even spotted a subway car crossing under a bridge. It all must be very exciting to a young mer on his first big trip. I had made cryptic notes, and checked with google maps before heading out, so we found the building without difficulty. It looks like an old industrial building that had many loading bays and production area for about 2/3rds of the building and the last part was a 2 story office area. It made me think of an old newspaper or print shop.

Finding The Olive Sparrow

Monika is upstairs, there is a small elevator so we can yet again avoid those evil stairs. Why don’t you join us and see what I found.

Holding the door open you can look past and see some of her felting supplys8.1 Monika welcomes us to the Olive Sparrow

If you have seen Monika’s booth at various fiber festivals you will remember walls of bags of colour in various fibers, tools, fine theads, needles and other distractions. I was looking for something to help a friends project and I was curious to see what else she may have that she hadn’t shown us at the various sales.

The Olive Spairrow sign and some of her store bags of fiber Bags of silks and specialty fibers most in white and off white felt rolls, and carded batts More carded battsMore carded bats i think this was some of the short staple Maori More bats in grays and brownsanother vew of bags of colours of fiber!! and some balbrasa8.2-8.9)the Olive Sparrow, an overwhelming amount of fibers and colours!! I noticed more things in the photos than I saw while there!!

husband book in lap napping beside display of long locks9.1) Glenn found a comfy enough chair to read and nap as we chatted.

I explained what I was looking for today and we found a few options, including some viscose in excellent colours. I had not found more maori short fiber batts locally, so was extremely pleased to see she had all the brown tones I had used to make moose for the moose bags. I found it compacted to a dense even felt.

 

Monika showed me a piece she was working on. there are lots of ways to transfer and image to felt or fabric ground, but once you start working you can obscure the guide lines.  we are both of an age that remember overhead projectors used at school. She had found some of the transparency sheets and had transferred her line drawing to it. so she could use it to check her layout. This is brilliant, it is easier then trying to redraw an outline as you are working or using proportional dividers.

a fox Monika is working on. from the Right photo, felt picture and outlinetransparency overlay with line drawing on it10.1-10.2) line drawing, picture felting on antique linen and reference photo, and using a transparency overlay on the image to check proportions and progress.

I wonder if I could add registration marks, or use pins, magnets, or bulldog clips to keep the transparency from shifting? I have not seen the acetate sheets for overhead projectors, since I was a teen ager, that was a while ago. (I will be doing a search on line!)

Monika also shared a method of blending and storage of the blended fiber she was using. Instead of just hand blending (stacking and separating until the desired colour is achieved. Which works well for small amounts but can be harder to reproduce the same colour each blending, for larger quantities.)

stacking and pulling fibers apart to blend top coat (keep the fibers parrilell)11.1) hand blending

Instead she lay out the colours in thin wisps similar to how you would lay out fiber for wet felting. Then lay wisps of the other colours on top. Alternating thin layers of wisps.

laying down a thin second layer of a second colour layeing down a 3rd layer alternating back to the same as the first layer of colour finished 3rd layer adding 4 layer of whisps of ligher tone11.2-11.5) blending larger quonties similar to wet felt layout but stacked in thin layers

She then took the line and from one end rolled it up keeping the fibers in the same direction.

from one end of the row she carfuly rolled up the fibers keep the fibers parrelell11.6) rolling up the fiber keeping the locks parrelell

She then worked from the stack she had just made and repeated the laying out of thin layers as she had just done.

she again pulled out thin wisps and layed them in a row she then added more thin layeres she repeated untill she had the amount of bending she wanted11.7-11.8-11.9) she continued to layer the wisps then rolling until the amount of blending she wanted had been reached

Once  she had the colour she had wanted she took a sheet of paper placing the fiber on it, then folded the paper over the fiber. this kept the fiber parallel. she then rolled the paper with fiber inside and labeled it for latter use. If I have been storing blended fiber for later use I tend to lay it into a zip lock bag which I usually label.  Storing it in a folded then rolled paper will keep the parallel alignment which is more helpful when making topcoat for a peice.

 

folded paper to hold fibers then folde over the end she kept foldeing/rolling untill the end of the paper she added a small pice of tape to hold the fiber secure and labbed it (fluffy)12.1-12.3) keeping the blended fibers organized and ready to use

I was very impressed with the collection of needles Monika had available.  She had be able to get one of the ones I was very curious about, the “teardrop” shaped felting needle. this odd needle has all its barbs on one side. What would a one-barbed-sideded-needle be used for in Industry? It is used then a woven ground fabric, has fiber added to it. the theory is that the teardrop shape will pass through the woven ground fabric without braking the warp or weft threads and embed the fiber to be attached.

I spotted this in the industrial info a few years ago and immediately was curious, would this work for hand needle felting too? But did not think I would get my hands on a sample. Monika had one and liked it, I am looking forward to investigating this odd needle further.

3 samples of felting needles she sells13.1) some of the needles in sets, she also has a broad selection of individual needles available too.

the Young Mer sitting on top of a paper bag full of fiber i had perchused!14.1)The young Mer seems happy with my shopping and is being helpful holding my map notes on our way back to the car. (the Mer-Boyfriend is enjoying his improved hands!)

 

I found viscose in various colours, a mill end and more Maori short staple batts . She also sent me home with small samples of two core wools she was selling. I think the Young Mer enjoyed the shopping trip and visit with Monika! Now its time to head back to the car and start the return to Ottawa. Once we are back there is more to do to get ready for the Guild sale and exhibition.

I hope you have enjoyed the trip to Toronto and got as distracted by the reflected light and shadows on architecture as i did. i hope i can have another shopping trip to Monika’s store (i know she will mail things but its so nice to be able to feel the fiber and have a visit with her!) I promise I will tell you more about the tear drop needles when life gives me a moment to have fun and investigate.

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Finally Mer-Felting! in Toronto Ontario Canada part 1

Finally Mer-Felting! in Toronto Ontario Canada part 1

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Finally Mer-Felting! 

Monday, Oct 20th 2025.

Monday Morning arrived much too early. Instead of my original plan of donning my apron, a cherished reminder of my wonderful mother in law, and heading to the guild to work on the library, Glenn was loading a couple of suitcases and a project box into the car.  It’s going to be over the usual 5.5 hour drive, with a brief stop to feed the car and ourselves. We are adding a couple quick shopping detours once we get into the Toronto area (primarily, Board Game Bliss). So maybe it will be quicker if you meet me in Oakville? The hotel has a pool you could wait in, but its hours are limited, and it was really chilly the last time I was in it. (No wet felting in the pool while you wait!!!)

map showing root from Ottawa to Toronto ont. canada1.11) A map of  the edge of Ontario, between Ottawa and Oakville, to give you perspective of where we are going today

It was a long drive down, is it possible that either Ottawa or Toronto have moved farther apart?  By the time we got into Oakville, and found a spot to eat dinner, the Pool was closed. So, how about we meet on the Go Train platform just down the street from the hotel, and you can come into Toronto with me, it’s the 8:30 express train. Don’t forget your umbrella, the forecast is rain all day.

 

Tuesday, October 21st 2025

One of Glenn’s Brothers ( brother #4 of 5 brothers) is joining us today, having flown in from the States. I am sure you will like him, he is a math teacher and thespian.  We hiked down from the hotel to the Go station. Oh my! The Go train has a raised platform for wheelchairs and walkers to more easily get on and off the train. The Train worked beautifully and was very comfortable.  Unfortunately, when we got to the subway station, the lifts for the subway were not all working, so it took a bit of extra time to find the lifts that were and get back from the detour the helpful transit people had sent us on. Good thing the building we are looking for is not too far from a subway stop. We arrived just in time, instead of early, as Glenn’s brother thought we would be. (Avoiding stairs always takes much longer when using public transit.)

We were going to a posh law office in a very high tower, in a canyon of high towers, reflective glass and old stone buildings.

some of the landmarks i could see looking out the window i was sitting by 1.12) Some of the landmarks I could see

There were comfortable couches and snacks by the reception desk, and an open stairway in front of a tall window. This window alcove had 2 chairs and a few plants, and a fantastic view looking, I think, sort of south or southeast. (It was hard to tell on the 16th floor, all my normal landmarks are at ground level, and I never had a direct view of the sun. Later consultation with the map suggests I was looking west-ish.)  The Brothers wandered off to a room on another floor to do legal stuff. (I am not a beneficiary, I am not one of the 5 brothers, so I didn’t go with them. I am just here as Glenn’s Driver, moral support, and to do some felting.)  I gave up the too-low comfortable couch for the area under the stairs in front of the window with my box of felting supplies. I checked with the office manager that I would be out of the way there, and the huge window could prove interesting if the rain holds off longer.

interior desk, wating area and behind a hint of the open stairs.1.2) This is a nice office, I don’t want to be underfoot, and the lighting is better over by the window.

window in back ground with glass towers in for ground 2 plants and a chair with my project box of Mer-Felting stuff1.3) Settling into a corner under the stairs.

vew out window with buildings, Hudson bay, Old city Hall New city hall1.4) There were some iconic buildings in my view. The Hudsons Bay building, a church(out of shot to the left) and what I finally figured out was old Toronto city hall and New City Hall.

I spotted an odd building that may not have been a building. I have seen a program on a subway system, I think it was Boston, but it could have been New York (both were discussed in the program), they had buildings that kept their facades, but had been gutted to add ventilation systems for the subway tunnels beneath them. I think this may be one of those fake buildings. It looked very interesting. I would love to have had a tour of it!

old brick building with turbines in center of it.1.5) a shell of a building? 4 massive turbines stick out of the middle of what remains of the stone building.

As I was getting organised to start felting, I noticed I had more than just architecture to watch this morning. I have seen roofers working before, but it’s always from below (not a very enlightening perspective). This was a flat roof, too, so not something I have seen done in person before.  This will also give you an idea of the actual zoom on my camera, as I got curious about that, too.

no Zoom
Some Zoom
More Zoom

1.6-1.8) Oh no, now I have made all the guild members very nervous!!!

While they are getting to work, adding plastic sheeting and rubber membranes to the sides, I should get to work too. As much as the Mer-boyfriend wants to do his own abs, I should really give him a hand (ok, literally). I am going to focus on hand and arm musculature today.

I started with forearms and strengthening the wrists. The density of the felt was too soft, and the wire strength was overpowering the wool felt through the full forearm. I want the arias just above and below the wrist to be much firmer so the wire will be persuaded that bending at the wrist is correct, while bending in the forearm is not. If you are making a figure that will only be in one position, this is not as big a consideration. Since I don’t know how they will eventually decide to pose,  I want them to have options.

Diagarm trying to show one way of trying to help the wire bend where you want it to is firming ether side of the joint and less firm interior felting at the joint.2.1) Diagram of wool density around a joint

Note: if you would like the surface over the joint to have the same superficial density as the surrounding felt, you can use a crown needle or use shallow felting to firm the surface, but leave the under layers less densely felted.

needle stuck in forarm extensor muscles2.2) working on the muscles of the forearms (the extensor group)

working on superior aspect of arm just above the elbow 2.3) working on the posterior aspect of the upper arm just above the elbow joint

 

It’s handy to have good myology (Muscles) and osteology (Bones) diagrams for this. If you don’t have an extensive selection of anatomy and myology books, Google can be very helpful with its search “Images” tab. Good research is part of the fun of felting!

Once I had firmed up the arms, I focused on his hands. I have the fingers wrapped and have added the beginnings of the thenar and hypothenar eminence at the base of the palm. The fingers can be tricky or fussy to work on. If you only work from one angle, it will flatten the look of the fingers, so working all the way around the fingers works best. Make sure that your needle has the first barb close to the tip so you don’t have to stab deeply to move the fibre. This is again a good spot to switch to a crown needle; it’s not as fast with only a total of 3 barbs, but it doesn’t need to go as deep to engage the fibres.

working the needle around the thumb reduces the tendency to flatten the digit by only working in one areabuiding up the mucsles at the base of the palm (thenar and Hypothenar emences) there is no exam at the end.2.4-2.5) working around the thumb

the Young Mer takes a brake on top of his project box2.6) Mer resting and having a break in his project box (needle in lat border of the palm).

I checked in on how the roof repair was going. I was trying to figure out if the gravel part was done or if it was yet to be done.

watching roofers lay out plastic on top of black layer, and wondering if the area with rock is finished or yet to be worked on.zooming in i can see the gravel is the top finished layer and it is yet to be added to the secion being worked on.3.1-3.2) watching roofers lay out plastic on top of the black layer, and wondering if the area with rock is finished or yet to be worked on. Using the zoom, I figured out that the gravel is the top layer.

The reflections are interesting with the stormy sky and landscape reflecting in the glass tower in front of me. The clouds have varying looks of impending downpour pour but so far, no rain has fallen. In the glass tower in front of me, I can see a landscape reflecting what is past the building I am in. As the light shifts and changes, the reflections shift too. It is distracting from my felting, and now I wish I were working on a landscape (don’t tell the young Mer, I will get back to working on him again!)

gray sky and building reflecting in glass tower in front of me3.3) Storm clouds and reflections in the glass tower before me.

If you look to the lower right side of the reflected building, you will see the landscape that captivated my attention. I am not sure if it was just the shifting lighting or if it was the segmentation of the image by the window frames. I spotted a brief sliver of light on the fall trees as it passed and disappeared.

close up of landscape reflected in glass with a patch of sunlight brakeing through the clowds3.4) The landscape reflected in the glass with a sunbeam piercing the clouds, highlighting a stretch of trees and houses.

The clouds cleared for a moment, a bit later, but were quickly followed by a thick grey miasma of impending wetness….

storm clouwds behind building but blue sky reflecting in glass clowds streach over the city and only a hint of blue sky left in the glass reflection3.5-3.6) It was particularly striking with the blue sky reflecting in the glass and the storm rushing in behind the building.

blue sky and white clowds reflecting in glass of tower3.7) The storm rushed past, determined to dump water somewhere else since the sky cleared and the reflections of clouds were fabulous

I next turned my attention to the old City hall (the new one is a half-circle tower, not nearly as interesting a building). The old tower and main building are dwarfed by the much taller buildings around it. Unlike the many new reflective towers, this building has ornamentation and detail to look at. I hope you are fascinated by architecture as I am and will be inspired. If not by the architecture, then maybe it will give you thoughts of who would live in a building with such interesting windows and what they should wear?  What would the gargoyles look like if they got up and flew off? Or, maybe the patterning around the clock face tower will inspire a vessel or scarf?

old city hall with new city hall in the back ground 4.1- old city hall disappearing into the new building surrounding it

copper roof and some of the window patterns in toronto old city hall4.2- just peeking over the building, the fabulous fenestration and detailing are just visible,

Gargoils jsut under clock face on tower one on each of the 4 corners 2 are visible in this shot4.3- Gargoyles!! Oh, the dentils in the roof and repeated under the gargoyle’s ledge! What is that pattern just under the clock? If only I could get closer…

detail of clock face and what i thot was a pillaster untill i zoomed in.4.5- Oh yes, I can get closer!

more decritive moteafs on a gable end of part of the roof4.6)- more patterning on this gable end, the sun with swords, circles with a bar and plain weave?

the light is deepinging the shadows showing more of the deail embelishment of the stone work and gargoil4.7-In the late afternoon, the sun came out, giving this raking light, creating depth and accentuating the details

light reflecting of nabouring glass town is cast on building and roof making intersting distorted patterns 4.81-  As the sun swung further around and pierced between buildings, it finally struck the glass neighbour of old city hall. Bathing the old building in reflected light and shadow patterns from its towering neighbour.

the shadows are darkening between the towers but the sky is blue with flufy white clowds. the relections on old city hall are continuing.4.82) Sunset is approaching, and the reflections off the glass tower onto the stone and copper roof are intriguing but almost lost amongst the urban landscape. 

young Mer showing progress on his hand. he is smileing and looks pleased.5.1)The young Mer showing the progress on his hands

close up of hands5.2) Hands can be a suggestion, or you can spend a long time adding knuckles and surface detail (ask Google to show you surface anatomy, and you should find diagrams of the superficial features)

By late afternoon, I had been switching back and forth, from felting to photography, as the light shifted and played off the reflective surfaces. That landscape I had been watching in the reflection of the building across from me occasionally had highlights of sunshine between clouds, causing parts of the landscape to be illuminated while other parts were darkened. It was very dramatic.

another late afternoon patch of sunlight hits the landscape behind the reflected building 6.1) Another sunbeam strikes the landscape reflection in the building across from me

The sun was getting lower, and I was hoping for a fabulous sunset.

the cast light is getting weaker but still creating intersting relections on nabouring buildings6.2) The reflections and cast light were getting interesting!

 Glenn was sent down by their lawyer (for brothers #2 through 5), to say I could go upstairs and join brothers 4 & 5, since a possible agreement had been found… but when I got there, ah, not quite yet. Glenn had carried my Camera, which accidentally stayed in the room with him, and I went to the hall by the elevators. There was a small table beside the door labelled mail-room and a perfectly placed pot light. So I unloaded my project box and got back to work. Unfortunately, I missed the sunset, since there were no windows in the hall. I did have a lovely chat with a lawyer (not involved with mediation) who was working late as well. I give her a quick demo-brake, explaining needle felting and the Missing Mer-teen dilemma and making a Mer-boyfriend to tempt her out of hiding.

The process ran into the evening, but I had an audiobook and was happily felting. Eventually, they were done. No one ever saw brother #1, but he must have been there somewhere. Brothers #4 & 5 and I all headed back towards the subway, the Go-train, and eventually back to Oakville. (Drat, it’s too late and the pool is closed again). (The floating would have been nice, but I am really not fond of the wetness of the water. Water would be much better if it was warmer and drier.)

Wednesday, October 22nd 2025

Very early in the morning, we said goodbye to Brother#4, as he headed off to the airport to fly back to the States. It was very good to see him. Hopefully, we will be able to visit the 3 brothers living in the States in the future, but not until the law applies equally, women regain their rights, and sanity returns.

 

We also packed up and contacted Monika, of the Olive Sparrow, to check if it would be ok to drop in on the way home. She is not too far off the Don Valley Parkway, south of the 401 highway. She would meet us in about 2.5 hours, lots of time to get to the other side of Toronto!!! ………..

We loaded the car with suitcases, the project box, and the Mer-Boyfriend looking out the back seat window and waving at passing cars (I did take the needle out of his fingers so it was easier for him to wave, if he wants to)  (to be continued shortly)

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