Open Studios event insights

Open Studios event insights

Hello everybody!

I have recently participated in a big Open Studios event and Art Trail in my area, and, since it was my first one ever as a stall holder/participant artist, I learned a lot from it and I would like to share my experience with you.

Just a short introduction about the event itself: it is the BEAT (Borough of Ealing Art Trail), an event in its 9th edition and growing more each year. It started as a smaller affair involving only a few artists opening their own studios and homes in one day during a September weekend, but today it is both of the first two weekends of September (4 days in total) and involving 66 different venues and about 200+ artists and crafters that live and/or work in the Borough: it is such an amazing celebration of the creativity of all the diverse people living in our area! In past years I loved to go around and explore some of the venues that were closest to me, and this year I was very excited to be part of it.

Some of the studios and houses are quite frankly something to drown yourself in pure envy and you may get offered high class refreshments (champagne and what not!), but there are quite a few ordinary homes and more common types of enticements (maybe a cookie for the kids if you are lucky?). A lot of the creative people also form groups or are already part of one, and band together to rent a space in public venues like church halls, our local theatre, local libraries or community centres, in an Art and Craft Fair kind of spirit that is embraced by us locals with gusto. Demonstrations may happen, and most people just go around it for the fun and vibe of it, and to say hello to friends and acquaintances taking part.

The whole thing runs with the moral support of the local Council, but through the actual work of a small group of volunteers who are also artists themselves, so all the stall holders need to arrange their own venue and get limited practical support, basically getting a packet of advertising prints and booklets, and a few reusable posters and balloons to use as signs (Plus of course the advertising benefits all of the artists involved, because it is done in the whole Borough).

This year the organisers also managed to set up a lovely charity exhibition running on the side, to raise funds for a homelessness charity, Crisis: we were asked to donate a small artwork 20×20 cm on the theme ‘Home’ that they could sell for a fixed price of 50£, completely given to charity. Check it here: I think it will run for a few more days online to see if they can sell a few more of the 70+ artworks that were donated by us artists, in different mediums.

Here is my piece, donated for this charity exhibition and sale:

The small artwork is on a square white canvas. the artwork a wet felted irregular square in light blue, grey, violet and some hints of green. On the background a lace yarn in the same colors winds itself into a maze like shape, and at the center of the piece there is a small basic house shape outlined in stitching in blue-grey yarn that helds in place a white fraying piece of silk fabric.
My piece about ‘Home’.

Sadly, it has not been sold yet. (veiled hint, isn’t it?)

First of all, I need to say that I was not on my own, but I choose to participate with my local art group, the Ealing Art Group, for a few reasons: one was to have support from fellow stall holders, because it was my first time, and to get a venue to use together, as I do not have a studio or space in my small flat, that is also not easily accessible for people with mobility issues. Secondarily, to cut costs, as you can share the participation fee and also the cost of renting the venue: this means that you do not have an individual entry in the advertising booklet, just one with your group, but still you will have your individual name in the list of participating artists, good enough for me for starters.

I was quite happy with how this decision of participating with my group instead of alone has come out: yes, sure, I had to find different ways to put my business name out there, but the support and connection that I got from participating with others were what really made a difference to me, and I will be very glad to do it again with the group next year, instead of looking at ways to do it by myself.

Here is how my little corner was looking after set up on the first day:

A corner in an ancient brick outhouse. In it there is a small table and behind it a white kitchen counter. On them there are various small framed artworks and craft things by Kiki Peruzzi
My lot was supposed to be only a small table, but, because I went there early on set up day and helped with the set up, I could get me the place in front of the kitchen counter, and use the counter as additional display space!

Our venue was a listed outhouse building attached to an ancient mansion , Boston Manor House, in one of the parks in our area, very good for footfall if the weather stays nice and people can go around to walk dogs and kiddies! As the building is listed, we were not allowed to put up nails or alter the building walls in any way: I had been told that already by the person in our group who was taking care of organising the venue for us, so I went there prepared with frame holders and small frames that already had their table stand. Plus, talking with some other artist from our group at a previous exhibition, I understood that smaller (and cheaper) items were going to be a better fit for this event than the bigger artworks that I had had in mind to bring, and a selection of craft items in different ranges of prices would be also quite good for this: thus, I decided to bring a variety of smaller things along with one bigger work, and I think that it worked fine for this.

We were 10 from our group, in 2 rooms that were close but not conjoined: 6 in our room and 4 in the other, sharing a small courtyard. My fellow stall holders were all working with different mediums and each one of us has a completely different style: I am the only felter and I was also the only one working in textiles among the 10 exhibiting together (there is another artist who is a weaver in our art group, but she was exhibiting in another venue by herself). That meant that we had very different target audience, so we worked very well all together to cater to different tastes.

Here is a video showing our room and our different styles:

We also decided that we needed to make our venue and ourselves more visible by setting up some tables outside and doing demos on a rolling rota, so that the person outside could invite people to come on in and have a look. Having different mediums was very useful for that, so as to engage different people and send them our collective way. Plus, sketching and felting can withstand different weather conditions: and I can tell you that in London this is a good point, as the weather was very voluble for 3 out of the 4 days, so we had to rush in and out depending on wind and rain presence!

Here is me trying to produce an Instagram friendly video of my second day demo on wet felting, with my daughter’s help:

It was super challenging to wet felt outside, as all the days were particularly windy, so the fiber was flying and I periodically had to run after 100gr bags of wool rolling off the table! I was keeping the bags on the table to attract people by showing bold bright colours, and on the second day I also brought some felted things that I was not selling but just to show what you could do by wet felting, as plenty of people were asking about it the first day. (also, we were not allowed to sell anything outside our venue, so I could only sell the stuff that was inside the building) I partially solved the flying away issue by weighing down all the wool bags and felted objects with stones picked up from the park, and by frequently sprinkling water on the fibers that I was working with in the demo, and getting to the soaping phase as soon as possible!

I must have made an impression for my determined effort, though, because I sold the first little bowl that I wet felted for the demo before it was totally dry, so I can not show it to you (no photos, I am afraid!), but this is my second day produce, in Merino wool with silk rods and eri silk fiber embellishments:

There is a small green bowl on a light brown wooden table. the bowl has embellishments all around in vertical irregular bands, in rust eri silk, natural white eri silk and silk pod rods.
I liked how it came, though some of the visitors were suggesting different combinations of colours!

On the second weekend, I decided to demonstrate needle felting, instead, as it was still very windy and there was a rain forecast for the afternoon, so I needed something where I could control my flying fiber better and pack it up quickly if needed. I decided on a simple Christmas bauble with a core wool inner part, in red merino wool with a sprinkle of Angelina fiber and spiral of violet merino. I think that it came out fine, considering that I was constantly distracted (stabbed myself quite badly at one point, because I was calling out at a potential visitor to encourage him to go in and not paying attention at my hands):

On a blurred background with a wooden table and many small things, there is a hand holding up a red and violet felt Christmas bauble by its violet gauze lace.
Starting early for Christmas!

I noticed and encouraged interest from small kids: I would talk to them, waive bright red wool, entice them to touch it and give a wisp of wool or silk fiber for them to take home, asking them how it felt and if it was soft as a pet’s fur or shiny and smooth. I noticed that more adults were interested when I had my wet felting set up out than with the needle felting: I wonder if it was just random or if it is something about the needle felting that is less appealing or more intimidating. Maybe you also can share your experiences on that.

I think that taking a few small amounts of wool and fiber to this kind of event is very useful (note to self), as people are asking you a lot of curious questions about what you are using to make felt: I heard mentions to yarn, fabric and there were all sorts of puzzled blank stares when I was saying wool fiber and silk fiber, until I would take out a WoW bag and give them a small amount of wool to hold and touch..then more confused questions about how you go from there to that bowl. I mean, that was a proper effort in spreading the word about felting as I could. I am pretty convinced felters would do well to bring wool to show at their events, as most people are far from clear on what wool looks like before becoming yarn and what you can do with it.

Having a group to back me up also meant that I could try to focus on my demos and the persons in front of me, in the sure knowledge that if anyone wanted to buy from my little stall inside someone would come and fetch me, as I would do for them. While plying my wares inside, I knew that someone outside was doing their best to send people our way, so that we all could sell more. We would also pass on favourable comments from visitors and encourage each other during the lulls.

And, of course, chat about our medium, art, families, life and so on. I got to know my fellow group mates a bit more, in a way that just is not possible when you are stewarding for one or two hours maximum at a more sedate exhibition: I had also the chance to see some of them in action working with their chosen medium, and it was very stimulating both learning some of their techniques and explaining them some of mines!

Another good thing coming from sharing a venue with members of your same group was that I had my kids with me (long story) and I was worried about them getting bored, but my fellow stall holders managed to entice my kids into helping with the setting up, putting up balloons and they generally kept them entertained while not playing at the park playground. My daughter also got to try out watercolour painting techniques with one of the watercolour painters, so it is like as if she had a short art course activity for free! My kids were practically begging me to take them to the exhibition again, until we had a spot of heavy rain and their running around was restricted for a while and the place was, to be honest, a bit damp and coldish, so they had to cool down for a bit inside. That was on the afternoon of the last day, and we packed up early because of that (not many people going out and about in a park under heavy rain, not even in London, although we spotted some brave or silly souls still trying to play tennis in the courts…they probably had paid a bucket for the booking? who knows), so all in all it was a success also for my kids.

I managed to sell enough to get back my fee costs, and a bit more, and I felt that it was pretty encouraging as a first time stall holder. I also distributed more than one hundred of my new bookmarks: I had them printed to advertise my business with something different from a business card, and many said that it was a very clever idea and all were very keen to accept them. I guess that I am not the only one having several different books on hold with bookmarks on their bedside table!

Here it is what they look like, front and back:

There are two bookmarks placed horizontally one close to the other. On the first there is a detail image of a wet felted artwork by K Peruzzi in yellow, white and blue. On the other bookmark there are another image of a different artwork by K Peruzzi, written details on how to find other works by her, and a QR code to visit her website
People liked them: one always need a FREE bookmark!

I have had some new accesses to my website straight afterwards, so I guess that they are working in advertising it.

Here are my fellow art trail mates from my room on the last day (missing Bijan who was home with a cold the second weekend):

A group of 5 people is posing together in a room with tables showing their artworks. There is a wooden slanting roof in the background and brick walls
Tired and happy just before packing up. From left to right: me, Peter Filbey, Nava Letchimanan @nava_ml_art , Zara Salazar @zsartillustrations , and Susie Mawani. Missing here Bijan.

Hoping to do it again, maybe with different group members or the same, next year!

If you happen to be close to us in West London, also come and see us of the Ealing Art Group in October at Open Ealing in Dicken’s Yard.

I hope you enjoyed my post, and please leave your comment on your own experiences with this kind of events and being a stall holder.

http://www.kikistextileart.com

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9 thoughts on “Open Studios event insights

  1. Hi there – did ask a while ago but never found a reply: did you come to any conclusions about needlefelting ‘machines’ after you tested several? Many thanks

    1. Hello! Thank you for your comment, but I can not answer your question, as it was not me who tested the needlefelting machines, but another one of our Felting and Fiber Studio felters! I am sure that she will point you to the right answer if she sees this comment, or someone else can link her posts here.

  2. You were very brave to work with loose fibres outside! But what a great idea to get people to come see inside and it was good that you sold one of the things you made from that demo.

    All the stalls looked inviting in that lovely building and we’re glad you got sales.

    The trail is a lovely opportunity for like-minded people to chat and share ideas 🙂

    1. Thank you, Lyn and Annie. I sure had fun, and I am ready to do it again next year, if possible!

  3. Well Caterina, didn’t you have fun? Your little corner stand looked great and I’m glad you managed some sales.
    We in Dorset have had county wide Dorset Art Weeks for some years now, but I’ve never joined in on the seller’s side of the table because it is just too expensive. I think that DAW was one of the first organised Art Weeks, and, had I been living in Dorset when they first started, I might have joined then when the costs weren’t too high. When touring venues I tended to avoid individual studios because you would to feel obliged to buy something, or at least feel mean if you went away without buying (even if the artist’s work was something to which you wouldn’t give house room!)
    I have participated in the first and third Sturminster Newton Art Week, but these events are slightly different here because most of the local artists do not actually live in Stur. The art work is displayed in the windows of our tiny town centre’s shops. Those who own studios not too far from the Town Centre did open those. This of course meant that I was not able to be on hand during the week to see the results of my exhibits, and I didn’t sell anything.
    As for attracting attention by demonstrating, (and I think you were brave to do this outside and not indoors by your stand). My usual answer when asked “how do you make felt” is to say “have you ever put a jumper in the washing machine and shrunk it?” When they admit to it, I tell them that they’ve made felt and give a quick explanation about soap, water and friction. I don’t usually demonstrate needle felting because I’d always be sitting with my own personal thunder cloud over my head which spouted lightening every time I stabbed myself, and that was often, especially if there were several people watching.
    Ann

    1. Lovely to hear about the Art trails close to you, Ann!
      And you make me laugh about your personal cloud under needle felting conditions! I had to suck my bloodied finger and smile during my needle felting demo 🤣 I was mentally saying some strong words, I can tell you.

  4. I think your stall is lovely and it’s great to be able to do two levels as it gives your table much more depth. I agree about being brave to demo outside with wool. I have done one of these type of things in a large building where I demonstrated felting and put up my yurt. People definitely don’t know what “wool fiber” is. I had one lady ask if I made the yurt from dryer lint. But it is fun to see people’s faces when fiber turns into felt, most people are quite amazed. I wish I was closer so that I could come and see your work in person.

    1. Thanks for your comment, Ruth. Yes, I can totally imagine someone asking about “dryer lint”, it absolutely chimes with some comments that I was hearing! you are right, it is so much fun to show off with the felting magic! I wish you all were closer as well, we could have so much fun felting all together!

  5. A very busy weekend for you all, and it looks like you had great fun at the Open event. Thank you for a lovely blog post, and taking us all along with you.

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