Auditioning Fabrics

Auditioning Fabrics

I’m always buying second hand fabric to use in felt-making. Mostly scarves but occasionally garments or just pieces of fabric, almost always from charity shops. Much of the time, I have a good idea of how the fabric will felt. But sometimes I really don’t know, either because it’s unusual in some way or because I’m not sure what it’s made of.

This week I tried out (or ‘auditioned’) four such fabrics, so here’s what I found.

Firstly, this soft rather loose-weave fabric I found in the British Red Cross shop in Canterbury.

The ‘prickle test’: I touched it lightly to my neck and it prickled so I concluded it contained at least some wool. I have an annoyingly sensitive skin that can’t wear even the softest wool so this prickle is a good sign. It’s a big scarf and I really like the pattern so I bought it, even though it was a bit more than I’d normally pay. I could imagine using it in a tree picture like this one I talked out in a previous blog.

I cut off a very miserly small strip then decided to make it even smaller – a 5 x 5 cm square (2 x 2 inches) – I just wanted to see if it felted without wasting any. I had a tiny amount of miscellaneous white carded batt loitering on the side of my felting table so I used that to felt it.

As you see, it felted really well so I set up a bigger strip to make some cards. 

Then I decided not to get ahead of myself so put that on one side to pick up later and got on to fabric number two.

This flowery mesh fabric was from a scarf I bought a while ago. I think I bought it in Faversham Hospices of Hope.

I’ve used fabric similar to this to make barnacles on felt shells before, though it had a smaller woven pattern. I’ve no idea what either fabric is made from.

Barnacles added to a felted oyster shell using a similar fabric

This time I decided to make a slightly larger sample I could use to make cards, assuming it felted OK. Sometimes I just throw caution to the wind!

I laid it on a piece of the merino & silk prefelt I use for my printed felt cards and felted it.

It felted nicely. The mesh didn’t bed into the wool as much as I’d expected, so it’s more textured between the flowers, which was interesting.  I will cut this into four strips and print something on the plain half to make cards like the ones I’ve shown in the next section.

I decided I liked the idea of a larger sample for cards rather than the tiny sample I can’t use. 

So, here is fabric three.

I bought this a couple of weeks ago in Yorkshire Cancer Research in Ilkley. It feels like it might be a very sheer silk but there’s no label and I’m not sure. Hand rolled hems are often an indication of silk but this has machined hems.  I love the pattern and it didn’t cost too much so I decided to take a chance.

Irritatingly, I cut the silk a bit too small for the prefelt rectangle offcut I was using so I popped a second small strip on the end hoping it would make that end useable.

It felted really easily and well, so I’m pretty sure it is indeed a sheer silk.  I can see lots of uses for this as it has such a ‘coastal’ pattern. Also, I think the join worked OK.

It’s similar to another scarf I’ve used recently for pictures and cards, so I’m very happy.  One of the drawbacks of using second hand scarves is that you can’t go and buy more of the same if you decide you really like it.

And finally, a large, fairly open weave, 100% wool scarf I bought in a Pilgrim’s Hospice shop in Whitstable. No need for the prickle test (though it would undoubtedly have passed) as it still has its label.

I dithered over this one even though it wasn’t expensive. I just wasn’t sure I’d use that much brown. It’s also quite bulky and I’m short of storage space. However, I decided I could use the brown for beach pebbles on pictures and the animal print sections won me over. I love a bit of animal print.

Actually, I really like the result, more than I expected for some reason. I find that wool fabric felts really evenly – not surprisingly, I suppose. The fabric shrinks with the prefelt rather than rouching like silk does. I will use this sample piece for cards but I’m not sure what I’ll use the rest of the scarf for.  It definitely reminds me of an animal’s fur but I’m not sure quite what animal. 

Well, all four fabrics passed the auditions with flying colours. They all felted well. I can immediately see how I’ll use the first (wool mix?) one and the sheer silk.  I’ll mentally ‘file’ the other two for use at some point in the future.

I love looking out for second-hand fabrics. You never know what you’ll find and what you might be able to do with them. A delicious pre-loved scarf always feels to me like some kind of exciting unearthed treasure.

16 thoughts on “Auditioning Fabrics

  1. Lindsay your fabric auditioning is very interesting and has produced good results which I can see working with your genre of work.

    Prickle test – we learned recently that Alpaca wool has no scales….would that not be better for you to wear?

    Your merino and silk prefelt – home made or commercial?

    The flowery mesh – would it ‘distort’ more with wool (or prefelt) that offered greater shrinkage?

    Wow, your silk ‘join’ worked a treat, it is almost invisible. And this scarf will certainly allow you to continue your watery theme for a while longer….just perfect for you.

    I await with interest what you will create with your ‘animal’ print.

    Finally – your ‘samples’ appear to all be usable sizes for cutting up into cards….do you not keep samples for future reference?

    Xx

    1. Thanks for your thoughtful comments, Antje. Definitely can’t wear alpaca – very itchy – so perhaps it’s not the scales that do it.

      The prefelt is a commercial one I use when I want to do things quickly. It’s very soft and fine so particularly good for things like tea light holders as the light shines through very evenly.

      Yes, I’m pretty sure the mesh would distort more if I shrunk it more. For card making with that prefelt I find about 30% is enough as the felt hasn’t got a serious job to do. If I was putting it on a shell to look like a barnacle it would certainly be felted harder, though it might still be a bit too flower-shaped. I suppose I could cut a circle from the middle of a flower – that would probably be very barnacle-like, if a bit wasteful.

      The first sample was very small (and indeed I think I’ve already misplaced it!) The others I decided to make big enough for cards. I only usually keep samples if they’re very surprising. Providing the fabric felts well I just take a photo. If it doesn’t, I get rid of the fabric, though this is fortunately rare. It feels like a good use of time to make useable samples: two birds with one stone.

  2. Win – win all the way here. Four great fabrics to play with and what results!
    The first fabric made me think of the sun shining through trees onto the ground à la Ruth’s tree pictures, though I think it will also make good landscape for a tree picture.
    As soon as I saw the blue silk I went all soppy (silk can do that to me, even via a screen it seems) and thought “Sea”. Then I saw how it felted and knew you’d be happy with it.
    That large wool scarf has lots of promise. My first thought was that you could use strips of the “frame” around the brown section to frame one of your pictures, though probably not a sea shore one.
    I’m looking forward to seeing what you do with these fabrics, particularly the flowery mesh.
    Ann

    1. Thank you, Ann. Yes, I completely agree about the first scarf, it has a very woodland floor feel. I particularly like that the pattern is random – no repeats.

      I was so happy that the silk one did turn out to be silk. I can usually tell silk with little difficulty but those very sheer ones can be tricky. I think it’s maybe because they’re not as cold to the touch as less sheer silks. They do felt so well, too, with less distortion than thicker fabrics.

      I wouldn’t have thought of using the wool one as a frame – thanks for the idea. It also has some machined embroidery with sequins – I might try felting a little strip of that though I’m not sure what I’d do with it.

  3. Yes, yes, yes the scarf section of any charity shop draws us like a magnet. Annoyingly though all the lovely lightweight scarves aren’t usually out in the shop in the winter months and they are getting a bit pricey in some shops now though eh?

    All your scarves work beautifully for your felting needs and it is wise indeed to trial them first.

    The beautiful scarf from Ilkley just screams ‘sea’ and the scarf from Canterbury is limitless in its possibilities for use – in the sample it looks like a path through woods.

    The flowery mesh from Faversham is gorgeous and ‘sea-shore/shell’ absolutely.

    The Whitstable scarf has hints of a ploughed field – perhaps where you have cards with birds on water, you could find a Whitstable land bird for your cards?

    1. Many thanks for your comments. I hadn’t thought of the ploughed field potential for the wool scarf but you’re right. I could also use it with the pattern running horizontally for a printed tree picture.

      Yes, some charity shops are starting to charge a lot for silk scarves. I can’t blame them if they can sell them at a high price – they want to make as much money for their causes – but it can be prohibitive if you’re buying to make something with and need to keep the costs down. And I don’t see many people taking an interest with a view to wearing them. One shop in Ilkley was selling very ordinary silk scarves for £6.50. I wasn’t tempted but was amazed when the next charity shop had them priced at £12.75. I suppose I have to be grateful that some people cut the labels out!

  4. What wonderful results! I love that you recycle fabrics from charity shops too. Everything turned out so well.

    I recently bought items from the Welsh National Opera…still exploring ideas!

    1. Thanks for your comments. How exciting: items from the Welsh National Opera. I do hope you’ll show us some of them in your next post.

  5. What a great selection of scarves you found! I’m sure you will create wonderful pieces and I am looking forward to seeing what they become in your next post.

    1. Thank you Ruth. Some I will use very soon, the others will join one if the two big boxes of felting fabric.

  6. Wonderful finds Lindsay. I love that you can visualise their potential for cinlusionn in your art before purchasing. Your experiments turned out so well. The seascape is just waiting for you to add its sky and sandpipers.

    Interesting that both you and Leonor have sensitivity issues to alpaca. I must say it to my alpaca lady as she promotes the fibre on the basis that it will work for people with a sheep fibre allergy.

    Back to scarves, I found the most beautiful ones at a flea market in Paris. They were strewn on two tables with a sign €1 each or 6 for €5. I spent quite a long time blowing through the merchandise and checking the hems. In the end I came away with 9 scarves, including a vintage Dior that my eagle eyed daughter put her eye on. We saw it online later for around €36 we certainly got the type of bargain Antiques Roadshow followers would be applauding!
    Helene

    1. Thank you Hélène. Your Parisian scarves sound like a fantastic bargain. It would certainly have made my week to discover such a bounty.

      I don’t think I’m allergic to wool, I just find it unbearably prickly and itchy. My Mum & brother are exactly the same. My mum gets very cross when her favourite retailer puts 5% wool in an otherwise lovely cotton jumper. Even 5% isn’t tolerable. She raised it with them & they said they’d had lots of complaints so we’re not alone with our silly sensitive skins.

  7. Lindsay, I’m so glad you posted this! I have a couple gorgeous wedding dresses languishing in closets. One is my own (46 years) and one is my daughter’s (12 years) who has nothing to do with us. I keep thinking, I should donate them…or maybe 🤔 felt the embroidered lace into something? I have no problem chopping up my own dress, but doing it to my daughters gives me some anxiety, even though we bought the dress! You’ve made me rethink the idea…and maybe I’ll send her a check, for what a charity shop would get for it!

    I saw a beautiful Victorian pin cushion a long time ago. It was the size of a small pillow. I’ve always thought of making one for myself, because I have so many different types of needles and pins, and my OCD tendencies need separation. You’ve given me an excuse to get on with “letting go.”

    I love seeing your experiments, and especially the way the Yorkshire Cancer scarf felted. A beautiful seascape immediately came to mind with that felted piece. Thanks for sharing these beautiful before and after photos.

    Capi

    1. Thank you Capi. I’m so glad you found it useful. I definitely think you could make a lovely large pin cushion from your dress and enjoy using the fabric every day rather than it hiding away in a closet. I often pick up bits of old lace in charity shops and felt them into things. It can felt really well if it’s not too chunky. Especially with a few wisps of wool over the edges to help anchor it down. I hope you give it a try.

  8. Great Scarves, I love scarf shopping at second hand stores. I like the last scarf the best, so watery. Have you tried scrunching them up to get more textured water like waves? I think it would look amazing.

  9. What a lovely way to give new life to fabrics, Lindsay! Using fabric 3 as representation of water is perfection.

    I recently bought a cashmere scarf for £3 at a charity shop. What for, you may ask? Not for wearing, and not for felting! I’m making doll clothes… could be worse 😀

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