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Tag: Felted pendants

Photo shows a close up of a wet felted Wallhanging.
The Passage of Time

The Passage of Time

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I thought I’d show a few things I’ve been up to since my last post in December, starting with some pendants.
A while ago I did an online workshop with feltmaker Aniko Boros to make her beautiful wet felted Fuchsia pendant.  It wasn’t my intention to carry in making more fuchsias but rather to learn Anikos technique for making complex pendants so I could apply it to my own designs. And so the fuchsia led to this yellow/grey pendant which in turn has led to a recent request from Region 8 of the International Feltmakers Association to teach how to make it.

Yellow/grey necklace

I was concerned that some in the group I will be teaching may not be used to working with Superfine fibre on such a fiddly scale, so over the Christmas/New Year period I created three more sample pendants. Two of these involve some different techniques to Aniko’s, making them easier and quicker to create than my grey one, but they will produce a similar look. The third sample is made without resists and aimed more for absolute beginners, just in case we have any attend. The other obvious difference with these new samples is the addition of beading which can be optional. I’m looking forward to teaching this class on the 8th March.

Another project I’ve been working on recently is a planned IFA exhibition of Feltmaking titled Felt Connected: Bringing People and Fibre Together. It came about after we surveyed Region 8 members as to what they wanted from their Regional Coordinators and one of our members, Jo Cook, suggested we organise an exhibition of members work. Since then Jo and I have been working together to organise the event which will take place next month in Harding House Gallery in Lincoln. We have a total of 17 IFA members taking part with the aim of not only showcasing their talent but demonstrating the versatility of fibre and what can be done with it while at the same time promoting the IFA and hopefully attracting more members. If you are in the area we will be holding a Meet the Artists session from 1pm – 3pm on Saturday 14th March and it would be great to see you there.

Examples of our members work

Earlier this month I started work on The Passage of Time, my submission for the IFA 2026 online exhibition “Time” that launches during our AGM on March 28th. When I first read the theme title I have to admit that for a day or two I struggled to see anything other than clocks! Then I had a lightbulb moment, I’d make an Ouroboros, the mythical serpent that is often represented in Alchemy art depicted eating its own tail. It’s a symbol of the cyclical nature of time, the universe, and self-renewal and represents the concept of eternity and endless return. Image source: https://www.bbc.co.uk/culture/article/20171204-the-ancient-symbol-that-spanned-millennia

I created my 3D mobius wet felted version using Merino fibre but when it came to photographing it, no matter what angle I took it from, it looked really dull and boring. So I abandoned that idea and instead I’ve taken inspiration from the beautiful sandstone slabs on Seahouses beach in Northumberland. Coastal erosion and fossils are both dramatic indicators of the passage of time so seemed a fitting replacement for the failed Ouroboros!

My inspiration for The Passage of Time
Experimental piece depicting fossils
Another fossil experiment
Work in progress
Adding free motion stitch

The base is a mix of Carded Corriedale and Bergschaf fibre with silk fabrics, wallpaper, Tyvek, free motion stitch and hand embroidery. I’ve included a piece of felt I made a few years ago which mimics fossils, it’s one of two experimental samples I made and didn’t get around to using until now. After auditioning both of them in the pre-made hole I went with the darker option, which doesn’t look as dark in the flesh as it does in the photo. I’ve submitted this piece for the online exhibition but I’ve since felted another slab to add to the first one. It will be embellished in a similar way, to create a larger piece of work for another exhibition that Jo and I are hoping to launch in July.  

I’ll leave you with a piece of work that was created by a lovely lady called Avie, also known as The Curly Sheep. Avie came to spend a day with me last month to learn how to wet felt a picture and how to do free motion stitch. Turns out she’s a natural at both as I’m sure you will agree!

 

Jewellery Challenge

Jewellery Challenge

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It was great to see that “Jewellery” was the subject for the 2020 first quarter challenge. I love making felted jewellery, whether that’s pendants, bangles or brooches.

This choker style necklace is wet felted Superfine Merino.  It came about because I’d got some small offcuts of a very thin felt left over from a collar.  Rather than throw them out (perish the thought!) I had the idea of sewing each one down the long edge, to form tubes, and then use them as “beads”, threading them onto a felted cord.  To keep everything in place and avoid them slipping on the cord I attached small beads, sewing right through front to back.

The only problem is that when I try to wear it the cord slips around and ends up with the fastener at the front…..obviously the heaviest part finding its way to the lowest position!  Fortunately the cord is long enough for me to correct this so I’m going to have to cut the fastener off, slide another “bead” on and join the cord under it.

Another drawback with wet felted Necklace cords (or at least with mine!) is that, no matter how hard I full them, they do tend to go fluffy quite quickly.  To get around this I’ve started wrapping my cords with a machine zigzag stitch.  I’m finding that this makes them much more durable and also the stitching gives another dimension to the pendant/necklace.

This challenge also came at the same time as I was working on some ideas for quick and easy mixed media jewellery.  These next three pieces are a great way of using up small scraps of paper and fabrics plus any embellishments you might have lurking in the back of a drawer!

The rectangular pendant was made from heat distressed Tyvek which I’d first painted with metallic acrylics.  I’ve embellished it with pink, purple and mustard colonial knots and a few bronze seed beads and strung it onto a rubber cord.

The next pendant was made from tiny scraps of polyester velour fabric, backed with Bondaweb and ironed onto a painted, pelmet vilene background.  I’ve added beads, metal washers and a couple of “danglies” from a broken necklace.  The cords are two lengths of knitting wool which have been machine wrapped using the zigzag stitch.

This larger pendant is my favourite.  I’ve kept it very simple using a dark grey cotton velvet furnishing fabric on a pelmet vilene background. I’ve sewn on brown craft paper, scrunched and painted with black acrylic to give it a leathery look, and added a metal trim, wooden bead and two smaller metal beads.  The back is also covered in the leathery craft paper.  Again the cords are simply wrapped knitting yarn but these are much longer than they look in the photo so the pendant hangs below the bust line.

Although we are living in strange times with social distancing and having to isolate, as long as we can maintain our motivation and continue to feed our creativity we will be doing ok!  Stay safe and have fun!