It’s amazing how my slow stitch project is moving along and almost complete. Twenty to thirty minutes of stitching per day definitely works for me and even though I have been working on this project for a long time, it has been a fulfilling project. I have enjoyed seeing the piece slowly fill in with thousands of stitches.
Here’s where I was the last time I showed you the piece in mid June.
I added a lot of foreground stitching. The bit on the top left shown here is still a little pale for me. It jumps forward in front of the foreground bush in my eye. So there will be a little more stitching there.
I added some running stitch in the distant trees with a “grey” thread. It leans very heavily to purple but really works well to give these tree trunks a bit more definition and to move them further into the distance.
Here is where I am now. It’s getting very close to finished. A few more areas of darkness perhaps. Lindsay asked me a while ago how I decide when it’s finished. What I do with a piece like this is to get to the point where I think it might be finished and then I hang it up on the wall in my studio so I can study it. I look at the piece from different distances and different angles. I give it some time to “rest” and then I add what I think is still needed based on the assessment I have done. Or I pronounce that it’s finished. What do you think?
The last time I showed you my Autumn Nuno slow stitch piece was back in April and it looked like this:
I have been continuing to stitch on this piece for 15-20 minutes per day. I have been concentrating on the bottom left corner and bottom foreground to fill in the vegetation/foliage in those areas.
Here’s a close up of that area which has the first pass of seed stitch and just needs some of the lighter areas filled in a bit more. I also think I need to evaluate the values once I’m happier with the foreground.
And here’s what the full piece currently looks like. You can click on any of the photos to enlarge them. So progress is being made, albeit slowly. I’m still enjoying the daily practice of hand stitching, adds a little zen to my day.
One year ago today, we adopted this little guy from Mission Valley Animal Shelter. His name is Edgar and he was a stray so we don’t know his breed or his age, but he has added so much joy to our lives. I thought you might want to help Edgar celebrate his adoption day and see how he is living his best life.
The winner of the 100 grams of premium washed Teeswater locks is Sttamburo
The winner of the 150 grams of Swiss mountain batt in your choice of colour(s) is Darrel
Congratulations! Monica will contact you via the email you provided.
Now my stuff
My heat erasable pens arrived. They come as a pack of refills and some empty pens. I got one that came with 4 colours, white, red, blue and black. That should cover all possibilities.
I picked the white. I think red would have worked too.
Onto the last part of the design. Diamonds were a popular repeating pattern. I better check to see if this will work the way I think it will. I did not do my usual quick sketch but using a ruler. Are you amazed?
Yes, that should work fine, real diamonds and not just squares on point. Now let’s see if those pens work. A straight line to work form. I may stitch that in too. I wasn’t sure it was going to work, even smooth felt is very textured. The tendency when a pen doesn’t write is to press harder. That didn’t work. A light touch was much better.
A couple of weeks has passed since I did the lines. I decided to use yellow for the lines.
I really like how the yellow looks against the green but it didn’t look complete so I added some red and black french knots in the middle
Next was finishing the sides. I decided to use double-fold bias tape. I like double fold because it’s easy to sew on invisibly. the bias I like to use with felt is a fleece bias. It blends with felt so nicely but isn’t as bulky as using felt. I had black and green that would work. I chose the green as it was such a good match.
If I had easy access to my machine I would have stitched the first side with it. You can stitch in the ditch of the fold and it’s invisible. That is the way I do it when I put a bias tape on the brim of a hat. As it was, I just stitched both sides by hand.
I think it looks good.
Next is sewing the pockets and filling them up. I should have that done by next time. I have almost a whole month to get it done and still be on time.
I’ve been working on the stitching for my basket organizer. The first part I did was the waves. I liked them but I didn’t like how the edges were fuzzy.
I went looking in my stash for the right size yarn to edge it. I found my stash of Briggs and Little Sport singles. I picked up several colours cheap from a weaver who had finished a project. I picked black to outline the waves.
You can see how the wool yarn is raised adding texture as well as definition. I enjoyed following the curves with my stitching. more fun than straight lines. I only
And finished. I like it much better the black outline really makes the waves pop.
Next was the rectangles on the flap at the front bottom. I used some red this time.
At first, I thought I would do a Fly stitch up the middle of each one. My stitching was really uneven. I didn’t like it, so out it came.
I decided to put two lines up the rectangle. the stitching isn’t fabulous because I had no line to follow. the only thing I had to mark it was chalk. I did try it to see how it would brush out and it was really hard to get off the felt it wanted to move further into the felt rather than come off.
And after I cut off all the tails.
So far so good. I have a plan for the last part of the decorating. It will need lines for me to follow so I will have to wait for the heat erase marking pens I ordered. After that is the really hard part……….. the finishing.
I haven’t updated you recently on my slow stitching project. I hate to admit it but after my last post in January, I got out of the habit of daily stitching. It’s amazing how easy it is to stop doing something and then find it hard to get back into the habit again. But I did start stitching again towards the end of March and I have made a little progress.
Here’s the entire piece now. I have added some darker values in the foreground trees, added a few leaves down in the trunk areas and stitched some of the “shrubbery” to the left of the trees. I also added some darker values in the middle ground area to give it more depth.
Here’s a closer look at the area to the left of the trees. I am planning on continuing the stitching in the foreground areas to give the look of bushes and undergrowth. So the slow stitching will continue. I could probably forgo the stitching in the foreground but I like the look of the dense stitching and want to cover the entire surface. It’s not about the time spent on this one but the journey.
I thought it would be interesting to compare a very early photo on the left to the way it looks now on the right. A bit different?
I seem to be in picture mode. I wanted to do something with water but not necessarily as the main feature. I thought about a beach and that was my intention as I started but as was looking for pictures and some of the cliff-top pictures really took my eye.
I used a nice thick piece of wool prefelt that I bought at the Almont Fiberfest a few years ago. It is 4inches by 6 inches, 10cm by15cm I think it is wet felted on a flatbed machine. It is course wool and more solid (felted) than the thin needle felted prefelt we usually get. It is much closer to being felt. I would love to get some more but don’t know where to find it. If you know let me know.
I start with what is farthest away, sky and water. When I do sky, it’s always cloudy and I have to do a google search to remember if the sky is darker or lighter near the horizon. The wool I used for the water has a few bits of sparkle in it. I think that’s what is making the white dots in the picture.
Then some land and the rocks. I used a mix of 3 grays so the rock wouldn’t be flat.
Added the lighthouse and the path
Then I used throwers waist to make the white water around the rocks and some whitecaps. At this point I gave it a light felting mostly to sink the silk into the felt so it didn’t look so much on the surface. . There was still more needling to do though. I added the top of the lighthouse and started the stitching.
And as usual when you start stitching you start unstitching. The grass stitches here were much too small. The path needed changing as well as being far too straight it was much too wide. you can see how all the extra stabbing pulled the piece in even though I was poking up and down and not sidewise. I stretched it out.
Back to stitching. I am using 4 colours for the grass, 2 shades of gold and 2 of green.
I added some small blue dots for flowers.
Then the foreground grass
Then some french knots for more flowers. I used a couple of shades darker blue for the foreground.
This is a close up of the stitching.
That’s a lot of pictures but I hope you enjoyed seeing the progression. Stitching really helps a picture pop. And as I promised picture without Sheep. I can do it. LOL
So a week has gone by since I wrote up this post ready for the 4th of February. After a comment from a friend, and looking at it after a break from working on it, I decided to fiddle with it more. First I ripped off the path it was far too white, I remade it with some light gray. I did want it to be distinct but not a lightning bolt from Zeus. I added a tiny little dock, not easy but that’s what I get for working small. And the sky was too much open space so I added some birds, again very fiddley. I did add some slight shading to the lighthouse but it doesn’t really show in the picture the wight really reflects.
The last time I updated you back in early November about my slow stitching project, this is what it looked like. I had started adding some leaves to the foreground trees.
I have been continuing my slow stitching over the holidays and it has been nice to sit down for 15-20 minutes a day and just do detached chain stitch in different shades of yellow, yellow-orange and orange. Ignoring any drama of the holidays or other issues that arose for a few minutes, calmed my mind.
Here’s how the trees are looking. I think that I will be adding a bit more orange but than I’m going to go back to the yellow shades.
Here’s what the full piece looks like now. It is definitely taking shape as a landscape. As I look at it in a thumbnail format, I can see that it still needs more dark values for shadowed areas but I like the progression. It’s interesting to me how the slow progression makes me look at it more closely and how the different colors affect each other. It’s been an interesting project and I imagine it will continue through most of this year.
What are your thoughts on a slow moving project? Do you get a Zen feeling or perhaps you are impatient and want to move on to a different project?
Thanks for all the suggestions for completing the back of my snowmen ornaments. There were some great ideas which I might have tried except for the fact that this was supposed to be a quick project. I have seven ornaments and I already have thought of more than seven people that I could give them to as holiday gifts. So I really couldn’t do them back to back or I would have had to double my workload. I liked the idea of a cord around the edge or blanket stitch to snazz up the design, but again, that would take much more time than I have allowed myself for this project. So I took the easy way out and fused black craft felt circles to the back of each ornament. Before I did that, I stitched on a hanger with some black shiny cord that I have in my stash.
Here’s the back of one of the ornaments. I didn’t worry too much about an exact circle but just cut them to match the felted circles. You can definitely tell it’s hand crafted!
And here they are all together. I kept thinking I should be naming them like the Seven Dwarves, Happy, Bashful… But they were all fairly happy so I wasn’t sure I could come up with enough names meaning Happy.
I did use plastic over the last set of six while felting to see if there would be less transfer of black and red fiber to the snowman face. It was slightly less and definitely kept the surface of the felt a little smoother. The one on the bottom right is the one I didn’t use plastic on when felting and it is a little darker than the others, maybe.
And here they all are separately a bit bigger. All the faces were stitched with #5 perle cotton and the hat bands are sari silk ribbon. I don’t usually do “cute” so it was a departure from my usual style but I enjoyed creating the different faces on each one.
I have been thinking about what holiday decorations that I wanted to make for the Fourth Quarter Challenge. I wanted to do something simple and decided to try creating an ornament with prefelt. I don’t usually use prefelt in creating my designs so I thought I would give it a try. I decided on a snowman design.
I had commercial prefelt in white and black but none in red. So I created a piece of red prefelt as the first step from mixed 56’s hand dyed fiber.
Next I needed a circle of red prefelt from the background. I wanted my finished ornament to be around 5″ diameter so I used this approximately 7″ container to cut around. I used a craft blade and essentially just scored around the container and then finished cutting the circle out with scissors.
I had enough red prefelt for 7 circles. I hadn’t really planned on making multiples but what the heck, I might else well make more, right?
Next I cut out two circles in white prefelt, two black hat shapes and a black circle to go behind the red circle. I decided that my red prefelt wasn’t going to be heavy enough with just one layer. I used black instead of white because I like a deeper red better than I like a pink. I didn’t have enough red prefelt for two layers. Now on to felting.
I had hoped with two layers of white prefelt that I wouldn’t get a lot of fiber migration. No such luck. I did shave a bit off the surface of the white so it wouldn’t look so hairy and that helped. I only felted this one just to see how it would come out. Next time, I think I will cover with a light plastic to try and prevent any movement of red and black fibers into the white. This one was rubbed with my hand so I think that I got a bit of movement of fiber as well as migration through.
Now on to more decoration. I stitched a small piece of sari ribbon on to the hat for a band. The sari ribbon adds a bit of shine. Then I hand stitched the facial features. Now I have to decide if the ornament needs further backing, if it needs an edging treatment and how to hang it. What would you suggest?
It’s been over a month since I last posted about my Autumn Nuno slow stitch piece. Here is where I was at the end of September.
I kept working on the negative space between the foreground trees. I was using a grey green thread and it definitely needs more darkness in between the tree trunks but I will have to add a darker thread for that. I am still mulling over what will be on the left hand side in the foreground. It’s kind of amorphous at the moment.
Once I finished the negative space between the trees, I decided that I needed to add some of the grey green into the mid ground/background area. It also helped to “cut” the overpowering sense of red and red orange there. Next up was to add “leaves” to the foreground trees. I decided to use a different stitch to highlight them a bit more. I will be adding a great many more of the leaves in a variety of yellows and yellow oranges.
The photo on the left shows where I am as of today. The photo on the right shows the beginning of the leaves being added with detached chain stitch. I still have a long way to go on completing this piece but I am happy with the progression.