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A guest post by Antje Ream

Creating this post for the forum I’m being very loose with the term fibre – my excuse is that both paper and plants are fibrous.

A few months ago I attended a great eco-printing workshop by Jane Hare of Pippin Textiles with fellow members of our local textile group. It was a full day of very organised activity with each person having much to show at the end. In addition to what we ourselves had gathered from our gardens, we were greeted with a large pile of interesting plant material.

We were given clear instructions and then let loose laying out our plant designs on paper, cotton sheeting, wool blanket and Tyvek….even kitchen paper didn’t escape! We tried a vinegar mordant and boiling our rolled papers and fabric, then it was paper, fabric and Tyvek with an iron mordant using the steaming method before steaming our rolls of alum mordanted paper bundles.

Thankfully it was summer and we could open all the doors otherwise pegs might have been required for our delicate noses.

Needless to say most of us were very impatient to open our parcels and see the results of our minimal efforts combined with mother nature’s magic. We were all delighted with our results.

We each had this amount to show at the end of the day. The Tyvek pieces are the 4 light squares on the left hand side in the left photo. The dark long piece is the wool mordanted with iron.


Following any workshop comes the dilemma….What do I do with what I’ve produced? In August our group holds an exhibition of members’ work undertaken throughout the year. This event always galvanises my thoughts and with it fast approaching it prompted me into action.

A while ago I received a bouquet of flowers that came with a large almost cuboid box – far too good to throw out….I’m sure I’m not alone with hoarding potentially useful objects…taa daa! I used the Tyvek pieces which were almost square (13 x 13 cm) and machine embroidered them to some linen fabric, cut to size to wrap around the box.

I used a different embroidery stitch around each square

I then added some gold gutta to provide some highlights.

One of the results of our workshop was a set of ‘book’ printed pieces of thick paper/card stock with the front of the leaves on one piece and the back of the leaves on another. I trimmed these totally square (10 x 10cm) and backed each with very fine/thin fabric dot glued to the surface, just to hold until I had done the stitching. This allowed me to machine stitch onto the paper without ending up with lots of pieces, or holes, all torn at the perforations. I stitched each to highlight the details of the leaf (and even red cabbage) prints.

these are the pieces before stitching

On their own they didn’t look much (or more accurately – ‘what do I do with these!’) so I then decided to book bind them together.

A little blurred but you might just see how I joined the pages together
The front and back of the book

I mentioned kitchen paper above – this was only used to ‘protect’ some of our plant designs but I found it gave quite a delicate appearance, so I acrylic wax varnished it….warning – don’t then let it dry on a hard surface without laying cling film down first, otherwise hours of scraping can be enjoyed! I then used some of this paper to cover a tall Pringles tin (as the kitchen paper was translucent I covered the tin with plain white copy paper first), then added another layer of the varnish. My friend was delighted with her very simple gift.

Very similar to the tin, this is a work in progress on a white lamp shade it looks lovely when the light is on

Whilst at a car boot I purchased some unusual pictures – stitched suedette fabric on panels of wood. Playing with yet more of my stitched squares I added them to the panels.

the small panel is 20 x 20 cm

In the exhibition there were many lovely creations using our eco-printed products including a scarf, a cushion made using the wool and a box made from the Tyvek pieces.

The Tyvek box is on the front right – Oh, I’ve just seen the Pringles tin in the background!

Finally here are some pieces that are a favourite of mine done on wall lining paper, which I have coated with acrylic wax varnish each measuring 100 x 15 cm. They are two sided, the paler reverse side shows delicate squares – where the Tyvek pieces were laid and then all wrapped up tightly together. I like both sides and as yet haven’t come up with a way to show them off to advantage….any ideas much appreciated.

Since this very inspiring workshop and as a result of my book being in the exhibition I have been asked to do a workshop on bookbinding in January. I have a few examples of fun bindings done years ago so I will have to brush up on the techniques. I only hope that I can be as organised as Jane and enable my ‘students’ to produce lots of interesting samples.

Writing this guest post has been quite a feat and I owe a HUGE debt of thanks to the ever-so-patient Ruth who across thousands of miles (and an ocean) has not only held my hand but carried my entire bulk through what we thought would be a relatively easy process. I hope that she will continue to offer me the opportunity to post now that we have solved the problems.

Today is a special day and the bells are ringing out for Christmas so I wish everyone….

Joy and a Happy, Healthy and Creative 2019

….and will leave with a photo of the card I received from Pat Moore from Canada in the holiday card exchange….Thank you Pat it is lovely.
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