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Author: Jan

Realy im not 12, i am just sivearly dislexic. i can spin, weave, felt, garden, Draw, Paint, and do layout but i realy cant spell. if you read out louwd i do make more sence.
A Mer-person at Kanatacon gaming and felting convention; Saturday

A Mer-person at Kanatacon gaming and felting convention; Saturday

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Surprise, it’s the continuing adventures of a Mer-person’s (and Jan’s) busy weekend. Last post, we made it through Friday at the Kanatacon. Let’s see what happens next. (I am sure you can already guess!)

Saturday Morning:

Glenn, the Mer and I hopped in the car early so we could line up for the sale. Unfortunately, by the time we reached Kanata, it was raining, so they kindly let us line up inside.  We were number 26 and 27 (the mer waited upstairs with the felting stuff since he wasn’t shopping). The instructions were that you could select up to 5 games, then go buy them. If you wanted to buy more, you went to the back of the line and went through again.

3 photos of games piled high on long rows of tables filling the room and people strarting to shop through them5.1) The first time through, a lot of games are already gone! I hope I can find the alpaca and lama games!! How many gamers in front of me are Fibre People?

Success!!! I have scored the Fibrr barring animals!!! I also found 2 card games with birds for one of my sisters in law ( they were sent to her, but I have not heard if she likes them yet).

boxes of games, lama alpaca cute monsters and cats on covers5.2) First round of shopping, I got both the lama and the Alpaca games!!! Plus 2 that had tempting descriptions, and the boxes looked interesting.

tables mostly full of gamers playing various games5.3) A quick look around, and there are still shoppers downstairs.

I took the elevator back upstairs, dropped off the games with Glenn and took a quick look around the convention before getting back to work. One of the tables near me was playing a board game about Rome. It is a visually stunning game with detailed buildings, cards with drawings, a colourful board and many tokens. It all fits in a very, very, big box.

4 photos of the game about rome with small buildings and monuments in close up5.4)A game about Rome, lots of buildings and monuments

This is where we are with this young Mer-person. We are now at the part I have most trepidations about, creating the bumps running down the fish’s back and sides. (Scutes -back and Denticles -sides)

Mer-boyfreind back facing towrds us, lying on reference photos of stergons6.1 )Saturday Morning, after the first round of game shopping.

After reviewing my reference photos, I decided on the lighter (“White”) sturgeon. With further inspection, I could see that the first few(4ish)points along the back were spaced a bit closer together, and the rest were farther apart. The number varied from 11-14 Dorsal scutes; I went with 12. To get the spacing, I used sewing pins.

2 photos showing pins used to space out the Scutes along the back6.2)pins used for spacing

I kept adjusting until the spacing seemed correct. Next was to add small amounts of wool to create the point of the Scute and to felt down the space on either side of the point. For the second one, I realised it worked better if I lowered the space between the points first and then made the point. It is more of a half cone on each side of the ridge. The body colour also accentuates the cone-like shape.

felting the first scute (bump) pins mark spots for more scutes6.3)working on the first cone link-shaped bump

A second shopping with dropped prices was announced, so back downstairs I went (ok, I did not do the stairs). I mostly wanted to see how much had gone and what was left. I was not very quick getting to the basement, the elevator needs a key, and it took a bit longer than the stairs. This meant I was at the end of the line in the hallway, which left me standing by the cashing out table at the back of the sales room!  So I got shots of the remains of the game piles and the fervour of reduced price shopping! It was actually calmer than some of the fibre festival shopping I have seen (Black Lambs’ bag of cashmere and silk mill ends comes to mind)

2 photos and insert of games piled on tables with people shopping 6.4) At 11 am, the second go through with reduced prices on most of the games started.

boxed games Gillotene, Patchwork, Code, Cards agenst humanity (family edition)6.5) I found a few more games that looked interesting, but most had no fibre theme.

The table beside where I was working had a game going; these were a pair of steampunk airships battling each other.  (The map and miniatures were very cool; the math to figure out if their various cannons and guns hit each other eluded me, but they seemed to be having lots of fun even with the math.) They spent over an hour chasing each other around the board, trying to blow each other’s airships up.

2 airships heading towords the other players 2 air ships. they are moving above a hex map of landscape and a bit of water.6.6) Steampunk airships battle over a landscape of hexes.

Switched to a new book;  Kristen Painter’s “Embrace the Suck: First Fangs Club, Book 5” (this one has some mobster-like vampires, and other supernatural naturals). Now time to get back to work.  I continued blocking in the general shape of each scute.

2 shots of the smaller superior scutes6.7)the smaller closer closer-spaced scutes

have all the scutes blocked in.6.8) Scutes are blocked in

With the scutes blocked in, it was time to turn and work on his upper human body. I need to firm up his arms. I brought the reference diagrams I was using for a minotaur project I was working on.

Mer with feling needle in his chest, sitting on little table, in back ground gameing contiues.7.1) Turning to the human parts, let’s firm up and define muscles 

Firming forearms is not as exciting as it sounds, so I took a break and I tried a bit of the skin tone on his head and some of the fish colour on the fins. I think the skin tone is close the fin colour will need more work.

Mer on table arms are firmer but still need more work.7.2) building up the definition of muscles and firming up the wool in the forearm 

I got a bit distracted listening to the new audio book and concentrating on the arm myology, so there are not a lot of progress shots.

I had a few of the gamers come over to see what I was working on this time. I did a few explanations of needle felting as I worked.

This is always a fun spot to felt and watch the gamers have fun. I should go with Glenn on their regular gaming night occasionally, too. (I might even try a game?)

I know that sometimes I am not a particularly fast felter, I am not in a rush, and I enjoy the process, and I felt quite firmly. So it may not look like I have accomplished much for two days of felting. Good thing the young Mer-person seems quite pleased!

Husband holding Mer-person, both looking happy.7.3) Glenn and the Mer in progress, both looked quite pleased with the weekend so far! (and it’s only Saturday!)

Dare I tell you what happened Sunday? How about we save that for later?

Do you have any sheep-related games in your collection?  Have you tried the Alpaca or Lama games?  Have fun and keep felting

A Mer-person at Kanatacon gaming and felting convention; Friday

A Mer-person at Kanatacon gaming and felting convention; Friday

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What a busy seven days! No wonder I feel like falling over and having a nap on the floor (which is lying and saying it’s very comfy and I should fall for it!) Chunks of the last seven days were even fiber related!!! I will not overload you with all 7 days at once,  or even all 7 of them! But let’s start on Friday, Oct. 17, which was the day my last post went up, about squishy-fish-centres.

The Fish-person in question from the last blog (AKA The Mer-Boyfriend), and I, along with a green folding tote of fibre and needle felting tools, and a cloth bag of snacks and more fibre. We all got in the car and headed off to Kanata (Glenn will be joining us after work), to go to the Kanata Games Club’s annual 2-day fall convention. This is a popular convention and is at the church they have their regular gaming evening the rest of the year. This also explains why the convention starts on Friday, since someone else already has the church booked for Sunday activities.

By the time we got there, Gaming had already begun. From previous years, I knew that the few empty tables would soon be full of gamers. Good thing I brought my own chair (walker), and I had my little folding table still in the car from demoing earlier this summer. I had the same spot at the back of the hall by the coat racks as last year. I can watch the fun, but am out from underfoot and not too far from the bathroom!

picture of friday morning bordgameing, logo for kanata gameing convention, photo showing part of mettle table, and felting suplys with mer-man in progress1.1) little table and felting supplies for the next 2 days

signs saying which games were going to be play tested and demoed. second picture of seting up a new game1.2)  The temporarily empty 2 tables directly in front of me will be filled with Playtesting and new game demos’

I got myself sorted out, got my audio book playing (Wen Spencer’s “Black Tie and Tails: Black Wolves of Boston, Book 2” (mostly werewolves) I was almost finished that so soon continued with Dianne Freeman’s “A Daughter’s Guide to Mothers and Murder: A Countess of Harleigh Mystery, Book 8” (nothing supernatural in this one).

mer person, 2 braids of fiber simmiler to the photo reference of a white strugon.2.1) I consulted with the young Mer about his fishy-part’s colours. It’s a bit early to start adding the top layer, but I am putting off deciding how to approach the Scutes and Denticles.

I have had fun with variegated braids for landscapes, since you can pull out a bit of whichever tone you want. If you don’t like blending to get the colour you are looking for, this may be an option (but blending is not difficult and fun to do too).

one of the braids unbraded to show the colours sitting beside refrence photo2.2) Part of the braid undone so you can see the colour variations.

Since I can’t work on the final colours if I don’t have the under layers to the correct shape, I need to put away the fish colour and work on adding the fins.

mer-person on foam nealing pad, with punch tool and photo reference. showing v notch in dorsal fin starting2.3) Adding the Dorsal fin, it has a “V” notch on the back part of the fin and is thicker at the leading edge.

wrapped wier and adding fiber over wrapped tail wiers. mer person's tail is on foam mat curved bladed sissors, punch tool and fiber sitting on top of it. reference pictures are sitting adjacent.2.4) starting the Heterocercal and Caudal tail fin

showing the building up of the fiber along the upper front endge of the tail fin. ref. photo is shown to comparie to tail2.5) There is a thicker area along the top edge of the heteroceral tail fin

As I was working, the convention continued around us. There was lots of cheering as well as quieter playing.  I am not sure which game this was; it caught my attention due to all the various game pieces.

hand moving game pices on game bord.2.6) I am not sure which game this was, but all the odd playing pieces caught my attention.

close up of fins in progress a bit more progresson fins this photo shows full mer-person2.7-2.8) the tail, Pelvic, and Anal fins have been blocked in, but the shape is not correct yet.

If you were curious as to how I am making fins.

To give each fin structure and poseability, I used floral wire.  To give it extra support, I added a couple of supports for the dorsal fin and a lower wire for the caudal section of the tail fin.

There are two choices: the wire can be part of the armature, or added as a supplemental element (not attached). I used both methods this time. The Pectoral fins were added to the armature when I reached the hips as I wrapped the first layer of core wool. I twisted the wire around the central aluminium wire armature, then out to the sides. I then kept wrapping wool below the wire along the fish body. The two parts of the tail are also directly attached to the main armature.

pictures showing the floral wire attached to the main armature3.1) fins that are part of the main armature, Pectoral and Heterocercal tail and caudal fin

 

The second option is to insert the appendage without attaching it to an armature. This is often done with individual bird legs if you are not making a full armature. For the birds, you can insert the straight wire and use a drop of glue to help secure it until you build up the fibre to support the wire. You can also insert a wire with a curve or loop to make it harder to pull out after more fibre is added around it. I used a single wire for the anal fin that went through the core wool, then the wire was twisted back upon itself.

A single wire can be used to create a single fin, as I did with the Dorsal fin, which went through the fibre in 2 spots, leaving a loop in the centre and one longer and one shorter wire on either side of the centre loop. I again estimated the length for the three sections of wire and twisted them.  When you are (prototyping), ok, guessing the lengths you will need after the rest of the core wool has been added. You can come up a bit short. I suspect the anathetic was hanging out in the measuring and estimating section of my brain. You may notice the change in plan as we get further into the project.

photo and exlanitory diagram showing the pathway of the wire in the core wool. more fiber will be added after wier is inserted.3.2) single wire insertion to create a secure Dorsal fin. (More fibre will be added to the core wool after the wire has been added.)

I this case, for the pelvic fins (there are two fins, one on either side of the abdomen), I ran the wire through the core wool at the level I wanted the fins to start, estimated the length, making a bend in the wire, then twisted it (this will both strengthen and shorten the wire). Then built up the core wool fibre of the fish body to further secure the wire.

Pelvic fin wires inserted through wrapped wool. the wire is then folded back to the estimated length. shows twised Pelive fin wires.3.3- 3.4) Pelvic fins are a pair of fins on the underside of the fish before the single anal fin.

It is easier to hide the wire and attach the fibre for the fin if I first cover the supplementary support wires with wool. So, like wrapping tiny toes and other fine appendages, start with a thin, narrow piece of fibre (or roving), you can always add more, but it’s a pain when you have added too much.

I secured the fibre that I will be wrapping around the supplement wire to the body at the base of the wire. Once secure, I will wrap the length of the wire. When the fin wire is wrapped, I added a thin layer of fibre over the wrapped wire, and tacked it into the fibre that wrapped the wire. I folded the fibres over the leading edge with the wire and then used the punch tool with fine (40-42g) needles to secure it to itself and compact the fin. I expanded the fin area with more thin layers of fibre and secured them with the punch tool.  I am keeping the fins thin, since fins are thin and I will be adding more fibre when I add the surface colour. If you wanted to do even thinner fins, you may choose to build this underlayer with your finished colours. I used the final outer fibre with Mrs. Mer’s fins, which are white and relatively thin (butterfly Koi).

felted fin resting on foam mat with punch tool sitting beside3.5 ) using the fake clover punch tool to flatten the fins at his hips.

Tip: support your fin on your work surface edge and use the punch tool to flatten the felt as much as you can. Pieces of pool noodle can be helpful to support parts of your work as you needle felt an appendage. Sara has a mini version of her stabit rice and burlap pad that can be used in the same way.

Tip: We are felters, we are not spinners who shun scissors as the work of the devil, and would never cut their spinning fibre. If you get the fin to the thinness you want and the general shape, you can use scissors to correct the shape. Remember to check that the cut edge is solidly felted.

In the evening, there was an announcement that we could go downstairs to view the games that would be on sale tomorrow morning. Luckily, there is a small elevator, close to where I was working, so I could check out the sale too. After looking through the extensive piles for games with sheep themes, we did not have luck with sheep, but I did find one game focusing on alpacas and one about llamas. If I get them tomorrow, I will take them to the next long weekend social and see if we can play them.

two shots of the gient game sale with insert of alpca and lama games.4.1) previewing the room full of games for sale.

It was getting close to 10 pm, Glenn had fun with the games he had played, and I had a good day of felting and audiobooks. It was time to head home. We will have to get up early if we hope to get such exciting games with fibre bearing animals! (I promise not to leave you in suspense for long!)

PS the comment button is at the top of the page, if you would like to use it.

Fish should not have squishy centers!

Fish should not have squishy centers!

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A few weeks ago, I turned my attention back to working on the latest Mer-person (the boyfriend for Miss Mer) and realised I had a small problem. It is very fixable, but I thought you might like to chat about what and how it happened.

 

A quick review of the newest Mer-persons progress so far;

3 fotos, the armature, head body and fist arm initial wrapping in white wool, second hand close up has 5 fingers and a thrumb... 3 photos: front and back of upperbody and head, adding first wrapping on tail1.1-1.2) 05-2025 Cangames (you can see what happens if you get distracted winding fingers…I fixed that too.)

mer-person (under layer underway) self stabing while holding a ball of core wool 1.3) 06-04-2025 Mer-boyfriend trying to get me to rush his felting

adding more fiber to fish parts at demo in Dunvagon Museum1.4) 06-15-2025 Blacksmithing weekend and felting the mer-boyfriend

visiting the guild mer-person lounging langudly on table (back vew)1.5) 07-14-2025 Social

Mer-Person with felting needle self felting his 6pack abs.1.6) 08-08-2025 Friday Twist shop and demo

As you can see in the review, I had a few problems with counting fingers and rushing to build up the shape. I do have an excuse, as I started this project, I was still heavily distracted by lingering anaesthetic. I think there may be a few tendrils of the stuff still clinging to bits of brain, but most of it has now left the building. (Yah!)

 

When I was wrapping, especially in the Fish parts, I had not kept the second layers of wrapping as tight as I would have liked. This was exacerbated by starting to block in the superficial features before getting the understructure as firm as I would like. This meant that the Fish parts were now close to the correct shape at the surface, but squishy if you applied pressure to the felt. Squishy does not suggest strong young fish!!! (Fish also usually do not have the ability to fold mid fish.)

 

Working on superficial features (shallow poking of the wool with 38T333 and 42T222 needles) gave me a nicely felted surface with a much more loosely felted under layer. (I got excited, I jumped ahead and started into the fun sculpting, before a firm under layer was achieved!)  Well, that is not what I was wanting. How am I going to fix that?

 

Diagram of superficial felting with a less felted core.2.1) Diagram of superficial felting with a less felted core.

 

Since I am still working on the understructure, I can fix this now without too much difficulty. I will need to move fibre at a deeper layer, and since I am making the under structure, not the finished surface layer, I don’t have to worry about surface pitting if I move to a courser needle (a 36T-333). Pitting is telling you to keep felting, until the raised area (the parts not yet felted) is even with the lower spot (which is felted more).

 

Why would I move to a courser needle? I want to move fibre, but I will not be adding more fibre superficially at this point. Also, if I work deeply with a finer needle, it is more sensitive to minor directional changes (which can lead to OOPS!!) I would prefer not to have to go searching out broken needle bits from his fishy parts.

Synopsis: A Courser needle is more aggressive when moving fibre, and is less fragile than a finer needle, especially when working deep into the under layers.

 

Diagram inserting the needle deeper to affect the under layer 2.2) Diagram inserting the needle deeper to affect the under layer

 

Synopsis: The barbs affect the fibre by grabbing one to a few fibres as they are passing through. If you only work to a shallow depth, you will only be affecting those fibres. If you are working to a greater depth, you will affect the fibres that are located there and some of the fibres above them.

 

There is another way squishy interior felt can occur;

As with Wet felting, some breeds of sheep have fleece that is less inclined to create a dense felt than other breeds. I have had trouble with a couple of the Rideau Arcott fleeces (created with a mix of breeds) I have used. No matter how much needle felting of that wool I did, it remained spongy, but it was holding together, so it was felted.  A Less than appropriate wool choice is not the problem this time, since I am using Corradale carded roving, which I have used before without problems.

 

Before I started to firm up the understructure of my fish person, he was able to fold his tail tightly in half and fit in the smaller project bag. Now, after hours of poking, he will have to go into the big project bag.

 

mer-person at wet felting workshop. he is face down on the table and may have fainted?3.1) 10-05-2025 Slipper workshop (I think the wetness was too much for him?)

 

He now bends and stays in position, but no longer stays when the bend is extreme. (The increase in felt stiffness has strengthened the wool. He is poseable, but the wool felt is getting closer to overpowering the wire. I can stop increasing the firmness now, and work on adding more of the understructure superficial detail and the missing fins. (I will return to shallow poking rather than deep stabbing!)

 

I should mention the importance of gauge choice and wire type for your armature. It is important to figure out the gauge of wire you need for the size of your sculpture, and the pose or position you would like your figure to be in. You can make a blind guess, an educated guess from previous experience, or you can make samples. (I know some fiber artists, I am looking at a couple of my weaver friends, who are vary avers to sampling but it can be both educational and inspirational even if you don’t get the result you expected.) 

 

I organised a study group during COVID to make samples of various gauges of mainly aluminium and Steel (floral) wire. It gives me a reference sample I can use to select a good wire gauge to try for a new project.  (Before the samples, I could adjust the armature to make it stronger by adding steel floral wire to a limb to give it more strength. This can be done over part of the wool under structure, as long as more wool would be added on top.) I have also had to add lateral supports when the lumbar spine of Mr. Mer broke (I wound up doing surgery with a sharp awl, inserting Harrington rods running up each erector spinae muscle and down into the upper Hamstrings.)

  awl inserting harrington rods (10g aluminum coated wire) lower section is imbeded from lower lumbar to below his glutes Mr Mer showing where the two rods is hidden on one side of his back4.1-4.3) 01-19-2022 Mr. Mer’s Fishy parts, augmenting armature after felting is well underway. (Insertion of Harrington rods in progress) fixing this far into felting becomes harder to hide the surgery, but not impossible.

 

With armature wire gauges and felting, you have 3 options for outcome.

1) Wire overpowers wool (felt):

  • The wire holds the wool/felt staying in position when posed.
  • A lighter gauge of wire could have been used and still held the wool in position (working with heavier wire than you need can stress your hands and may develop metal fatigue if you are moving the figure often)

2) Wire = wool (felt):

  • The wire holds the wool staying in position when posed

This is the balance you would like to achieve, since you will not have worked with over-stiff wire.

3) Wool overpowers wire (felt):

  • When posed, the wire is moved out of position by the density or strength of the wool.
  • Augmenting the armature might be possible if you catch the imbalance before you finish the understructure. It is increasingly difficult to strengthen the wire the closer you are to finishing the sculpture. (but you can see with Mr. Mer it is not impossible to strengthen the armature quite far into the felting.)

 

If you have the opportunity, you may also want to make samples of various gauges of wire or combinations of gauges if you don’t have access to a full range of aluminum and floral wire (there are sources online if you can’t find a range of wire locally).

 

Investigate locally easily available types of wire first. One of the English felters uses rubber-coated garden wire for armatures.  A few felters on YouTube, like pipe cleaners, but craft pipe cleaners are weak compared to the strength of other options. If you are doing very lightly felted structures  (a lot of the faceless fairies are only lightly felted), pipe cleaners might work to su0pport the wool. What pipe cleaners are very helpful for is wrapping around your armature, to help secure the wool as you wrap it. Cheap quality pipe cleaners, in areas of high humidity, have another problem: they can rust.

As you find more gauges and types of wire, make samples of them too. Keep notes, was it easy to shape or twist, or did your hands tire quickly? (Note: Uncoated aluminium will leave marks on your hands.) Also, try a gauge and augment it with a second finer wire too; it will give you more options if you don’t have access to a full range of aluminium and floral wires. I made a series of legs, with feet, and to test floral wire as fingers, I made arms with hands. I can now refer to the samples when I start a new project.

 

I have been puttering along, firming up his fishy bits and then moved on to work on his upper musculature. I will have to print off another set of photo-reference if I cannot find the book with the last set. (found it!)

 

Front vew of the firmer fish bits back vew of the firmer fish bits5.1-5.2) The fish parts are now quite firm. I think I am almost ready to start adding the little spikes.

I will try to remember to take some more in-progress shots while I figure out the fish details. I apologise! I am afraid that for this part of “stiffening-of-the-Fishy-under-structure” felting, I climbed into bed with a big pile of pillows and felted while listening to the end of the new Lynsay Sands vampire book. Then started the latest Wen Spencer (this one has a vampire and werewolves) audiobook, and forgot to bring the camera! (Needle felting in bed is not the suggested location for optimal felting and avoiding self-stabbing as you fall asleep while felting…. a table is really a better choice)

 

Photographic collection of some of the refference photos i have collected to help with the next part of the project adding the spikey parts5.3)Some of the sturgeon reference photos I have collected, focusing on the spines/spikes.

 

 

What’s next;

You may remember last year, about this time, was the Kanata games (and felting) convention (last year I found a sheep game). It is coming up, and I wanted to have most of the basic shape blocked in and firmed up so I could start working on the fiddly bits of the ridges and rows of spikes. If all is going really well, I hope I can start to add some of the colour layers during the convention.

 

PS: I can think of a reason you may like to have that firm outside and softer felted inside. I am sure one of my cats would have appreciated something to pounce on that squished in a satisfying way.

One way to achieve this would be; wrap your fist layer securely (around the armature, if you are using one, which will keep the felt from rotating around the armature), then wrap the next layer a bit looser. Then, focus the majority of your felting on the shallow depths, and you could recreate the squishy inside effect. If you wrap around a bundle of fresh catnip leaves, it will be even more appealing. Just make sure the outside is well felted, so no one can tear off and eat the wool, to get to the catnip!

 

Even from what is technically an anaesthetic-incused mistake, you can notice something and save that thought for later use. Who knows when it may be a useful idea?

 

I will update you on his progress at the convention!  Maybe there will be more felters this year! Stop by between games if you are there. I hope you too are enjoying this late summer/not-really-fall and getting the last of your summer fibre purchases washed, before the weather remembers to look at the calendar and realise we used to have snow in about 2 weeks from now. (Really, there is no rush! I am enjoying this not-fall and am perfectly happy not to be having snow any time soon!)

PSS, if you would like to comment on any of the posts you read in the blog but cant find the comments button, it has vanished from the end of the post! (it is either very shy, or trying to avoid work) since it is now hiding all the way back at the top of the post (where no one would ever think to look for it! silly button you have been found and will hopefully be put to work!)

 

Ann’s Slipper workshop: from the students perspective

Ann’s Slipper workshop: from the students perspective

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I am very lucky to have a local weaving/spinning and felting guild in the city.  I know many felters are not so lucky.  As you have already heard, it is quite an active Guild, with meetings, socials, and workshops. Today we will have a chat about one of the felting workshops.

Ann will be teaching a few wet felting workshop this fall, including teaching wet felted slippers.  I had signed up quickly after registration opened, for both her slipper and hat workshops this fall. As you probably have notice I tend to be mostly a dry or needle felter, but occasionally I will get my hands damp or almost even wet and try a wet felting workshop.

It will be the first time running this workshop in the studio space, now that the floor looms have moved up stairs. This will allow for a slightly larger class size, we usually have 6 students for this workshop the extra space made it comfortable to try 8 students.

Ann had emailed the students a couple weeks before the workshop, to select their fiber colour. We would be using Corriedale for the slipper and she would have other fibers available to embellish them.

I gathered my wet felting bag from Living felt (Thanks Marie!) added some extra needles (just in case) found the camera, a Mer-boyfreind (in progress) and a large towel ready for the morning.

wet felting Kit from Living felt1.1) the Wet felting kit from Living Felt. I will be using the purple Ball Brause Wet Felting Tool.

6am, October 05, 2025 arrived much more quickly than I had anticipated.  I did a bit of computer work, then Glenn got my stuff into the car. I headed off to let Ann into the building, so she could set up for the class.

I heard the weather report as I was heading in and found out the sweater I had layered on, would not likely be necessary….. (The temp at 3pm, was 29.7c, which beat the 1941 record of 27.2 C.)

On Monday (the guild meeting day) we are expecting a high of 30 C and a humidex of 33c.  Did I forget to mention this is OCTOBER and its usually Much cooler by now. I am not complaining!!!! This gives me a bit more time to get the garden organized for winter.

I did arrive ahead of Ann but not by too much. She quickly got the tables up and started laying out the supplies for the workshop.

Ann cutting plastic with sisors2.1)  Ann prepping plastic for the workshop

bubble wrap, plastic sheet and pool noodle on table waiting for students2.2) bubble wrap, plastic and pool noodle

large storage bin in wagon in the studio2.3) Ann Brought not just the fiber for the slippers, but a wagon load of fiber.

Ann got the bag of 100 gr balls of the requested colours and handed them out.

distributing 100gr balls of wool in 3 photos  2.4) 100 gr balls of Corriedale fiber

She showed us sample of different types of slippers and showed the resist that would make that shape.

3 photos of sliper samples 2.5) slipper samples and patterns

We each selected our slipper shape and then traced our feet. Ann estimated the shrinkage and added it to the resist. We had the slipper with heal, the slipper without heal and a couple ankle high boot slipper shapes too. For high arch feet she had to add a bit of extra space.

Ann tracing foot shapes to create the resist shape 2.6) ankle books resist shape

this hart shape will create 2 slippers without a heal 2.7) heelless slipper resist

this is the shape with little off set wings that will make the slipper with heal2.8) slipper with heal resist.

We cut out our resist, (that’s floor underlay), it works well since we can feel it through the wool.

Next we divided the wool, fist in half (half for one side half for the other). I had to then spit each side in half, since I have two separate slippers, rather than one joined resist shape. For most, each side was divided into 4 equal lengths, since we will be adding 4 thin layers of fiber in alternating direction.

half fiber is devided into 4 balls, sitting on resist. one half of the fiber is still in a ball on the other resist3.1) starting to divide the fiber

Jumping ahead I have added 2 layers and was just starting the 3rd layer on the first side.

half the fiber is devided between the two resists. the same amount will be used on the other side of the resist.3.2) laying out the first side of the resist, last of the 4 layers starting to go down

 

After completing 4 layers over each slipper resist. I gently wobbled the fiber and then moved it off to one side and started what will be the other side.

thin even layers alternating direction there are now 4 shapes which are the top and bottom of both slippers.3.3) 4 layers on each slipper on each side

Once we had both sides with 4 layers of changing direction, it was time for lunch.

I mentioned Ann had brought a bit of fiber to embellish our slippers…. Ann’s wagon is obviously related to the Tardis! Boxes just kept emerging, and fiber appearing out of it! she covered the table with options, Marino top, Throwers waste, shredded hankies, sari waste top, locks and curls, silk blends, trilobal Nylon, her own hand spun yarn, and some mixed bits of odds and ends. We will get back to this distracting pile of clolours shortly.

another student looking through the embellishment fibers spred out over a 6 foot long table3.4) embellishment fibers filling the table

Next, we were getting into the really scary bit. We added water under the resist turned the edges and then added the second layer. The water even dripped on the floor!!!

this is a ankle boot shaped resist, Ann is carfuly tugging the fiber extending byond the resist on top of the resist.4.1) wetting the first side, and carefully wrapping the extra fiber around the resist

my resists sitting on wetted wool 4.2) my slippers start to get wet

plastic over the wool that has been added above the resist. the plastic keeps the fiber from sticking to my hands as i push the watter into the fiber.4.3) using the plastic to help spread the water (so the fiber doesn’t stick to your fingers)

the boot resist, wraping the fibers around the edge of the resist being very carefull not to make stong fold lines4.4) wrapping the second layers edge fibers around the wool rapped resist

Once we had the front and back wrapped around the edges of the resist,  it was time to consider embellishments.

3 photos of embelishment options.5.1) some of the embellishment fibers

Once the embellishing was added and in some cases wrapped to the other side, we wet the new fibers. I had chosen silk and wanted to give it a better opportunity to attach, so added thin whisks of hand blended merino wool over top of the silk.

after adding embelishment fibers more watter was added 5.2) embellishments added and then more water added

Maybe if I move the plastic you will get a peek?

Peekeing under plastic to see silk and wool added to slipper5.3) looking under the plastic at one of the tows of the slippers

Ann has been able to find a collection of the old Tupper ware lids. I will have to keep my eyes out for them too. We used them to gently rub from the edge of the resist towards the center. At first very lightly then adding just a tiny bit of pressure.

2 slippers in progress. tupperware lid used as rubbing tool.6.1) the rubbing with Tupperware lid

By this point the water was making a brake for it or a frontal assault, I’m not sure which. I employed the power of the towel and tried to keep the wetness in check! The towel did not stay dry long!

towl wrapped aruoung buble rap and plastic holding slippers/resists a bit of dampness is visiable on towl6.2) pinch test after rubbing is successful and it’s on to rolling!

I kept loosing track of my counting to 100 then flip and rotate the resists. You can see the slight rippling developing, there is some shrinkage happening.

during brack in rolling, opened plastic to see if there was any sign of shrinkage. only the fantest rippling present 6.3) checking everything is still attached and looking for signs of shrinkage

towl is now heavily saturated with water there is a faint lighened arria in one part of the center of the towl which is still dry.6.4) The water was making a valiant effort to soak me but I dogged as much as I could! The towel, on the other hand has only a small patch that is still dry, the rest is quite soaked

Mer-Stergon in progress turned away from the camera showing extencie gluteal development (he has a nice butt for a fish-person)) 6.5) Even the latest Mer I was working on, did not seem interested in getting wet! (Unrelated dry felting glute shot!)

Since Ann was having the other students stick their feet in the cold wet slippers, I used the original unscaled up foot tracing to check if my shrinkage was getting close.

laying paper foot shape over slipper shape to check asmount of shrinkage7.1) checking with foot size agents the length

this is another student trying on her bootie stile slipper, Ann was checking the fit and is now pulling the bootie off7.2) try it on

Once a slipper was close focused felting and shrinking were done to ether length, width or both.

Ann is rubbing the foot section side to side to reduce the width of the slipper7.3) adjustments

Mine still need more work but its getting closer.

2 slippers still need more shapping but are starting to look like slippers 7.4) still needs work but they now look like slippers, checking amount of shrinkage

I still have more work to do, but I can heat them up again and keep working on getting the heal a bit tighter. You can see I have had quite a bit of shrinkage I will work on them more this week.

But for now I have to head to bed. There is a guild meeting tomorrow as I am writing this, and I will need to leave extra early since there is expanded construction on the queens way today. I will give you an update on the slippers when they fit just a bit better (they are close but the heal is a bit loose, on one more than the other)

Ann was a fabulous teacher, as usual! She is very mellow and we didn’t feel rushed or confused.  In fact this is the second time I have taken the felted slipper workshop (and I stuck to the plan and actually made a set of slippers this time, not boots!  I think I have taken her hat class 5 times so far, each time making a totally different hat. this will be hat class #6. I still have to decide if I want to make a replacement for my stolen hat or make something new.) If you have the opportunity to take a workshop with her I would defiantly suggest it! and I do feel safer  from the evil wetness when I wet felt in a group!!

Have fun and keep felting!!

Stash-It! in Kempville On, Canada, 2025

Stash-It! in Kempville On, Canada, 2025

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From August into early September we had 3 local fiber festivals to help top up our felting and other fiber needs. You just saw Twist, the large fiber festival in Quebec, but it is now leaning more heavily towards knitters. I had no luck with long 12-14 inch locks this year, maybe I just missed them, it was very busy on Friday!

Poster of Stash-It sheep in a cloth bag with head sticking out cute image.

1.1) Poster for Stash-It!

The next one after Twist is a much smaller festival in Kempville, “Stash-It Fibre And Textile Event”!  Don’t let the smaller size detour you. There was a good selection from fiber to finished goods and multiple groups demoing diverse fiber arts, including knitting, weaving, spinning and Needle felting.   yes I did a bit more shopping and I picked up another full Shetland fleece and a few part fleeces.

my large black walker holding bags of fleece and fiber, with no room for me to sit down.2.11 ) I think I may need to get a bigger walker or one with an attached cart for shopping.  Now I have to take everything off so I can sit down!

the first section of the big “White” fleece in the plastic bag, has just come out of the soap wash and will be going back in to soak, probably multiple times….. What was that ram doing? Was he rolling in the mud and dust daily?  As you can see, the inside cut end of the fleece is glorious, if only I can get it clean. He is a lovely (Creamy?) Shetland and I hope the weather holds long enough to get him washed. (Tonight we had the first call for frost, and we have put tarps and sheets over the herbs and pulled under the overhang the hanging baskets.) I am still washing in ambient outdoor temperature water, so I have lengthened the soap soak to make up for the lack of heat from the sun, who is not working as hard as it was just weeks ago.

2.12-2.14) I have about half the fleece in the strainer buckets and this is what remains. The water is a lot cleaner than the soap soak it came out of! I am using sunlight dish soap I can’t seem to find this anymore, so what I have left is saved for fleeces.

I have already washed the little paper bags of part fleeces and they are all draped over one of my Ikea fleece drying racks. (Ikea should add that use to their description!) They were all relatively clean and only took one soap soak and a single rinse soak to be ready for the spin dryer. The brown is, as listed, a bit short in staple length, but very soft, and will make a lovely bat to spin or felt from. I will have to find time to use the drum carder at the guild. it has a finer cloth than my drum carders have.

Shetland part fleece washed and dryed Icelandic part fleece washed and dryed Gotland Fin cross part fleece2.21-  Shetland – 2.22 – Icelandic  – 2.23 Gotland/Fin

Fusha plant in hanging basket one section is white pink flowers and onther part is purple pink flowers2.3 one of my hanging baskets this year, Fussia

Oh no, today I was going to tell you about the Needle Monika of The Olive Sparrow had. Drat, I got distracted by that dirty ram and now feel like I will leave you dyeing of suspense if I don’t give you a quick tour of the event and a link to the list of vendors. (https://stash-itfibreevent.ca/)

Ok a quick travelogue (I promise not as long as Twist and there will be felting!!)

Early Saturday August 23rd 2025 Glenn and I headed south of Ottawa to Kempville. When we got there we realized i had forgotten the camera (I thought Glenn had grabbed it, he thought I had) he left me waiting first in line and drove back to Ottawa to get it.  He stopped to get Cookies from Ann on the way back.  So, a very exciting morning, and I have less photos to inflict upon you!

Lets have a quick roll around the event.

general shot of the gym full of fiber Arts related booths3.1) the event fills a gym, and has Equipment, yarn, project bags, knitted items, fiber and demos.

sample band and pacage of ridgid heddle and shuttle Judy Kavanagh - spindles and her sample mittens (she sells the patterns)3.21-3.22) Judy Kavanagh’s Spindles and bandweaving loom, she also had the cool mitten pattern (if only I could knit and follow a pattern)

Silk Hankies hand died3.3) Alpaca tracks thread lightly silk hankies hand died

Mohair and Mohair/wool blends shot of her booth, and close ups of fiber and shopping3.4) Wind Weft, Mohair and Mohair/wool blends

ladys shopping in booth with wood turned boles, handweaving and art yarn3.5)Luna (wood turning and weaving)

handwoven top and 3 handwoven baskets close up of hand woven fabric and woven basket3.61-3.62)Janet Whittam handwoven cloths, blankets and baskets

comed top hand died and wond in braids, photo below is bags of unwashed fiber3.7) Karberry Farm hand dyed combed top and fiber (its where the dirty ram came from she always has lovely Shetland fleeces)

felted wool balls, pictures, wool batts, and wool yarn3.8) Croocked fence farm

Occasionally I spot something I think one of my friends or family may truly like. This time it was the exquisitely fine needle work making this thimble into a necklace. I think I was told it was 24 count(?) cloth, with single strand floss. It required an illuminated magnifying glass to do the embroidery. Did you see the subtle shifts of blue from one square to the next? The recipient makes teddy bears, all hand sewn so I was sure she would enjoy and appreciate the delicate work.

extreemly fine cross stitch butterfly in blues with tiny pin added to thimble and has a silver necklace added to that. makes a pin holding necklace4.1) Charm N Stitches, Butterfly embroidery in incredibly fine detail (those are miniature pins in the thimble)

3 images of multiple spindles very drecritive4.2) Top of the whorl

both with hand died yarn and batts from their sheep4.3) Les Moutons de Richard, they are new vendors and had batts as well as spun and hand died yarn.

2 photos of booth with knitware tops and hats4.4) Originals by Lynne,  Knitwear

Knit sample hat and mitts with furry trim cuffs 2 pictures of knit samples with yarn or fiber KNit sample and second photo is knitting card decks4.51-4.53) Yvieknits Yarns

knitt candys in candy tin, second photo is kit that looks like take out chinese food! 3 photos, Knit comfort chiken. 2 images of yarn one is sitting in a hat4.61 – 4.62) Cactus Yarn Studio

mohair yarn with sign that says Mohair4.7) Les Belles Bouchlettes, Mohair yarn For knitting and weaving as well as combed top.

Demos:

Demos were along one end of the gym. I was looking at the display from the Kingston guild when I got distracted by the demo table at the end of the row, so i wandered over there next.

table display of weaving and close up of pinweaving loom5.1) Kingston weaving and spinners guild had a nice display of weaving

The Kingston guild will be having their sale Nov. 6th-9th (www.khws.ca), the weekend after the Ottawa Guilds sale Nov 1-2nd 2025 (www.ovwsg.com/sale/). (in case you are somewhere near eastern Ontario and would like to drop by!)

I promised there was felting in this blog!!

This demo was by Farmer Brown’s of Spencerville. Shannon and I had a lovely chat. (well, I was having a lovely time, I hope she was too!) This was her first demo and she did fabulously.  She was making play mats using wet and dry felting. We chatted about needles and felting with naps and sneaky way to persuade them to stay stuck.

Farmer Brown’s of Spencerville. Shannon sitting at a draped table with an exaple of a felt play mat Farmer Brown’s of Spencerville. Shannon and freind talking to shopper with dispaly in front of her on the table Farmer Brown’s of Spencerville. Shannon talking to shopper as shopper is admiering her work Close up of finished play mat with tags. little figures and tiny pumkins6.16.2 6.3-6.4) Farmer Brown’s Felted play mats.

I was so pleased when I found out Shannon has been reading the Felting and fiber studio and has been enjoying my odd distraction about needles and their origins. I did warn her there were a couple more chats about needles coming up soon.

As has become a tradition with fiber festivals, we should check in with the husbandly viewpoint of how the event went.  Was this fiber-festival up to Glenn reading and napping standards?

the table to pay with orginizors and Husband sleeping in background sleeping husband at fiber festival7.1-7.2)  I would say that was a yes.

Were you curious to see what followed me home? I took my purchases into the guild so I could spread them out and get a good shot of them for you. I seem to be on a fiber acquisition theme this festival I have defiantly increased my stash!

overvew of things i bot at Stash it. mostly fiber (Raw fiber, carded fiber, Combed braids, rolags and silk. Fiber vaarious bags and braids Close up of very dirty fleece the cleen bits are the inside cut ends of the staple the dirty end are the outside. look like it could be worth the work getting it cleen.8.1 8.2 8.3) jan’s shopping

I am not sure how I got distracted into another Fiberfestival travelogue, when I was sure I was going to chat about felting needles but I promise I will get back to the felting needles soon. I have got my hands on a needle I didn’t think I would be able to find. Monika from The Olive Sparrow was able to get her hands on some and I am looking forward to chatting about them in the near future. I also have the post mostly finished about odd comments from over the summer again about needle, I am not sure which will appear first.

I hope you have had fun virtually shopping again and have found local fiber venders to top up your own fiber supply in preparation for winter. Have fun and keep felting!!

TWIST 2025, PART 3 NEW BOOTHS OF INTERESTS

TWIST 2025, PART 3 NEW BOOTHS OF INTERESTS

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PART 3 Twist 2025 new booths of interests

Part 1 (https://feltingandfiberstudio.com/2025/08/24/twist-2025-part-1-new-booths-of-interests/)

Part 2 (https://feltingandfiberstudio.com/2025/09/05/twist-2025-part-2-new-booths-of-interests/)

lether dark mits posibly seal skin and fox? white letther and fer hat14.1) hat and mitts on table

As we left off last week, I had just come to a screeching halt in front of the most exquisite pair of mitts. Then left you at the cliff hanger of what else was in this booth, and its adjacent neighbour.

booth with standing banders, table drape and interactive drawing on tall table14.2) the booth with the fabulous mitts was Cercle d’envol

I stopped to chat and find out about the mitts and found out this was a program to mentor indigenous youth into fashion design and other programs. They had a box of yellow squares of fabric and lots of colours of sharpie pens. I was asked to draw something that the students would sew together, making a wall hangings. Hummmmmm…… something Canadian would be good. I have been felting a lot of partly 3-D moose, why not try and draw one. I haven’t sat down and drawn anything in ages…. but my latest phone screen saver is a picture of one of the felted moose bags, I can use that for reference.

close up of two girls drawing on quilting squairs14.3) drawing on squares to be use to make quilt hangings.

drawing of moose useing a cuple of shades of brown perminent markers jan holding up moose drawing.14.4 – 14.5) moose seem to be a theme lately

This is what I came up with, I should have kept going with this drawing,  added water and pond plants hanging out his mouth but I didn’t want Glenn to get too bored or get too much of a nap (he might start snoring!).

I had a very nice chat with the gentleman at the booth. He was talking about blending native knowledge with non-indigenous knowledge. I asked if that was like what had happened with the very old missing arctic explorers ship problem, that had been lost until someone asked the local Inuit if they knew anything about it and they knew where it was.(no one had thot to ask them earlier?)

I have been curious about the arctic for quite a while. It probably started with snow bank tunneling and the frustration we did not have the correct snow to make igloos. We used oral history as we learned the safety rules about snow tunneling, from the older kids and told the ones younger as they started to play in the snow banks. (I also made snow dinosaurs with the other local kids, i was already a bad influence).  At university, I was excited to find out that we had kimberlite pipes (they make diamonds) in the arctic and a beach made of garnets. Then I found out about the wonders of Muskox fur (well the undercoat, Qiviut). There are also Norse / Dorset archeological sites to further investigate in northern Quebec and Baffin.  I was very lucky to visit Iqaluit, briefly, while my brother was working there. I would love to go back with a much better camera than I had then. Maybe I can get a good shot of arctic cotton! (the tricky little plants kept moving in and out of my focal depth!!)

Sorry I got distracted back to the booths.

The description of this group from Twist was; “Cercle d’envol is a pan-Canadian organization based in Plaisance that empowers Indigenous youth by increasing access to career and entrepreneurship opportunities. With nearly 25 skill-building labs focused on fashion and sewing, we are training a new generation of creators. We are supported by globally recognized brands, including Janome.”

The next booth was quite different from all the fiber related booths.

Kidjīmāninān booth looked like a log cabin Kidjīmāninān booth looked like a log cabin15.1-15.2) Kidjīmāninān booth looked like a log cabin!

Twists information said that Kidjīmāninān is “Led by the Kitigan Zibi Anishinàbeg community, Kidjīmāninān brings together the MRC, citizens, community groups, and researchers to restore and protect biodiversity in the Outaouais region. Inspired by the Algonquin term meaning “our canoe,” we move forward together, sharing knowledge and respect for the Earth to create lasting impact.”

I again stopped and he was talking about biodiversity and endangered spices. I told him of my absolute joy and  amazement while hunting by hand from the family row boat, I employed the standard cray fish hunting technique (distract with one hand while the other come in from behind to grab the crayfish) on mysterious bubbles coming up through the muddy silt. I was pretty sure I knew where the turtles nose was, directly below the bubbles,   but the rest of the body could be in any direction under the mud from there. I guessed correctly and lifted up a soft shelled mud turtle the size of a luncheon plate!  I gently put it in the bottom of the boat and rowed quickly back to the dock, (staying safely about 6 feet from the shore line). Unfortunately, Mom was not amused or impressed when I showed her my most amazing catch and told me to “take it out side now! it is an outside creature”.  I released it and it swam back to its swampy bay.

The gentleman at the booth, asked if I could identify the lower part of a leg on the counter in front of him. I admired it, then told him I hoped it was a moose. He seemed surprised and pleased.  He said it was an adolescent moose leg.

hoves and bones wired into proper articulation with anamal pins in front15.3) leg to be identified (adolescent moose) and cool pin (landscape with a canou  and 3 little circles representing heads in it).

He said he was getting signatures for a petition to protect biodiversity in the Outaouais region.  We both signed it. Other kids should have the opportunity to experience catching (and releasing), many kinds of frogs, turtles, snakes and other local wildlife. We have seen a decline of plants and wild life since I was a child at the family cottage. I hope his petition will help.  As we were about to leave he gave me a bag with the logo from the pin on it. There were a few goodies inside. I thanked him profusely! (and will show you at the end)

There will be an online petition coming soon to their website, but if you are interested in finding out more about this group, check here: https://kidjimaninan.com/en/ .

bag with logo and pin with smaller vertion of the same logo15.4) Kidjimaninan bag and pin

There are still spots we have not yet visited so let’s leave the gym and head past the group demos in the hallway and go look outside. (I know it’s very hot today so we will not linger too long outside and try to stay in the shade)

Outside:

the full map of the event we are at the back of the building at the top of the map. 16.1) the full map of the event we are at the back of the building at the top of the map.

 The fist tent just right of the building doors was the kids tent (some of those kids looked quite tall and older than I had expected, but they are having fun). From the left; rare breads tent, vender tent, tent for ball winding, the talks and demonstration tent,  Beer tent, and food tent. There is also a misting station (its water misting so I’m going to avoid it, but if you are feeling hot you may want to check that out too.

kids craft tent16.2) kids tent

photo of large white tents on parking lot. with lavles and arows to tell which tent is whitch 16.3) just barley in view to the far left is the rare breeds tent, the large tent on the Left/middle held more vendors, the smaller tent to the right had swifts and ball winders. Off camera further to the right were three more tents. The smaller two had lectures or demonstrations and the other small tent sold beer.  The large tent, held the food vendors. Off camera behind me are the kid’s activity tent and the scary misting station.

Let’s take a look at the guest sheep that was visiting at the rare breeds tent fist.  You have seen this booth in previous years. They are interested in more than just sheep but they know who we want to see today! The sheep even in this heat wave was in shade, had water and seemed to de demonstrating the thermal insulation properties of wool. She seemed quite mellow and relaxed.  (I wonder if she tried the mister?)

Heritage livestock Canada had a friendly sheep 17.1) Heritage livestock Canada had a friendly sheep!

relaxing sheep in the shade of a tent17.2) sheep in the heat! She was in the shade and seemed very relaxed.

sheep enjoying getting petted 17.3) She did seem to enjoy all the attention

inside the outdoor vendor tent. 18.1) On to the vendor tent!

I know it’s getting late and your feet may be getting tired, so let’s just look at a couple of the venders in the large tent and then we can think about a very late lunch.

There was a vendor with felt but this time the felt was sewn to create her sculptures.  They were very cute

Sewen felt sculptures  18.2) Felt figures

sewen felt dragon18.3) dragon sewn felt

Did you see the Ferme Tajga booth? They had yarn, sheep skins, batts, and raw fiber. I was too tempted and bought a bit of the raw Icelandic. It was in the mettle tub on her table.

 18.4)Ferme Taiga booth

white lofty fiber18.5) Ferme Taiga booth close up of some of the very nice fiber

The sheep was not the only gest fiber producer at Twist. There were these two bunnies. The little bunny kept shifting form curious to shy.

large white rabbit with black ears small black bunny mostly hiding behind white rabit 18.6) Angora production team

colourfull baskets withgeometric patterns 18.7) Big Blue Mama’s booth had more fabulous baskets

alpaca yarns 18.8) there was a lot of knitting yarn at twist, this time it was alpaca blends

crochet figrues on top of display18.9) there was also yarn meant for weaving, and in this booth, there was yarn meant for crochet

Glenn spotted this package and bought one to try. It was freeze-dried hole strawberries, coated in chocolate. If you spot a package you may want to try it too. It was extremely tasty.

japanies treat dehidrated strawberrys covered in chocklet19.1) a treat of Chocolate coated strawberry’s (we will have to look for these closer to home!)

Just to prove that Sunday was just as relaxing as Friday was.

napping husband at Twist19.2) Proof that Fiber festivals are the perfect spot for husbands to nap.

Yes I was a horrible wife and woke him, so he could carry the last of my purchases to the car. Since it will be a year until we return next, we took the opportunity to again head to our favorite comfy duck sandwich purveyor.

I hope you have enjoyed Twist, even though there was a lot of yarn, and very little long locks, there was some fiber, and new booths that were educational and interesting. If you are driving between Montreal and Ottawa and are passing St Andray du Avalon, you may want to take a brake and see if there are any Comfy ducks sandwiches available for lunch…. I will be thinking about that sandwich until the next trip to Twist.

Comfy duck sandwitch duck, bacon, apple, celery, onion, mayo and apricot-raisin bread, salad with raspberry dressing and fries with mayo dipping sauce!19.3) duck, bacon, apple, celery, onion, mayo and apricot-raisin bread, salad with raspberry dressing and fries with mayo dipping sauce! Twice in one year!!!

Oh did you want to see what I purchased?

We can compare and see if you picked the same things!

Perchese and presents from twist 2025 20.1) Glenn gave me the twist bag which the Mer-Boy-Friend seems to have taken over. I was given a gift of green curly locks, and purchased the linen tea towel.

20.2) I seem to have a theme of mostly Felt and fiber this year.

Kidjimaminan pin bag and contence of bag 20.3) the Kidjimaninan bag had wonderful things inside it; Butterfly seed bombs,  Kayo-Tea, Maple Syrup, playing cards, cloth bag and enamel pin

horticultural 100% wool felt 20.4)  Horticultural felt 100% wool

died and undied silk hankies 20.5) silk hankies

braids of combed top breed of fiber listed below picture 20.6) top row tags (L to R);Top row: Solstice 2023(Grey; Cormo/Angora/Merino/Poleworth/Lama/ Tussah silk), Masham (green red black), Masham (green red black),  Cheviot (White aqua and cream). Bottom row: Shropshire (Greay gold), Exmoor Horn (Brown Blue), Faroese (Blues), Masham (Greens orange), Eclipse (Greys), Cheviot (White aqua and cream).   

2 small carded bats of fiber20.7)Urso wool batts, golden tones and cream tones

more hand died combed top 20.8) 2 braids Cheviot/Peridale

raw icelandic wool, moorit brown20.9) Raw Icelandic fiber

Thank you for joining me, it was a very big show! I hope you had fun virtual shopping if you were unable to attend in person. The dates of next year, August 7-8-9 2026, are already on their website. if you are going to be in the area there may be a comfy duck sandwich calling your name too!  Have fun and keep felting!

TWIST 2025, PART 2 NEW BOOTHS OF INTERESTS

TWIST 2025, PART 2 NEW BOOTHS OF INTERESTS

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PART 2 Twist 2025 new booths of interests

Today Lets head back to Twist

selfie takeing spot in front of sheep on a rocket9.1)  photo selfie setup just outside the arena with a sheep on a rocket and snowball bush.

This year there was more yarn for sale at boots, but I did find a few venders selling fiber, mostly combed top, and one selling felt (which you saw last time). There were a few more informational booths that I want to point out and we already saw some of the local guild /group demos.

OVWSG Demo at twist, spinner showing fiber to 3 wimon who are watching9.2) a quick peek at the ongoing Ottawa guild demo in hall between the arena and the gym.

Lets take a quick look in the arena, there were booths around the outside and a row placed back to back down the center. The isle were wide and there were a few benches to stop and rest. (as demonstrated by Glenn last post, but most other bench users were not a somnolent as he was).

vew of arina, and two shots of booths one with yarn and one with cones of weaving yarn10.1 3 shots, one of the arena at opening, woman looking at weaving yarn, mohair top

buttons, knitting yarn and knited samples10.2) buttons, knitting yarn and samples

Christine’s booth with bats of mixed fiber and art yarn. She is spinning on a magacraft wheel.10.3) Christine’s booth with bats of mixed fiber and art yarn. She is spinning on a Majacraft wheel.

This is a booth,  A Lair Artifacts, I kept going back to. I have shopped here over a number of years. The died top is available in a number of different fibers/breeds. There are some super wash merino, regular merino, and many other breeds with greater luster as well as a few fiber blends. (you can see a list of what fibers she is dyeing with here; https://www.alairartifacts.com/en/general-5 ).  I keep being drawn to Masham, it’s a long fiber but it has such a captivating luster and is much stronger than the soft limpy-ness of merino. I keep telling myself, I am going to felt with this so if the staple is too long for what I want to use it for I can use scissors to make it shorter (which will offend spinners!)

combed top of various breeds and needle felting with dried flowers.11.1) combed top of various breeds and needle felting with dried flowers.

I am sure you spotted examples of felting in this booth too. When you look closely at the ghosts, which are very small, you will notice they have fabulous drapieness to their sheets.

ghost with dry flowers in belljar. 11.2) ghost with dry flowers in belljar.

looking up breed information tag has breed and micron count11.3)  looking up breed information tag has breed and micron count and some times staple length.

one of the shoppers asked about one of the breeds she didn’t recognize  and the vendor was able to explain about the sheep and she showed her more information from the handy little book “The Field Guide to Fleece: 100 Sheep Breeds & How to Use Their Fibers” By Deborah Robson and Carol Ekarius. (sometimes all the time i have spent in the local guild library comes in handy!)

There was a pebble mat of felted round rocks as well as an very well done mushroom!11.4) There was a pebble mat of felted round rocks as well as an very well done mushroom! (one in needle felt, one crochet and i think the last one is sewn)

I was impressed with the top but check out the filly side11.5) I was impressed with the top but check out the frilly side, very nice line work and lovely subtle blending on the stem

I got distracted and had a chat about the shallow working depth of crown needles. I hope I didn’t overwhelm or bore her too much!  The pebble rug, which was quite large, and covered the table, looked like the mushroom  was growing from between the pebbles.

Since we have had a quick look around at the vendors in the arena let’s go over to the gym and see one of the booths I wanted to show you over there. On our way there lets first take a quick look at some of the other vendors.

ecoprinting12.1) Eco printing

Cheviot combed Top hand died12.2) Cheviot Top hand died

a booth with brooms12.3) a booth with brooms

Linin tea towels12.4) Linin tea towels in basket

samples of knitting with yarn from this booth12.5) samples of knitting with yarn from this booth

now lets stop and take a look at the first of the booths in this hall i thought might catch your interest.

La laine : matériau d’avenir | The Future is Wool (Concordia University)

the Future of Wool booth, this is a group we saw  was it last year in the outside tent? This year they have moved inside and are creating a collaborative embroidery project.  Twist posted that this is a “new 3-year community stitch project, exploring cross-cultural histories and planet-healing futures of our favourite fibre, local/regional/Canadian wool! Together, we’ll create a multi-panel ‘Bayeux’-style tapestry about our wool”.

Their own description about themselves is :

“The Future is Wool uses wool and craft to propose the questions: of Does the pleasure of handwork and the chance to work in community with other makers bring us comfort in this time of [post?] pandemic anxiety? Does wool’s biodegradability ease our ecological grief as our planet faces what seems like catastrophic climate change? This project is ongoing”. https://re-imagine.ca/the-future-is-wool/

13.1-13.4 “the Future of Wool” booth close up of image they are making, pictures of people embroidering,

They had a range of ages helping with their embroidered tapestry and all seemed to be enjoying themselves.

13.5) a large age range participated in the embroidery.13.5) a large age range participated in the embroidery.

Each time a went past this booth, there were new people helping by work on part of it. the promotion of wool is always a good thing for felters and spinners!

Just around the corner was another booth that cot my attention (ok, so I may be easily distracted but did you see what was on the table?)

inuit mitts and hat14.1) hat and mitts on table

Since we are now on page 11 as I am typing this up, I should probably stop and show you the rest of this and the neighbouring booth, and a few of the outdoor vendors and the guest sheep next post, part 3. In the mean time I will let you drool at those mitts as I did. Do you think that is seal and fox fur? I would never have cold fingers again!!!

i hope you are enjoying the vicarious shopping and have room for a bit more next post. until then have fun and keep felting, or maybe washing he last couple fleeces before the snow arrives again!

Twist 2025, Part 1 new booths of interests

Twist 2025, Part 1 new booths of interests

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Twist 2025 new booths of interest

Some of you have joined me in previous years on the trip to Twist Fibre Festival in Saint-André-Avellin, QC. It’s about an hour and 15 minutes from home, a bit longer with construction detours this year. It is worth the drive in shopping opportunities and usually has lovely scenery. (We had some of the smoke from fires much further west so it was too hazy for the views overlooking the river). Twist is also the largest of the close fiber events to Ottawa.  Please join me as we take a peek, first at the demos and a new booth that I hope will catch your interest too. We will take a look at more of the event in the next post. Don’t forget to meet me at La Toquade restaurant for after shopping Dinner of comfy duck sandwiches.

photo montoge of line up getting into Twist on friday morning (it was very hot) and close ups of the decorations by the sign which is a sheep on a rocket1)Lining up to get into Twist 2025

Demo Hall way,

There are two halls (Gym and Arena), one on either side of a main hall, which also leads to the back of the building, where more vendors in a large tent were located. The hallway is where the demos from various fiber arts groups are located, including the local weaving guild and our neighbour guild across the river. Let’s take a quick peek before heading into the main hall. I was sure I had taken pictures of the knitting guild, and author and one other group at the end of the hall by the tent but I don’t seem to see them. This year we had examples of weaving, spinning, and a bit of felting at the guild table.

OVWSG Demo table table loom on table OVWSG Demo table Suport spindle spinning2.1-2.2) OVWSG Demo table

Gatineau Guild of weavers banner and table display2.3) Guilde des tisserandes de Gatineau; our neighbour guild on the other side of the Ottawa River

lace makeing pillow with hands moving bobins2.4) The Lace makers guild

Association des Artisans de Ceinture Flechee de Lanaudiere banner Association des Artisans de Ceinture Flechee de Lanaudiere table of finger woven bands2.5-2.6) Association des Artisans de Ceinture Flechee de Lanaudiere

While at Twist fiber festival, I spotted a few new booths which caught my attention and I thought you would also find interesting. So I am going to focus on one of the booths today but we will look at the rest of the event hopefully in the next post.

New Vendor has felt

At this point, we had arrived, said hi to the morning demo team, and started looking for booths selling fiber or (Needle) felting supplies.  It was close to opening time, and was still quite busy with a rush of shoppers.  I had to wait to get into the booth. The little I could see from outside had me curious as to what else might be in there. I was sure it would be worth the wait.

glimps of wool felt between people stopping and walking in front of where i was trying to see in3.1)I see wool! Yes, that definitely looks like wool. I wonder which booth this is?

As the crowd parted, I could see the signage “Field & Fleece” and “WoolGrown”.  Behind the sign was a 3 foot tall roll of felt!! As well as bags of fiber (I think I overheard the bags of fleece were mixed rideau-arcott sheep fleeces?)

montage of photos, signage and bags of wool, lamb covers, wool pellets for gardening3.2) When the crowd parted and I could see part of the booth!

rolls of various lenths and widths of horticultural felt.3.3) Precut lengths of felt, some have holes cut out for planting plants, others are solid.

samples in booth of poducts made from this felt, jacket bag, art, and small bags of fiber 3.4) There were examples of wool Felt use; Jacket, purses, art, small batts in bags

There were also small strips of wool rolled up on the table. They were selling them to start seeds in. I looked at them and saw name tags!!!

3" and 4" widths of felt in long strips, they are to plant seeds but i am going to make name tages 3.5) wool strips  for sale in the booth

The strips were being sold as “Seed starting wool strips the eco-friendly evolution of the innovative seed-starting method known as the “Seed Snail.”” The concept seems to be to un-roll the wool strip about 4” x 4’ long, add moistened potting soil mix, roll up the dirt with wool, making something that looks like a less tasty cinnamon roll. Plant the seeds at the top of the roll, so the roots will grow down between the circles of wool. That sounds like an interesting concept but I still see name tags when I look at these rolls. There were a few different widths so I selected a few of the wider (about 4”) and a couple of the cheaper 3-ish” ones.

If you noticed the little square about an inch thick by about 4 inches, I picked up one of those too. I will try it out as a felting surface later.

Since I had finally got to the front of the booth and had already found a small selection of items, I kept looking.

ceramic sheep bole with blacksmith made masonre nails. (to use for mordenting dies)3.6) OH my! What is that?

Not the prins, look in the cup! I was just apologising to Glenn, as we drove here, that I suspected the booths selling blacksmithing items or supplies would again be rather thin.(ok, None. I am sure it’s just an unintentional oversight that will be fixed at some point in the future.) Those rusty items are square-headed nails, and look like blacksmith-made objects! I asked about them and was enlightened that they were the “nails” from a brick wall that had been taken down and she didn’t have the heart to toss them. She was selling them for dyers to mordant their dye baths. I bought a little bundle for Glenn so his day was not just carrying my packages and taking naps on a bench while I shopped or photographed.

Since you have seen the extreme relaxation (napping) demonstrated at various fiber festivals I should not deprive you of another sighting.

Husband sitting on bench sleeping peicefuly while shopping happens behind him4.1) Fibre festivals are a good spot for extreme relaxation.

Mer-Boyfrend self-feling his own abbs Mer-Boyfrend self-feling his own abbs another vew4.2-4.3) The Mer-boyfriend got impatient and started to work on his own abbs. I spent too much time explaining why I was making another mer-person to people stopping to ask what I was doing and how did it work? (Yes, I got another voodoo comment too!)

I filled in at the OVWSG Demo Friday afternoon, as the demo started to pack up, I “rushed” back to buy the roll of felt but they were unfortunately closed…. Drat. Ok almost everyone is faster than I am at the moment.

While we are still in town, we can go enjoy the comfy duck sandwiches at the La Toquade Restaurant. It’s part of the enjoyment of going to twist, and I think about this sandwich for a year between twists, so let’s go see it they are still as memorably delicious as it was last year. (Oh yes it was!!)

on a long rectangle plate, good fries, a small salid with rasbary balsamic vinagret, frenchfrie dipp and the amazing sandwich ingredients listed below photo5)“Club sandwich au confit de canard- Servi dans un pain abricot-raisin-tournesol garni de bacons, oignons, pommes vertes, céleris et mayonnaise maison et un choix de frites ou de salade mesclun” / (Google helped and translated the above to English for me: “Duck Confit Club Sandwich – Served in an apricot-raisin-sunflower bun topped with bacon, onions, green apples, celery and homemade mayonnaise and a choice of fries or mesclun salad”.  the dip for the very tasty french fries was “choix de mayonnaise maison” and the small salid had a fabulouse rasbary baslamic vinigret. Desert was Mousse au chocolat (I think that has to be one of the best types of Moose). If you make it to twist, this may tempt you to stay in town for dinner or a late lunch.

After a delicious dinner, we headed for the highway, through rolling hills and past a very picturesque stream, which I keep meaning to stop and take pictures. Unfortunately, shortly after getting on the highway, we found the highway was closed, so wound up enjoying rock cuttings and farm land while following a very round about detour. (We eventually found out the road was closed for paving.)

pick up truck (licence plate obsured) has bound (tied up) small couch in back.6) I suspect I have been watching/listening to too much US political news on you tube. We saw this in front of us on the detour. Can you guess my first thought as to who must be having a quick getaway visit to Canada?

We did make it home after enjoying parts of Quebec we had not seen before. I spent the rest of the evening reviewing Fridays photos and posting some on the OVWSG Group FB page, I did a bit of investigating on the internet since I regretted not buying one of the rolls of felt.

WoolGrown Company web site: www.woolgrowncompany.com

WoolGrown Company on Face book: www.facebook.com/profile.php?id=61568471715075

This is a Canadian company, based in southern Ontario. It is a lot closer to drive to Twist (Just over 1 hour east), than to drive west, well past Toronto (Over 6 hours south-west of Ottawa). (Which is why I was trying to get back to twist on Sunday.)

As I heard at twist and saw on their web site, they were looking at ways to diversify their farm production (sheep farming).  On their web site i found links for Wool pellets for mulch, Garden & Horticulture Felt (which was the felt I purchased on Friday, but not the option with holes precut in it for plants) and Sheep Tea Pouches. In their booth, were also examples of; felt art, Felt Jackets, Felt Bags and felt Pots as well as the felt itself.

I tried messaging the company on their Facebook page (but they were likely very busy recovering from day 1 of twist) since I knew going back on Saturday was not an option. I would have to hope to be up and running… er, walking… ok rolling on Sunday.  Glenn said he was up to joining me again, (he was hoping for more Comfy duck), so off we went back to Twist early Sunday morning.

large roll of felt (hordicultural) 3' tall and very long. sitting partly behind sign saying Feild and Fleece7.1) 3 foot tall roll of wool felt!

Ah good they have not sold out, but as I got closer, there was a lot of stock missing. The 10 foot by 1 foot rolls were gone and so were the other sizes I had seen on Friday (Drat). Luckily, Sunday morning at opening was not as busy as Friday, or I heard Saturday had been, so they said they could cut me a piece from the big roll.

mesureing out 4 feet of the lenght from the roll mesureing out 4 feet of the lenght from the roll7.2-7.3) I got 4 feet of the big roll.

I am hopeful I will be able to use this with my picture felting students. I need cut pieces that are a bit bigger than 5”x7” finished picture size.  I want my students to feel the difference 100% wool felt feels, when compared to the cheap part wool, to full acrylic non-woven options for picture felting bases.

close up of some of the pices i purched from this vendor. 8.1) “Horticultural”, as you can see there is some kemp and a bit of VM. Even so, it looks like it will make a good base for picture Needle felting.

Let me show you some of what I wound up with from this vendor, I will show you the rest later. I am looking forward to investigating this wool felt, hopefully soon.

Today (which will be yesterday as you read this) we headed south of Ottawa to Kemptville for a much more intimate fiber festival. I had wonderful chats about felting and fiber and thoroughly enjoyed myself. (Glenn read a book and had another nap, I told you fiber events were extremely relaxing, soon all husbands will want to attend with us, just for the quality napping!!) I would like to show you a couple of interesting displays and booths there too, but let’s finish off visiting Twist next. Don’t forget to save a bit of virtual or actual money for shopping at Almonte Fiberfest on Sept 6th 2025 if you are in the area!!

Cyanotone print on paper then felted with Fiona Duthie

Cyanotone print on paper then felted with Fiona Duthie

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08-06-2025 Cyanotone print on paper, then felted with Fiona Duthie – fine felt

On August 6th 2025,  The Great Canadian Felt Project, using Cyanotype paper dying with wet felting, arrived in Ottawa, Canada. This is an ongoing project moving across Canada, starting in the Maritimes (east coast) and moving west.  Small 3-hour mini-workshops are set up as Fiona and her husband travel across the country in a vintage VW bus. The workshops are being arranged on slightly short notice, due to allowing for travel time to reach the next area where felters will be gathering.  (If you are west or north west of us, you can see if she is heading your way. She has a web presence, you can try to connect with her as she is moving west. https://www.fionaduthie.com/great-canadian-felt-project-2025/)

Liane contacted her and ultimately arranged for two sessions in the OVWSG guild studio for Wednesday.

I have worked in a darkroom at university, so I am familiar with the concept of Cyanotype printing. It’s a little like playing with the enlarger in the dark room, but more blue.  I also preferred keeping my fibres dry when I felt. Since I can have fabulous fun with photo-documenting the event, I suggested I photograph and let someone else enjoy the fun of felting. (If they were short students, I could switch, and there would be fewer photos.)  There was a lot of enthusiasm for such a short notice, mid-week event, and we wound up with 2 groups of 11 students, one in the morning, one in the afternoon.  We only had a few days to get it all organised. The guild is also in the middle of moving rooms and looms, so tables had to be tracked down, a quick clean-up of the studio, and we were ready to have fun. You may recognise a few of the students from previous times you have joined me on shopping and at guild activities!

By the time I arrived early Wednesday morning, hoping to get a tiny bit of library work done before starting the photography fun, Liane had the room all set, ready for the workshop. She arrived shortly after I did, and was quickly followed by the teacher and her husband. The students arrived soon after that. Everyone was very excited, and almost everyone was early.

FIona and husband arives in OVWSG Studio with tables set up ready for teaching1.1) The room arranged, and the teacher and her TA setting up

Fiona Duthie and her husband both used to work in Ottawa, but are now located in BC. They had been on the East Coast, giving a felting workshop and visiting family.  She gave a brief overview of the order of operations, and the students quickly got into laying out their local plants and other objects they had brought.

on table covered in striped blue and white plastic cover Trays (cat litter trays) for rinsing, hand laundry scrubbers, Ballbrasa, Soap and water buckets2.1) Equipment: Trays (cat litter trays) for rinsing, hand laundry scrubbers, Ballbrasa, Soap and water buckets

close up of the hand laundry scrubbers2.2) close up of the hand laundry scrubbers. I think these were made in Germany. They remind me of a sewing clapper (it’s used on seams to flatten them)

the magic chemicals that make the wonderful blue colour the magic chemicals that make the wonderful blue colour2.3-2.4) the magic chemicals that make the wonderful blue colour (Chemicals: The primary chemicals used are ferric ammonium citrate and potassium ferricyanide. These are mixed to create a light-sensitive solution.) She had examples of two ways the chemicals were sold. Fiona pre-prepared the treated paper for the class.

The Cyanotype printing process uses a light-sensitive prepared paper,  with something that will block light, making a silhouette, in this case with local plants and found objects. The paper with objects sitting on it is then exposed to (UV) light, which will create an image on the paper.  The students were instructed to lay out their designs on the Plexiglas, then, when ready, the light-sensitive paper would be provided and the plants/stuff would be moved to it. But first, get the design they liked laid out.

Fiona gave an the overview of what they would be doing today shows 2 previous prints on felt 2.5) The overview of what they would be doing today

morning and afternoon students for the workshop3) the morning and afternoon workshop groups

Laying out the design on the plexi

A board, a piece of plexiglass and bubble wrap were at each spot. Students brought plants, lace, stones, weaving tools, and found objects.

4.1-4.6) laying out the design

Magic Paper time!

When the composition was the way the students wanted, Fiona handed out 2 sheets of the pre-prepared light-sensitive paper. (Note she has it hidden from the light between two boards.) One page the students will keep, and the other will go into Fiona’s Group project.

Since as soon as the paper is exposed to light, it will start to etch (like photo paper in an enlarger). So pre-laying out the design made it faster to get the composition moved from the plexi, which had been moved out of the way, so the magic paper on the wooden board could be quickly covered with their selected stuff. Fiona was very calm, and although it is time sensitive, no one seemed to be looking rushed.

The paper itself is also important. Fiona talked about what she had found most effective that allowed the wool fibre to bond with the paper (I promise I will get to the felting!). She mentioned my favourite place to get paper when I was taking Printmaking at the University of Toronto, the Japanese paper shop in Toronto (Queen Street West). A couple of the papers sounded familiar, so I probably did use them for school.  Alisa remembered Lokta paper and Kita Kata paper. There was another suggestion, but I should have been smart and taken notes, not just photos. You will have to take her mini workshop to get a list she has found works with felting, or Ann says Ruth does felting with paper, too.

handing out the magic paper5.1) Handing out the magic paper

The plexi gets used again:

Once the foliage and other items were transferred to the magic paper, the plexi sheet was put on top to keep anything from shifting. A couple of boards had things that were lumpy; some were placed on top of the plexi, others were under, but a bit of masking tape was added to ensure nothing shifted.

plexi is now used to hold the plants down on the paper so it wount shift5.2) Plexiglass added to keep plants in place

Now it’s time to face the sun!!

Since I was just doing the photo documentation, I was volunteered as Door holder. Unfortunately, this presented a problem. I know the rules, no but shots!! I had a lot of trouble trying to get shots that kept to at least the essence of the rule.

students putting bords with paper plants and plexi on ground in the sun6.1) putting the light-sensitive paper in the sunlight

As with photo paper, Cyanotype is activated by light. So the prints were left out for the required time. (It was sunny and the smog from forest fires was less today.) Let’s take a peek at a few of the cooking prints.

sitting in the sun sitting in the sun sitting in the sun6.2- 6.4)  sitting in the sun

When the time was up, the boards were carefully brought back into the studio. (trying not to move anything) .

bringing the plexi covered paper and plants on board back into classroom6.5) back into the studio, leaving the plexi on and trying not to shift the leaves and objects

A couple of students at a time would remove their objects from the papers, then add them to the first of two rinse baths.  After the correct time, it was transferred into the second bath. This was to remove the extra active chemicals. This took a while to get through, 22 pictures, 4 at a time, but it was very interesting to see what had been created by the cast shadow of the plants and other objects.

the rinces baths of water and placing the papers back on the board after the rince baths7.1-  7.2)

Felting!!

When most of the images were through their baths, it was time to set up for felting. (I bet you didn’t think  I would ever get to the felting!) Fiona explained which direction to lay the paper images down on the bubble wrap, then demonstrated laying out the wool, which was limited to a measured amount, so all the pieces would be close in weight.

holding combed top and showing how to pull out shingles of fiber to lay on paper8.1) explaining laying out fibre for wet felting.

continuing to demonstrate laying out the fiber on the paper8.2) Laying out the fibre demonstration

Then the students worked in white or blue Merino wool. Most had combed top, but one had merino that may have been a batt at some point, but was now more tufts and clumps.

the students start to lay out fiber, teacher helps as needed8.3)

wetting the fiber covering with buble wrap and then gently rubbing with landry scrubber8.4)

Water was added, then gentle rubbing (effleurage), then gently using the scrubber. Once it was starting to hold together, it was time to roll, first one way, then rotate and roll again. They were not wanting to make a hard felt. The students will be stopping at the pre-felt stage, so Fiona will have options as she felts all the pieces together when she gets home.

rubbing on bubble wrap and students on far side of table rolling 8.5) various stages of rubbing and rolling

Rolling must be done carefully so the paper doesn’t wrinkle as the wool starts to felt and the paper gets entangled with it.

various students rolling felt8.6) more rolling and rubbing

gental tugging with flattened palms to remove wrinkles8.7)  Gentle persuasion removed a small wrinkle that was developing

Sander

We also got a demonstration of using a sander for felting. This speeds up the felting, but especially with this, you can not drag the sander, or you may damage the paper.

demonstrating using sander while felting9.1) Fiona shows the Makita sander

close ups of sander working9.2) Sander working

showing under side of sander with ikea shelf liner instead of sandpaper. there is tuck tape under the plate to keep water from entering the main part of the sander9.3) Under side view of Makita sander

Makita, variable speed sander, with tuck tape applied to the under plate and Ikea Shelf liner where the sandpaper would go.  This is the Expensive model, but it’s much quieter than the less expensive version. (Or the little one I have.) I was told they go on sale around Father’s Day if you are wanting to go hunting for one.

The final result

When the images were the requested size, and had reached the pre-felt stage (holds together but is not yet fully felted, so she can join them together when she gets home, they were finished.)

meusing to make sure size was correct, cutting excess and finished pices more finished pices checking out eachothers pices10.1-10.3) the finished pieces

Samples with this and variations on this technique

Fiona brought with her some samples, which she shared with the students

11.1-11.4 samples

Fiona has not made a final decision as to how she will put all the pieces together when all the group projects have been completed. I think either a medieval rose window, adding felt to make the stone traceries, or maybe a tall Gothic medieval stained glass window, which would give an interesting grid pattern and could be done in a series of windows. (a tryptic or more?) It will be fun to see what she decides to create.

You may have noticed I have a new camera, a Nikon with a wicked zoom lens and extra stabilising. It’s a steep learning curve from my Lumex, but I am trying my best to climb it! You may be muttering about my love of words (many of which I can’t spell), but also my love of photos. I did have a bit of restraint. For this event, I took 618 shots; there were a few with focus problems (stupid essential tremors), but also a few more with odd facial expressions that I ignored. That still left a lot of photos to choose from!

This was fun to photograph, and it looked like the students had both fun and learned a technique they can add to their felting skills. If you are somewhere West or north-west of Ottawa, check and see if Fiona will be somewhere near you too! (Her web contact is at the top of the post.) Have fun and keep felting!

Demoing Felting Question: “How does that work?”

Demoing Felting Question: “How does that work?”

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Demoing Felting Question: “How does that work?”

Summer is the season of planned and spontaneous demos.  Whether it’s planned, demonstrating felting at fairs, craft shows, fibre or yarn stores, or less planned, felting sitting in front of your home, or waiting at a doctor’s office,  it’s an opportunity to introduce others to the fun of felting. I wanted to chat about this today, since I have recently overhead others say they haven’t signed up to do guild demos because they don’t know what they will get asked at the demo. Also, they have never demoed before and feel that they need to be really good to demo.

Demos are an opportunity for us to show others what cool things we are doing. We don’t have to be masters at what we are showing, but we have to be enthusiastic (without scaring the public) and look like we are having fun. Seeing someone who is enjoying what they are demoing is likely to inspire someone to try whatever they are doing. It is also good to see someone who is just starting to let others know they can do this, too.

jan working on felted pictue of 2 sheep in front of large burlap bails of wool at wool growers co-op 2019 1) 2019 Wool Growers Co-Op Demo

If you have never demoed before, try a group demo where you are not alone and have others who can answer questions and take the lead.  You can also just bring your felting with you when you will be waiting somewhere for a while, like the doctor’s office or emergency department, most people will just smile and watch. (They are usually happy to have something to distract them from why they are there. It’s a good way to get used to being watched while you’re working.)  Spinning is particularly popular with people in the emergency waiting room.

I have found that at most big demos, I have to start talking to people before they will approach. When I first started to demo, it was weaving I was showing. If someone seemed curious, but not brave enough to ask what I was doing, I would ask what type of loom they had at home (even when I was reasonably sure they had never seen a loom before). They usually laughed and started talking to me, often about their grandmother’s spinning wheel! (We will not discuss today anyone loudly saying “look she is making wool!!” while I am spinning, or “Look she is spinning!!” when I am weaving. It’s a bit trickier, so getting Sleeping Beauty’s spindle wheel confused with Rumpelstiltskin’s flax wheel is slightly understandable.) Nevertheless, it was an opening, and I could tell them about the magic of watching cloth appear as you change the order of harnesses, which changes the pattern.

 

Now let’s consider what seems to be the most scary for new demo-ers, what am I going to get asked?

First, you are not required to know everything to demo! If you get a question you don’t know the answer to, admit that, and suggest they contact the local or online group. You don’t have to be an expert! Enthusiasm and looking like you are having fun will inspire others to try. That said, whether I am demoing needle felting in 2D or 3D, I most commonly get a few questions repeated as I am working.  Let’s take a look at some of the most common questions.

The first is “How does that work?”

If you don’t know how the needle’s barbs grab the fibre and push it into the felt or ground fabric, it does look like magic.  I try to show them the barbs along the working part of the needle. If you have a course needle, it’s easier for people to see or feel the barbs (32g or courser).  If they are having trouble seeing, I let them hold the needle, warning them the end is very sharp, and have them run their fingernail over the area where the barbs are located.

*I did have one person tell me they had tried using a needle to felt and it hadn’t worked at all. After I showed her the barbs on my needle, she admitted she had tried a sewing needle. I can see why she was having trouble getting the wool to felt.

 

Doer felting needle 32G diagram2.1) Doer felting needle 32G

Doer needle chart to help ordering triangle needles2.2) Doer needle chart for triangle needles

2019 small muskox landscape, Demoing at a social, under drawing and adding wool, finished image2.3) 2019 small muskox landscape, Demoing at a social, under drawing and adding wool, finished image

 

Common 3-D Question:

When I am working on a 3D piece, I get asked variations on “how do you move the wool where you want it to go?”.

First, the wool moves in the direction that the needle is travelling. Poke in the direction you want the wool to move. While also being aware of the position of your barbs, and thus your working depth, so you are getting the barbs to entangle or move the fibre to the location you want it to be.  It’s easy to say, and sounds simple, but I have seen beginner felters poking vertically (up and down), while trying to move the wool horizontally. It would be more effective if they poked the needle horizontally (moving left and right) or rotated their shape to align with the direction the needle is moving.

You can get quite devious with this concept.  While working on a sheep broach, I had the face quite sheepish, but the nose was not as firm as I wanted.  Who wants a soft-nosed sheep, that is just flaccid, or a limp-nosed un-sheepish aardvarkish-sheep?  If I poke from the outside, into the nose, I will distort the nose, and I will have to add more wool and reshape it.  There is a second way to firm up under a surface structure that you are already pleased with, if you have not finished sculpting the back side. You need to know where the first barbs are on your needle and how far to push the wool so the needle does not emerge past the finished surface.  In this case, I worked from the back of the head, pushing fibre through the sheep’s head broach towards the nose, from the back, to firm up the nose without changing the outer surface. It’s sneaky, but it works.

diagram working from the back of the head to firm up the nose without changing the external shape3.1) Moving the wool to firm up the face if needed.

2020 demoing for delivery guy while i was sitting by my side door. image shows the front edge of a manta wing adding black figer and sculping intersection betweeen colours i am useing a pen tool wiht 2 needles (can hold up to 3 needles) 3.2) 2020 demoing for the delivery guy sitting by my side door

I also usually explained that needle felting sculpture is both additive (like clay) and Subtractive (like Stone). Usually, you use some of both concepts when you sculpt with wool.

Additive:

  • You can make a shape and then add it to your creation. Sara from Sarafina Fiber Arts (lots of YouTube videos, including the Mermaid feltalong) works a lot this way. It has the advantage of being easy to explain what you are doing and is repeatable by other felters.
  • You can build up a body by layers of muscle, which is a great way to study musculature, but not a fast way to sculpt. Most sane people just add the general superficial musculature in a simplified form. You can also just go for cute and make more of a caricature of what you are making.

diagram showing felting across a cercle then folding the cercle along the felted line then felting along the fold to give a shape with a loose edge that can be attached to the maine shape. 4.11) A circle of fibre, needle felt across the diameter, then fold in half. Felt along fold line and as far down as needed, leaving an unfelted fringe giving an edge to attach to the main shape.   Sara creates most of her sculptures this way.

adding fins that have been pre-shaped and the attachment edge left loose to allow it to be (sharkboy under structure and 2 fins)4.12) adding fins that have been pre-shaped and the attachment edge left loose to allow it to be secured to Shark Boy

Subtractive:

  • If you poke in the same spot repeatedly, the fibre under that spot will entangle and compact. Visually, you will see the area that is being poked indent. Which looks like you have removed the wool above the dented area, while in fact it’s just compacted the fibres and moved them in the direction the needle was pointing.

diagram shows stabbing repeatedly in the same spot will both indent and compact that spot relative to the surrounding area.4.2) Stabbing repeatedly in the same spot will both indent and compact that spot relative to the surrounding area.

Hybrid – working with loose fibre (using both additive and subtractive methods to sculpt):

  • I often use loose fibre, use a few pokes to attach it to the area I want to sculpt and then, by careful poking, shape it into what I want to see. I tend to do this more when I am building up the under structure. But sometimes for adding detail, too. This is not as fast as remaking a shape and adding it, but it’s a lot of fun.

Miss Manta demonstrating adding loose wool and sculpting it into place. tail detial corner of mouth and scoops being sculped with loose fiber4.31- 4.32) Miss Manta demonstrating adding loose wool and sculpting it into place.

 

Common 2-D felting question:

When I am working on a picture, people will stop and watch me add small wisps of fibre, layering them to get to the depth of colour I want.  “Oh, I would never have the patience to do that!” OK, that technically isn’t a question, but that gives me the opportunity to talk about the various ways you can approach making a picture with needle felting that they could use.

Like a pastel: (usually a good approach with landscapes)

  • Working from the background towards the foreground.
  • It is easier to overlap images and create depth.
  • This usually makes the most sense for most images as an order of working.

Treating wool/fibre like a watercolour: (slow but impressive results)

  • Slowly layering tiny bits of fibre like washes in water colour painting. The transparency of the application allows the upper layer to be affected by the under layers. If you have lots of patience or just like to putter on a project, this may be your choice.

Like an acrylic (paint by number or colouring books): (much quicker than working like a water colour)

  • If you use a small window to isolate part of your reference image, you can match the colour you see in the little window, mix that colour, and then add it. Move to another spot and match and add that colour. You can think of this more like a paint-by-numbers kind of approach.
  • You can mix larger amounts of colours that occur in various parts of the image, which gives the image cohesion and it’s faster than mixing the same tone multiple times.
  • This is quicker than working like washes of watercolours.

Using a bit of each approach:

  • If you use the work order (like a pastel) from the background /mid-ground /foreground
  • Use colour matching to lay out the main parts of the picture, then
  • Use wisps of colour for blends and highlights in the blocks of colour.

displaying fox picture and working on sheep image. 3-D dragon with hand died silk wings in background more of table display, to right huge fish cat cave eating Struffed cat, table drape has name of guild and just out of from is web site and QR code for contact info5.1-5.2) 2018 Makers fair demo

 

I also get asked about “What fibres are you working with?”

This gives me the opportunity to talk about different properties of fibres. We can use lots of different kinds of fibre, sheep, alpaca, lama, Dog, Cat, Yak, silk, even plant and manmade fibre.  I can show on the fox picture that some of the cream coloured fibre is cat hair. That there is silk in some of the highlights, and the whiskers are horse hair, but I am looking for the outer guard hairs of a muskox, which I think will work better. Most of the rest is various breeds of wool.

  • Different types of sheep have different wool properties. (light reflection/ texture/crimp) fibre preparation; carded or combed, can also be used to affect your picture)
    • Merino absorbs light, so it works wonderfully for shadows
    • Bluefaced Leicester has a higher light reflection, so it works well for highlights
    • Shetland and Coriedale are what I tend to use for most of the image
  • We can also use fibres from other fur-bearing animals; dogs, cats, llama, alpaca, muskox, yak, bison, angora goat or rabbit, etc.

“Where do you get your fibres”? It is usually the next question.

  • Local yarn or fibre shops, online, and local farms.
  • Try to give a few options that are near to where you are demoing, if possible

2017 Ann demoing Blending board at the carp fair. explaining what happens with leftover bits of fiber she dosnt use up in projects. the blending board was poplular with adults and kids watching 6.1) 2017 Ann demoing the Blending board at the carp fair

If the demo is at a fair or large event, remember you may only get a few minutes of their time,  so give the brief version of an answer (I have trouble with this. I can be verbose, I know you are shocked to hear that!). If they don’t look like they need to leave, you can either go into more depth or ask them if they have more questions. If they look interested, but rushed (kids are trying to drag them away to the rides), try to have contact info for the local group that they can track down later. A business card is great to hand out, or a sign with the contact info that they can take a photo of and consult later is helpful too.

2019 Farm show demo, part of table display shows table drape with contact info and name of guild. also a strong selection of felting6.2) 2019 Farm show demo, part of the table display

2025 Dickonson day demo, Amanda getting help with her spinning this kid was facinated by the wheel. adults can also be captivated but are usualy more reserved about trying it out.6.3) 2025 Dickonson day demo, Amanda getting help with her spinning

 

Synopsis:

Smile, engage people by asking them questions, show them what you are doing, and have a contact for more information (it can be an online option if you don’t have a local guild/group). If you don’t know the answer, say so and suggest they contact the local group for more information.

The three important concepts for needle felting are

  • Rule 1) the sharp end of the needle goes in the wool, not your finger (following this rule saves on bandaids)
  • Rule 2) the needle goes into and out of the wool in the same vector (no changing direction as you poke), and
  • Rule 2.5) The direction you poke is the direction the wool will move.

I hope this gives those who have not tried demoing yet some encouragement. It’s lots of fun and you get to meet future fibre people! Have a wonderful long weekend, Monday!  The next long weekend will be Labour Day Monday,  September 1st, 2025! Have fun and keep felting!