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Inspiration Photos

Inspiration Photos

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The photos of the felt piece I was going to blog about today didn’t turn out, so I thought I’d share some photos I took recently for inspiration. I was up early enough to enjoy some morning sunshine in the back garden, so took lots of photos of anything which caught my attention. The first thing was these little wild geranium flowers which grow everywhere in Spring:

They look nice, but they are really invasive and have a pretty unpleasant smell. I know lots of people hate Dandelions, but I’ve always really liked them. I had no idea the centres looked like this until I got a camera with Supermacro settings:

The next thing was this little glass cabochon. I used it as a weight on a stencil a few weeks ago and it got flecks of spray paint on it:

I’m not sure what this plant is or even if it’s something I bought or something which found its own way here, but it’s another thing whose detail is lost (to me, anyway!) without the Supermacro camera setting:

I’ve taken photos like this before, and I’m pretty sure I’ve shared them on here. This is a leaf from a teasel plant. I love the way it looks when it starts to die/decay:

I love the texture of Sage leaves, especially when they are young:

I’m not sure what is clinging to the ‘hairs’, but here’s a cropped close up:

If any botanists know, please enlighten me! The cat who has adopted us joined me in the garden, she enjoyed rolling around in the dust. She has nice patterns and markings anyway, but the sun seemed to make them more obvious. Even though this is really soft, it reminds me of a hedgehog:

I took this photo because I really like the soft hair behind her ears, but when I looked closer at the photo, I noticed that on just one small part of her head she has lots of different types of hair/hairs:

I only took this photo because I think the cat’s chin is really cute:

But when I looked closer, the fur seemed to be in a kind of pattern, kind of like the pattern of Sunflower seeds or a Dandelion seed-head. I’m not imagining it, am I?

I took these last photos a few weeks ago at the park near the well being centre. I wouldn’t be surprised if I’ve shared photos of these trees here too, they’re at the entrance and always make me want to photograph them. I thought it was interesting the way the clouds matched up with the trees.

This tree has a really unusual trunk, it seems really fibrous:

There’s a tree behind it which has really interesting seed pods, at least that’s what I think they are! I thought this might be something which Ruth might find inspiration in:

I don’t often sit down and plan a project directly from the inspiration photos I take, but I’m pretty sure the textures, colours and patterns influence my work anyway. Do you take or collect inspiration photos? What do you do with them? Please feel free to use any of these photos for direct or indirect inspiration.

Dyeing with Plants

Dyeing with Plants

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Our guest artist today is Cathy Wycliff (Luvswool).  She shares her adventure into dyeing with plants.

Recently I went to the Ozark Mountains in Arkansas for a two-week artists’ retreat. My plan was to spend two whole weeks felting with some time out for photographing the natural beauty of this area (think NW Arkansas, closer to Tulsa OK than Little Rock, AR. ) I also contemplated doing some natural plant dyeing, but it was the wrong season for collecting some of the natural plant materials in the area, such as oak galls and walnut hulls. I ended up ordering some botanical material from The Woolery, which amazingly arrived two days later!

While awaiting delivery, I got going with natural pine needles from the huge pine tree growing in the backyard. I snipped about two dozen clusters and began boiling them, later adding the white wool (domestic 56’s). The ending color did not jump out and grab me, but still I was pleased with the natural beige color which the pine needles produced–and a bonus was that the smell was heavenly.

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Once my dyes arrived, I got to work rinsing and mordanting the wool (all of the wool I used was domestic 56’s from RH LINDSEY.) I began with madder, but this was quite a lengthy process of soaking the wool for over an hour, then mordanting the wool by cooking the alum and cream of tartar. Later when everything had cooled down, I then added the madder and wool.

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Each dye I used required this lengthy process, and unfortunately, I had only one usable pot. After the first wool was dyed in madder, I changed the composition by adding iron, which developed a deeper color of red/orange.

I continued with the logwood as above, also developing a second shade of purple by adding iron.

IMG_0522Overnight drying time was needed, and here you can see the pine, madder and logwood drying in the kitchen.

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I continued with osage, which achieved a golden color, not orange as is sometimes possible.

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Next you see the osage and deeper shade of logwood drying.

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Although I have done other kinds of dyeing previously–including indigo, food colors, acid dyes and even beets–natural plant dyeing is a whole new level of dyeing. I began thinking about the Native Americans and their use of natural plant dyes, as well as other very early ethnic groups around the world who had no other choices. And they didn’t even have gas stoves!

I was pleased with all of the results, which you can see here:

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Left front –pine needles; Left rear  — osage; middle two shades purple  (+ iron), Middle rear — osage, Right —  two shades madder (+ iron); Right front —  cutch

I am looking forward to additional dyeing this summer, and perhaps even growing some of my own dye plants.

Thanks Cathy!

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