I mentioned in my last post that I’d finished my white texture piece that I’ve talked about recently. Here is the photo from the last post of it all sewn up. I finally managed to get a bright enough day to take a photograph. With all of the locks it’s really quite big, so I had to take it outside and photograph it on a large piece of cardboard. It’s roughly 16 inches x 11 inches, but the locks at the bottom are almost 11 inches long.
I wanted to try something different, so when I laid it out I left a space in the centre without any wool then added a piece of cotton gauze after the second layer of wool. It was here that I added the wool locks around the edges as well. I then added another two layers of wool. The surface texture around the edge of the gauze is soybean top, a piece of cotton gauze and silk noil.
In this close-up, you can see a few wisps of wool have crept behind the gauze.
The wool locks all kept their shape really well and none of them tangled together. The Angora, Wensleydale and Teeswater locks in this next photo show how nicely they turned out.
I kept the whole texture piece soft and spongey by using wools like English 56s, Swaledale, Texel and Cheviot. For surface texture I used cotton gauze, scoured Bluefaced Leicester and Wensleydale as seen in this photo.
I also used Mohair, wool nepps, raw Gotland, Teeswater and Wensleydale locks, and embellishment fibres soybean top and silk noil.
I’m really pleased with the way it turned out, especially the gauze panel in the centre. Doing this piece has given me some good ideas for future projects.
