Travel Inspiration (& a little bit of felting)

For various reasons, I’ve not done much felt-making recently and I’m now in the very fortunate position of finding myself on holiday / vacation in California when this post is due. So, I’m going to talk about some of the creatively-inspiring things I’ve seen while I’ve been here, and then show you a little felting I’ve done as a result.

As I’ve been on holiday I’ve been looking at and mulling over some of the things around me that I find inspiring when I’m deciding what to felt. Visiting California, these have fallen broadly into three categories: coastal, botanical & textile.

COASTAL

For the first week, I was staying in Redono Beach, just south of Los Angeles, so there was an obvious coastal connection. As I walked along the beach each morning I looked at the ocean and things that were washed up at the water’s edge.

I found two “sand dollars” (actually skeletons of flat, burrowing sea urchins) which were beautifully patterned so popped them in my pocket for further consideration.

Left & bottom the 2 sand dollars I found

There was lots of interesting sea weed – I quite fancy wet felting some sea weed – though you’ll be glad to hear I didn’t pocket that.

 

 

 

 

 

 

 

 

And I found the usual bits of shell, pebble & sea creatures. Plus a nice view of a little egret

BOTANICALS

Around LA there were some lovely plants & trees. I found the bark of some trees and stems of cacti or succulents in Huntington Botanical Gardens especially intriguing. 

These could inspire some really interesting 3D felt pieces.

I also loved these bougainvillea at the Getty Center.  Metal rods support or encourage the plant to grow up inside their structure, then the stems, with their bright pink bracts & tiny white flowers, cascade out of the top looking like giant bunches of flowers. I think there’s a felted vase idea in there somewhere.

I gathered these in the garden of the next house we rented in the country near Solvang. I’ve wet felted seed pods, including eucalyptus, before. It was interesting to see the remains of the flowers on the tree on little green pods, then (I assume) the dried version, followed by the matured pods.

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Maybe I’ll do some more eucalyptus pods some time.

TEXTILES

Also at the Getty Centre was this bust of a Sudanese man by Charles Cordier. This is a bit of a cheat in that it’s a representation of textiles but I marvelled at the way the artist had managed to make the hard marble-onyx look so much like softly draping fabric.

At The Broad modern art museum I found this enormous draped piece, “Red Block”, both extremely beautiful and very poignant. Created by Ghanaian-born, Nigeria-based artist El Anatsui, you can read the gallery’s text (below). Made primarily from reused gin bottle caps it is lovely in itself. As the text describes it, it also references traditional kente cloth, cultural appropriation and the damage caused by alcohol, colonialism & global markets, among other things. I also liked that the decision on exactly how to hang it is up to the exhibition’s curators. Presumably it would be different in every place it’s shown, reflecting the curators’ interpretation.

The Broad also had two textile pieces I found interesting. A large fibre-based work by Channing Hansen…..

Photos

….and a huge felt piece by Robert Morris

On to the Museum of Contemporary Art, I found this work, “African-American Flag” thought-provoking.

As was this huge wool tapestry by Goshka Macuga.

Visitors to The Broad were encouraged to stand quite close to these giant canvases by Rothko, which positively vibrated with colour.

I thought these could provide a good stepping-off point for wet felting, given how layered the colours are. Though it would take a lot of wool, space and elbow grease to achieve anything like the experience of standing in front of the Rothkos.

I had hoped to find some unspun wool while I was out and about and maybe get in a little recreational felt-making but it wasn’t easy to find.  Lots of yarn but no unspun wool.  Then, visiting La Purisima Mission in Lompoc, I found some small samples of Navajo Churro wool available in their gift shop, taken from their own flock. There wasn’t much of it & the colours were limited (3 shades of grey) but I bought a little, thinking back to those grey sand dollars.

I gathered together some very basic equipment and cut out a sand dollar shape from scrap bubble wrap to act as a resist.

I’m always happy to remember that you really don’t need any fancy equipment to make wet felt. Just these bits & pieces, some dish soap, warm water & my beach towel.

Here’s the wool laid out and wetted down ready for felting.

And here is the result.

The wool is fairly course and felted well though the floor looked like I owned a very shaggy dog afterwards. There was quite a lot of shedding. The patterns aren’t as distinct as I’d have liked because I couldn’t get quite enough colour differentiation but that’s OK. I might do a little needle felting on it when I get home, or I might just leave it as it is.

I hope you enjoy my trip around California.  I certainly am!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I hope you enjoy my trip around California.  I certainly am!