I updated you about my autumn nuno landscape project about one month ago in this post. I had been discouraged with the project and it was languishing. So I asked for suggestions and I appreciate all the support. I decided to go ahead and keep working on it but only doing about 15-20 minutes a day. (Click on any of the photos to enlarge.)
Here’s what it looked like one month ago. I decided to start filling more of the middle ground with a combination of neutralized red and green seed stitching.
Here you can see how much seed stitching can be completed in short spurts. But I was still dissatisfied with the piece. Why was that? After working on it steadily, I took some time to look back at my reference photo and see what I had missed. Then I realized that I didn’t have enough dark values to show the shadowed areas in the landscape. Aha!
I started by adding a more neutralized green in the area between the aspen trees. I used a much thinner thread (1 strand floss) and smaller stitching. It darkened up the area a bit but that wasn’t enough.
So then I started adding a dark brown in the same area. Again, I used one strand of floss and smaller stitches. I am still essentially doing seed stitch but piling it on top of other seed stitches.
So here is how far I have gotten with my slow stitching. I am happy that I figured out what was bothering me about the piece. There are still lots of more shadows to add in to give the impression of lines of trees. I also think that I will add a more neutralized green over the distant pines in places. The more stitching I add, the more it seems to need. But at least I am moving forward.
Can you see the difference when you compare the piece side by side, before adding darker values and after? Do you think about value contrast when you’re working on a composition? Do you have any tricks for seeing value contrast better?