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Author: Marilyn aka Pandagirl

Playing with Fabric Scraps

Playing with Fabric Scraps

Hello again. I know its been a long time since I’ve posted and I sincerely thank everyone who has contributed to the blog in my place.  I definitely feel it has enriched our community and broadened our scope.

Because of health issues in our family, I haven’t been doing much creative work.  But managed to do a little fabric manipulation with fabric scraps.  I had bought a book a long time ago by Ann Small, Layered Cloth, The Art of Fabric Manipulation. Anyone who knows me or followed me knows I love texture.  I was intrigued.  Plus it was something I could work on a little at a time.

Like  everyone else, I collect all things fiber and found a stash of five fabric pieces I had bought at a thrift store. Perfect, but I needed one more for six layers. No problem.  I had an old Egyptian cotton sheet laying around I had used several years ago to make small pillowcases.

I wasn’t too concerned with colors, but it worked out fairly well. I cut five inch squares out of each cloth. They are different weights of cotton and or blends.

My first sandwich. Excuse the shadows the light wasn’t very good.

 

 

 

 

 

 

 

The book gives many examples of patterns.  I was really excited to experiment. I started in the middle and using the width of the presser foot to make the next row.

I assembled a variety of tools, not knowing which would work best going through five layers.

 

 

 

 

 

 

 

The blue scissors proved to be most useful on most of them. Although my hands were not happy with me.

If you look closely at the pic above on the right, you’ll notice how stringy the one corner is.  This is because it was cut on the grain.

For the next five sandwiches I alternated fabrics and designs.

After stitching and cutting, I roughed up the samples to get them to open up.

 

 

 

 

 

 

After being washed and dried.

 

 

 

 

 

 

 

The circular design was difficult to cut through the layers.  I had to use the seam ripper to open it up far enough to get the scissors in and hope I’d get through the first five layers and not cut all six. The finished piece is very thready even after washing twice, dried in the dryer.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

On the following one I decided to slash squares. So I used a piece of  stitch and tear  to draw my pattern then stitched it to the sandwich and followed the square pattern. Again I had to use the seam ripper to get started.

 

 

 

 

 

 

 

After stitching, slashing, washing twice and drying, here is the result. I found it interesting that not all squares opened, but every other row did creating it’s own pattern.

Here are all six of them together after they were washed, dried and trimmed.

I have to say the pink is my least favorite, but it was a fun project to see how different each pattern turned out.  I’m sure using different fabrics and perhaps even using a tie dye type fabric you can get some really fun outcomes. Have you ever tried this?

I’m not sure what I’ll do with them now.  Any suggestions?

Making Socks from Start to Finish

Making Socks from Start to Finish

Our guest artist is Leonor  from Felt Buddies who is sharing a special sock story and process.

Today I’m sharing with you some sock making, from the dye pot to the finished product.

A few months ago, I got a new tattoo from my husband’s co-worker Jim (if you’re guessing my other half tattoos for a living, you’re guessing right). In exchange for his work, Jim asked me to knit him a pair of socks – he’d seen me knit whilst in the studio and was fascinated by the concept of having a garment made especially for someone. I happily obliged!

Because I own my own fibre business, I have a lot of sock yarn available to dye at my pleasure. After talking to Jim about his colour preferences, I got to work. I loved that he asked me for three of my favourite things in socks:

  • Mismatched colours with contrasting heels and toes;
  • Bright colours (you can’t get brighter than magenta and purple!)
  • Socks that glow under UV light.

I had some yarn I was keeping for a special occasion and this was the perfect time to use it. It’s a very soft alpaca/merino/nylon blend.

For some reason, at the time I thought it was a good idea to break down the yarn into four pieces – two for the main body, two for the heels and toes. I’ve no idea why I did this, since I was only using two colours, but hey. I simply weighed the skein and took out 15 grams for each foot to make the smaller parts.

I then soaked the fibre in some water and synthrapol in preparation for dyeing. Synthrapol is a wetting agent and helps the wool absorb more dye. It’s also excellent to rinse out fibres.

After the yarn was thoroughly wet, I made my dye stock using professional-grade acid dyes and to the pots I went.

After adding the colour to the water, I placed one little skein and one big one in the pot and let the fibre sit for a few minutes without any heat. Because this yarn isn’t treated to be superwash (non-felting), the dye takes longer to penetrate the fibre, so I wanted to give it some time to get to every bit of wool.

I then turned the heat on and once the water started simmering, let it be for about 10 minutes, turned it off and let the wool cool completely in the pot. This allows for the remaining dye to be soaked up, and also makes for a brighter finished colour work.

 

 

 

 

 

 

In order to turn my skein of yarn into a ball, I used an umbrella swift (pictured above, on the left) to hold the fibre whilst I pulled it onto a skein winder (above right) to make a neat ball. I have all the cool gadgets!

Once the yarn was dyed, washed, rinsed and dry, it was time for knitting. I had made an impression of Jim’s foot beforehand and used it as my template to make sure they’d fit. If you’re curious, this is a technique taught in a pattern called Fish Lips Kiss Heel that makes for fail-safe sock fitting (and heel-making). It’s available on Ravelry at a very low price and I highly recommend it.

And here’s the finished socks! I still had to weave in the ends in this picture, but I’m happy to report that’s been done since and I have presented this squishy pair to a very enthusiastic Jim.

Now, for a fun little extra: I asked for a photo of him wearing the socks for my social media. Be careful what you wish for! Jim took the picture, alright – he got down to his underwear and struck a hilarious sexy pose for me. If a bit of skin doesn’t offend you and you like a good laugh, hop on to my Instagram @feltbuddies and look for yourself. There’s a black and white photo with a disclaimer about the partial nudity, and after you swipe there’s Jim happily wearing my socks… J

 

Thanks Leonor!  If you’d like to follow more of her fiber adventures,  you can see her work here:  https://www.feltbuddies.co.uk/

 

Finishing and Framing

Finishing and Framing

 Our Guest Artist today is Tracey Thompson who has several galleries interested in her work and offered to share some tips on finishing and framing with us.

So, you have created your latest pictorial masterpiece and now you have to decide how you wish to display it.  Here are a few options that I have tried, I am sure there are more.

Canvas

Deep or shallow edge canvases are very useful and can be used in a number of ways.  One suggestion is to make the piece big enough to stretch right over the sides and onto the back, then staple gun the edges of the felt to the wooden structure. Here is my 8×8 canvas example.

Then to tidy up the back I cut a piece of calico to size, ironed a neat hem and sewed it carefully to the back covering all the ugly staples, then added a D ring for hanging.

Another way to use canvas for displaying your work is simply to stick strips of double sided sticky tape onto the canvas and press your work onto the tape, this is useful if you want an organic look rather than a straight edge.

The last canvas tip I have is to again use tape to stick your piece to the canvas but this time, the work is slightly bigger than the canvas, so this creates the illusion that your art is ‘floating’ just off the wall.

 

Framing

Obviously your pieces can be framed, including a mount and glass. This is how I finish my pieces, choosing the correct colour mount to compliment the work, and using white wooden frames.

Another way of framing is to tape the piece to a complimentary coloured mount board and display it organically within the frame.

The last method I want to show you is a backing for a wall hanging.  Once the piece is finished, size a piece of calico for the back similar to the canvas above, and sew as before.  Then machine sew a strip of velcro (the fuzzy part) to the top of the work. Cut a slim baton and to this the loop section of the velcro is glued, and a D ring screwed midway for hanging.

The piece now has options available to yourself or the customer.  It can be hung as it is, using the D ring, or the baton can be taken off and the piece can be framed organically or with a mount as desired.

I hope that has given you a few ideas as to how you can show your work to its best advantage.

Thanks Tracey for these great framing tips!

 

 

 

 

 

 

 

 

 

 

Die Cutting Felt

Die Cutting Felt

Today I’m pleased to welcome Tracey Thompson as our Guest Artist. Tracey has been an active member on the forum and will be showing us her Die Cutting Machine and her experience cutting felt.

A recent post in the Felt and Fibre Forum led me to comment that I had tried to cut felt using a die cutting machine.  It was given to me free by a friend because she wanted to treat herself to the next model that had more bells and whistles!

Here is the die cutter, it is a Spellbinders Grand Calibur.  It cuts beautiful images in  card stock but how would it cope with felt?

I tried both commercial felt and my own prefelt in this machine.  The results were mixed with both felts, but I think this was largely down to the dies.  The more intricate the die, the more it mashed away at the felt, sometimes obliterating it!

I then remembered that I had a quite simple die in the shape of a snowflake, and as I still have Christmas cards to make, I thought I would have another go.  This next picture is my prefelt with the snowflake die and a Merry Christmas die.  The hole in the middle of the prefelt was where the snowflake came out perfectly, and the mashed up bit at the bottom was where Merry Christmas didn’t!

So I thought I would make a simple card to use the snowflakes on.  I put down two layers of Tanzanite from World of Wool, as I wanted a night time feel as a background.

I also wanted simple decoration, so I just lay a few blue and white mulberry silks on the top.

Here it is after felting.

I then ironed a piece of interfacing onto the back to make the stitching more stable. I had cut out a few snowflakes using a white commercial felt, and I used a double silver metallic thread to attach them to the felted piece.

So here is the finished card, it is a fairly simple one but it’s one to tick off the list!

Tracey, thanks for sharing your experience with us and for helping to fill in on my leave!

Pandagirl’s Year End Round Up 2017

Pandagirl’s Year End Round Up 2017

I’m always amazed at what I accomplished at the end of year. This year I took a few classes in order to expand my creativity in addition to experimenting on  my own. I also tried to use up more materials and finish some UFOs.

Here is a bedside case for odds and ends made with some merino inside and unknown fiber batt with silk embellishment.

Experimenting with different types of yarn to make a table runner.

Our First Quarter Challenge – Fauvism.

Weaving then felting.

A Valentine gift for granddaughter Lisa.

 

Teri Berry’s Snail hat class.

 

 

 

 

 

 

 

Finishing and hanging an eco print.                                                  Crochet around wire bowl.

 

 

 

 

 

 

 

Framing the felted weaving.

I did a lot of experimenting with crochet stitches.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Practicing for Ruth’s Free Motion Embroidery class.

Crochet hats for my granddaughter and her new premature brother Ken.

A dimensional potholder.

Learning more crochet stitches.

Making a crochet hook case from a crochet sample.

A bowl for the Second quarter Challenge – Celtic

Using yarn on a resist for a vase cover.

Adding dimension to the hummingbird/tiger lily picture.

Crocheting scrubbies.

Felt and crochet earrings.

 

 

 

 

 

 

 

Crochet beaded bowl with stiffener.

A Pumpkin for Ken.

The Third Quarter Challenge – Edo Period; felt and hand embroidery Sakura.

Ribbon embroidery and framing.

 

 

 

 

 

 

 

Playing with thickened dye for Ruth’s class on felt.

 

Finishing  a case from UFO pile and FME Butterfly

 

 

 

 

 

 

 

Maneki-Neko for Third Quarter Challenge Edo Period.

Framing the Rooster.

More stencil play with acrylic and thickened dye.

The Fourth Quarter Challenge — Suprematist

Penguin’s Poinsettia Holiday card.

A couple of scarves for my daughter in laws parents in Japan where it’s as cold as Chicago.

 

 

 

 

 

 

 

I want to let everyone know I am taking a leave of absence to focus on my health and family.  I will be around just not posting weekly.  We have a lot of talented artists that will be filling in starting with Tracey Thompson next week.

I want to thank everyone for helping out to give me this time.   If you or someone you know has something to share — it doesn’t have to be felt but anything fiber related including paper, please contact me or one of the other moderators on the forum and we’ll get you on the schedule.

I hope everyone has a Happy, Healthy and Prosperous New Year!  Happy Creating in 2018!

Wrapping Up 2017 Projects

Wrapping Up 2017 Projects

Right now its cold in the Chicago area and as Christmas quickly approaches, I thought of my daughter in law Mari’s parents who live in Japan.  Their weather is very much like ours here.  While we will spend the holidays in California, I thought I would make and send some warm scarves for them since they are staying in Japan for the winter.

Lately, I’ve been doing  smaller projects,  so these scarves took me a while to complete in stages.

I had some merino/silk roving in a couple of colors I thought would be neutral enough.The one on the left I used to make myself a cobweb scarf a while back. Then I made a my husband a scarf using prefelt in the center.  This time I was going to do something different.

 

The roving was quite twisted, so I made batts for each scarf. I laid them next to each other, wetted them down then let my EZ Felter machine do the hard work.

I finished and fulled them by hand using my bead boards and solar pool covering.  I  believe this roving had more silk in it and is a bit softer.

This roving was multicolored with a bit of brown, green, blue, gold and white in it.

While it looks beige in the pic above, the closeup is more the actual color scheme.

I hope no matter if you are in the heat or cold, you all have a wonderful, happy holiday!

Penquin’s 2017 Christmas Card

Penquin’s 2017 Christmas Card

Penquin (Anne Hickley) made me a beautiful Panda card for the holiday exchange.  For some reason I was stuck on the idea of a Poinsettia.  You may have already seen it on the Forum.

I made one for myself last year to hang as a decoration and wanted to do another.  Of course, making a card became more complicated than I had anticipated.  But I enjoyed making it.

I started out making thin red prefelt and cut out 5 or 6 layers of different sizes, putting plastic wrap between each layer leaving a hole in the center so they’d all felt together.  I had some green for the leaves and laid those underneath.  Unfortunately, I didn’t take pictures before I felted them.  But here is the flower after felting with beads for the center.

I stitched each petal and leaf.

Then I felted a white background with some sparkly fabric for a snowy effect.

I did another without the sparkle to be the back.  On the back I used Luminescent paint to write the words.

Now it was time to put it all together.  I used stabilizer on the back of the sparkly piece and sewed the flower on by hand.

Then the fun part was putting them together using the blanket stitch.

I’m happy Penguin enjoyed it and hope everyone is ready for the holidays!

More Stencil Work

More Stencil Work

While I have more experimenting to do with the thickened dyes and paint on felt, I have two more to show you for now.

I had a nice Anemones screen stencil from Stencil Girl I had purchased for Ruth’s Paper Lamination Class earlier this year that I didn’t use.  So I wanted to try that on a violet merino batt I had felted for the dye class.  I recalled Mary Stori’s advice on using a credit card with a screen stencil, so I tried that.

I added the thickened dye and ran over each section several times trying hard to have even coverage.   But there was still blotchy spots in the design. ( I’m sure it takes practice like anything else.)  Since it would be next to impossible to line the stencil up exactly again, I had to get creative.

I used a bamboo skewer like a paint brush to fill in the tiny spots with dye being careful not to drip or miss.

I was pleased with the results. In person it isn’t as obvious that there a few lighter spots that the camera caught. While there isn’t a lot of detail in the flowers I may add stitching or paint or leave it as is. I haven’t decided.

I had made a mylar stencil myself of a lotus flower.  I’m not very good with the exacto knife or a burning tool and was worried about how it would turn out. I decided to use a piece of handmade paper I had laying around for decades and acrylic paint to try it out.  I intentionally used the nubby side of the paper to add some interest and texture.  I used a stiff small brush to paint.

It needed a couple of layers, but I was happy the way it looked.

 

 

I’ve Been Framed

I’ve Been Framed

A few years ago I wet and needle felted a Rooster portrait.  Of course, its been sitting in my UFO pile.  I wrote about it here:

https://feltingandfiberstudio.com/2014/11/22/a-colorful-rooster/

I had a canvas frame I had used for something else and decided to use the rooster pic to cover it.

Then I tried it on several colored walls.

But I wasn’t really thrilled.  I felt something was missing. Then  I found a frame I thought would be perfect.

So, I removed all the staples, steamed out the bumps and mounted it in the frame.

Here’s a  closeup of the distressed frame which just happens to have a turquoise/teal color accent.

It’s found its home in the teal kitchen.

I think it all ties together nicely.  I feel like I’m looking out a farmhouse window at the rooster. What do you think?

Playing Some More with Stencils Part 3

Playing Some More with Stencils Part 3

Ruth’s Printing and Stenciling with Thickened Dye class has come to an end, but I’ve been continuing to experiment on felt and paper.  This week I’ve had some interesting results I wanted to share.

For this project on felted merino, I used several different colors and objects to try.

The lower left is a type of silver netting used at Christmas for wreaths and other projects. a dried Maple leaf, a plastic bottle sleeve and a tree stencil.  I used a combination of thick and thin dyes. And the red did bleed again when setting the dye.

The gray/silver color is the mesh, the red is the plastic bottle wrap.  The leaf is the green but not very distinguishable.  I used a brayer for all of them.  The stencil didn’t do well at all.  You can only see a few lines here and there.  I didn’t have a plan,  just wanted to see how each would print.

Then I decided to try acrylic on commercial felt.  For this I used a roller type stencil with different textures I made in class with purple metallic paint for a background. It didn’t print very clearly so I didn’t take a pic.  Then I  used handmade leaf stamps in metallic green and a commercial leaf stamp in the corners and a couple of metallic gold accents.

I thought the metallic paint would pop more on the dull smooth felt surface.

Cathy (Luvswool) loaned me a geometric stencil I wanted to try.  She had done some nice stenciling with acrylic on cloth.  I wanted to try it with dye on felt.  Here is the stencil on the felt.  You can see the one rectangle that is solid.  This is what I thought I wanted to do, make each shape solid, but it took a lot of dye and time.  When I just started stippling with an old brush, I liked it better. I also added extra colors in a couple of places.

 

Here it is with the stencil removed and the dye set.

I couldn’t undo the solid teal area, but I did add a couple other solid areas just for balance.  What do you think?

I had fun learning these techniques and as with anything it takes practice.  I’ll have a few more projects to share later.